Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Osunlade

Afefe Iku

Dario Rosa

Centaur Jackson

If there is one common theme, a common thread, that ties all of the music of Afefe Iku together, it is probably the transcendent nature that permeates in all of his compositions. 

His music has always attempted to reach some sort of outer realm that we can’t see or touch but that we can definitely feel. From the physicality of his debut album ‘Artifacts Of Pottery Vessels’ (2008) to the more pensive and introspective energies of ‘Order of Direction’ (2014), Iku’s otherworldly creations have always attempted to be more in tune with the infinite. In ‘or.bit’ however, Afefe seems to come back to earth. Musically, this album comes full circle from his previous works. 

‘Computer Play’ starts out the proceedings, almost as a direct continuation of ‘Order Of Direction’. The rhythmically jittery 8-bit sounding keys being surrounded by the sound of birds and nature serves as a sonic copy of our current state of affairs. We start our day with our digital toys, and while we acknowledge our natural surroundings, we don’t engage. 

‘Nana Baruku’ is a beautiful mid-tempo tribute to the supreme Orisha, the wise ancient mother of the universe and protector of all that is female.

Pushing into the deep, ancestral futuristic space that Afefe Iku is known for ‘MagicWave’ is cosmic elegance for the dancefloor. Sparse in its arrangement, potent in its execution. 

‘Interspectral’ continues delving into that deep tech-house that Iku started to explore on his extremely underrated EP, ‘The Blues’ (2012). Another sparse arrangement allowing the rolling modular synth lines to slowly caress your body.  

Since being under the tutelage of label owner Osunlade, Iku has kept a very quiet profile. No social media, no YouTube performances, no special Boiler Room sets, and definitely no bs gimmicks. His work continues to be untainted by a scene that has become about everything but the music. The corporate takeover, the hype beasts, the hipsters, the current culture in general has diluted this thing we called house to nothing more than EDM-Light. In what is probably Iku’s most direct rejection of the current music scene, ‘Not In The Mood’ is one of his most sinister and cynical productions. With Osunlade keeping things 100 on the spoken word, Iku is not alone in this feeling. We’re definitely not in the mood. 


Afefe Iku 'or.bit'

1. Afefe Iku ‘Computer Play’
2. Afefe Iku ‘Nana Baruku’
3. Afefe Iku ‘Vernacular’
4. Afefe Iku ‘MagicWave’
5. Afefe Iku featuring Osunlade ‘Not In The Mood’
6. Afefe Iku featuring Dario Rosa ‘Interspectral’
7. Afefe Iku ‘A Night In Paris’
8. Afefe Iku featuring Centaur Jackson ‘Quiet Time’

Written & Produced by Afefe Iku
Track 5 Vocals by Osunlade
Track 6 Additional Instruments by Dario Rosa
Track 8 Percussion & Synths by Centaur Jackson
Recorded & Mixed @ The I’lle, OuterSpace
Mastered by Martin Iveson for ARCO Labs
Executive Producer: Osunlade
Published by Yoruba Peoples Music (ASCAP)/Sony ATV Music
P&C 2020 Yoruba Records

Computer Play

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