Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Osunlade

Rich Medina

Burlie Mac

Aturah

“Something don’t feel right… because we’ve seen this before…”

In January of 2019, news outlets such as St. Louis Today, St. Louis local FOX station KTVI and the Washington Post reported that medical examiners concluded that Danye Jones had indeed committed suicide. 

Jones, a 24-old black man, was found hung from a tree in his mother’s backyard. His mother, Melissa McKinnies, immediately rejected the police’s direction of investigating this as a suicide, saying that there was foul play and that her son was lynched. Jones is one of six peculiar deaths that have some connection to the Ferguson activists of 2014. McKinnies, an original organizer of the Michael Brown protests, disagrees with the medical examiner’s report.  

It is in this calling for justice and anger that Osunlade presents Racially Charged; Two new songs, one with a new voice, another with an old. Entirely produced by Osunlade and mastered by the one and only Martin Iveson, better known as Atjazz this single promises truth, a message warranted and some foot stompin’ all at once.

River city poet and writer Aturah starts things off with ‘They Say…’, speaking directly on the Danye Jones case. Reminiscent to some of his more overtly political work like ‘Black August’, this one of Osunlade’s sparser arrangements, letting Aturah take charge with her urgent message.

Up next, the legendary Philly DJ and spoken word artist Rich Medina takes over vocal duties for ‘The Sickness’. Speaking on the monster that is social media and its passionate, outspoken and mostly clueless users, Osunlade brings a more sinister and cynical production into play, featuring the keyboard work of Yoruba Soul favourite Jesse Gannon.

This is followed with a tech-house tinged remix of ‘They Say…’ from Yoruba newcomer and other half of po-lar-ity, Burlie Mac, as well as the instrumental version of the ‘The Sickness’. 

Indeed, every night has its day, but we have to admit, its dark as fuck right now.

This ones not for the faint at heart, but we are making no excuses for our rage!


Osunlade presents Racially Charged

1. Aturah & Osunlade ‘They Say…’
2. Rich Medina & Osunlade ‘The Sickness’
3. Aturah & Osunlade ‘They Say…’ (Burlie Mac Remix)
4. Rich Medina & Osunlade ‘The Sickness’ (Instrumental)

‘They Say…’ 
Written & Produced by Osunlade
Knowledge by Aturah
All Instruments by Osunlade
Recorded & Mixed by Osunlade @ The I’lle’ Mobile, NYC & STL, USA and London & Derby, UK
Track 3 Remixed by Burlie Mac
Remixed & Mixed at Studio Buzz, Galway

‘The Sickness’
Written & Produced by Osunlade
Knowledge by Rich Medina
Piano by Jesse Gannon
All Other Instruments by Osunlade
Recorded & Mixed by Osunlade @ The I’lle’ Mobile, NYC & STL, USA and London & Derby, UK

All Tracks Mastered by Martin Iveson for ARCO Labs
Label Manager: Colin Boardway
Executive Producer: Osunlade
Published by Yoruba Peoples Music (ASCAP) / Sony ATV Music
P&C 2019 Yoruba Records

The Sickness

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