Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Cargo Edition

Glasgow Underground was set up in 1997 by Kevin McKay. He began the label releasing his own music and collaborations with friends and other Glasgow-based artists (Omid 16b, Studio Blue, DJ Q, Harri). Through his DJing and work for various music magazines (Muzik, Jockey Slut, Mixmag Update) he met some of his favourite producers of the time (Romanthony, Mateo & Matos, Idjut Boys...) and convinced some of them to join him releasing on GU. In the early 2000s, Kevin met Mylo and set up the Breastfed record label. The global success of "Destroy Rock & Roll" meant Glasgow Underground was put on hold. After leaving the Breastfed label in 2011, Kevin re-started Glasgow Underground and since then the label has gone on to re-invigorate Romanthony's catalogue with remixes from the likes of Dixon, MCDE, Gerd, Andres, Oliver Dollar, Ejeca, Audiojack, Claptone, Christian Nielsen, Supernova, Jimmy Edgar and Waifs & Strays. The label has also introduced producers like Daniel Trim, Brett Gould, Mia Dora and Illyus & Barrientos as well has releasing established & rising stars such as Metodi Hristov, Stefano Ritteri and Sabb.

Glasgow Underground

A lot has happened in the last 20 years of dance music, but one constant has been Get Physical right at the sharp end of the scene. The label has become a globally recognised symbol of quality, renowned for its always varied and vital house output. Forming the backbone of the label's vast catalogue is the influential in-house DJ mix series, Body Language. It is a snapshot of exactly where the underground is at and has been assembled by tastemakers such as Azari & III, Catz ‘N Dogz, Dixon, DJ Hell, Francesco Tristano, Nôze and of course label-founders Booka Shade, DJ T., and M.A.N.D.Y..

Next to that there has been a constant stream of innovative, dance-floor ready singles, crossover club classics, seminal remixes and a number of standout artist albums. The label has always stayed true to its house roots, but with a rich array of influences taken from the worlds of disco, deep, tech and melodic house. Along the way, Get Physical´s core artists have been joined by red hot new talents including Alinka, Thandi Draai, PAUZA, Yulia Niko, Birds Of Mind, CIOZ and Monkey Safari. There have also been carefully considered forays into thriving house music scenes in Africa, Brazil, Cuba, Croatia and India: dedicated compilations and EPs have highlighted those region's most exciting new talents and given them a global platform.

The name says it all: Get Physical tracks could hardly be more moving and corporeal. It was true in 2002, and it will be true in 2022 and beyond. To celebrate the occasion, the label will reissue some of its most classic tracks, host special anniversary events and release a new range of merchandise in collaboration with Australian brand One Teaspoon. Get Physical has already made a huge contribution to the history of contemporary house music, but rest assured the German label still has plenty more to say.

Get Physical Music

The sun of the night needs the energy of the heart more than ever. Again, Heideton dedicated to deep-roots, groove-driven electronic music with a timeless touch of pioneers and newbees. Its musical journey with artists such as Anja Schneider, Spencer Parker, Johannes Albert, Tiger Sripes, Ede & Deckert, Dukwa, and many more. Compilation was curated by Joe Metzenmacher. A symbol of the shadow that exists between the past and the future — a period of disorder when old truths are fading and new avenues are still unknown. From Leipzig to Munich, from Berlin to Hamburg, the nightlife in many German cities has changed dramatically in recent years. Clubs that used to be centers of freedom, diversity, and creative music are closing. The inflation, growing rents, and social limits have put tremendous pressure on the electronic music culture, which was previously renowned for its inventiveness and tenacity. No Moon, is a musical representation of this ambiguous time. This selection acts as a musical bridge connecting the beginning and end of a club night, symbolizing both the lack of a clear light and the potential to find something new in the shadows. Each track depicts the nights ecstasies, the search for connection, and the ongoing struggle between tradition and the future in a unique way.

Heideton Records

Founded by John Digweed in 1999, Bedrock Records is home to some of the leaders of the electronic music scene; releasing tracks and remixes from the likes of Booka Shade ,Red Axes, Hannes Bieger, Pig&Dan, David Morales, Echonomist, Jonathan Kasper, Franky & Sandrino, Dino Lenny, Nick Muir Josh wink and many more

Bedrock Records

Snatch! is Riva Starr’s first label project and the aim behind it is to push new talents and well-established forward thinking producers. Expect slamming fresh house cuts from some of the most exciting talent in the scene.Current artists:Riva Starr, David Keno, Donk Boys, Kolombo, LouLou Players, Thomas Schumacher, Tapesh, Maximiljan, Pirupa, Ramon Tapia, STARR TRAXX, KiNK, Jet Project, Phil d'bit & Sebastiano Sedda, Prince Club, Homework, Cajmere, John Made, Dualton, Acid Jacks, Federico Milani, Adam Port, Leon, Butch, &ME, Amir, DJ Sneak, Steve Mac, Pablo Rez, Mihalis Safras, M.in, Jonas Fahz, Fabian Argomed, Da Lukas, Kidde & Bebbe, Remerc, Thieve, Doomwork, Karl Yano, Fatboy Slim, Beardyman, Major Lazer, The Martin Brothers, Carl Cox, Jon Rundell, 2000 And One, DJ Madskillz, Gonzalez & Gonzalo, Spada, Aldo Cadiz, El Pocho, Ruben Mandolini, Joyce Muniz, Danny Serrano, Guti, Chube.Ka, Luid, Rickie Snice, dOP, Hollen, Ron Costa, Jordan & Santero, Albert Marzinotto, Jestofunk, CeCe Rogers, Rssll, Youssef, Last Magpie, Landmark & Kres and more...

Snatch! Records

“Toolroom Records has come a long way in 15 years, from Mark Knight’s garden shed to international success. But it’s the development of new talent that sets the label apart.” ~ Mixmag

 Toolroom Records is known internationally as one of the most innovative major brands in dance music.After 15 years in the music industry, we are known for our passion for quality House music, and our close connection with the #ToolroomFamily – our international community of fans. Over the years we’ve signed and even discovered some legendary artists; we’ve led the way in an ever-changing industry, developing artists and even evolving ourselves – and this is just the beginning.Toolroom Records began in 2003 when emerging DJ/producer Mark Knight and brother Stuart Knight started the label. Quickly developing a fan base of professional and aspiring DJs, the label became synonymous with credible House and Tech House.‘Our mantra from the beginning was a simple one’ say Mark. ‘We wanted to be a record label run by DJs, for DJs. The kind of label that when you saw the artwork behind the counter of the record shop, you’d buy on sight.’Rising in tandem with the career of label figurehead Mark, Toolroom rapidly grew into an internationally known brand through some defining club records – most notably Mark Knight’s remixes of ‘Man With The Red Face’ and ‘You’ve Got The Love’, among a host of original material from Mark and other heavyweight dance artists.Toolroom has also diversified beyond a traditional record label model. We have successfully expanded into events, with Toolroom residencies and festival appearances all over the world.  Moving towards other media platforms, Toolroom Radio, hosted by Mark Knight, is an overwhelming success with over 16 million listens per week, and Toolroom Academy – the educational arm of the brand – offering a range of innovative production and DJ courses to the next generation of electronic music artists.‘It’s very a much a family thing’ says Mark. ‘When we talk about the Toolroom Family’, that’s not just a marketing slogan. We’re normal, level-headed people, but we’ve always dreamed big.’With a strong musical vision and a tight artist roster, this is still the start of a journey for Toolroom – and we want to share it with you.

Toolroom

What more can be said about the massive name that is Ministry of Sound. MOS is unquestionably the biggest most commercial name in the clubbing market, their CD's have sold in the millions. The Ministry brand is known around the world... whether you like it or not.

Cargo Edition

Overview

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The Death of the Funky Chameleon EP

On the Road EP

Motore Grande EP

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