Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Boo Williams

Almost ten years have passed since the last Boo Williams’ Ep on Goldmin and some might have thought the Chicago legend had just made a quick appearance on the label but wouldn’t come back. That’s why 2022, the 10 years birthday year of the label was a great occasion to see him return, this and also the quality of the tracks Boo sent us could leave nothing but a very little space for doubts and hesitation. Willie Griffin aka Boo Williams is one of the true Chicago House music heroes, everyone knows that, but one question remains, what could an artist who has delivered more than enough classics that he could easily retire (and so with no guilt) could be seeking now, what could a man who has already achieved dozens of times THE perfect track could be looking for, after all these years? Hopefully artists are closer from good wine than they are to close to professional sportsmen and the only competition they’re involed in is a competition against themselves, a daily challenge they are facing bravely in order to make another track when all possible tracks seem to have been done already… Then another one, and maybe another last one but never the least. More than that, the response seems to be fitting into the five tracks of this « Manifest » Ep, an EP which couldn’t be more accordingly named, and which is only the first part of the actual Manifest Boo aims to share. Those who are familiar with Boo’s classics and early tracks like Fruit of the Spirit, Summer Love, Mortal Trance could probably relate to these Manifest’s first five tracks: the polished and unalterable high drums are still here, the contrapuntal basic synth lines which are awaking a whole world when assembled together are here as well, and the sustained, so well balanced surge of energy and bliss is not missing here neither. The mediums have changed, grooveboxes have been replaced by computer DAWs but the substance is still the same, the one that Willie has been pursuing his whole life in a neverending quest for « feeling », intuition, and the incredible ability of making hard-to-compose stuff sounds easy, evident and as natural as if tracks had always existed. Rarely, very rarely in house music an artist’s track has been showing such a brilliant blending of simple sounds (which in themselves, picked one by one, separately, have nothing so special). it is like Boo was a master at using only the minimum from each instrument, only the strict minimum and make it shine while playing with the rest; As if Willie’s tracks were very fragile structures in which a tiny removal would threaten the whole building. And this incredible sense of musicality, melodicity and overall composition can be heard in any of his tracks, might it be the most sober one or the most intricate, the earliest or the newest. It is also clear that Willie is not someone who will take the easy way when building his tracks or his melodies, nor even follow a traditional « Chicago way » of building the tracks. Very Often in some of what we’d call an « uplifting » track, Boo Williams seems to enjoy disarraying the listener and show him that perhaps, the emotional content of a track is not so simple as he first thought. Playing a little bit with contrast, by forcing a sudden break when it’s the least expected, taking the track to another direction when all notes seem to have spoken, all done with an incredibly high sense of measurement, restraint and repetition. That’s why, if some of his tracks recently became underground electronic hits, it could be for many reasons other than the fact his music is « easy listening » music. Anyone who has heard his stuff played in a club or festival can understand that. Boo’s music is at the crossroads of emotions just like Pepe Bradock’s classic Deep Burnt for example. Anyway, what the man who writes this text knows for sure though is that among hundreds of great house classics, the Boo Williams’ ones are among the very few ones he’d play while driving on the road, even after hundreds of listens, there is something, that little something that calls for another play. And another thing he knows is that even after this Manifest, Boo will not have yet said his last word.

The Edge

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