Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Christophe Salin

Credits: Written, produced & mixed by Christophe Salin. Mastered by Christophe Salin. Artwork by Daria Salin. All rights of the producer and the owner of the recorded work reserved. Unauthorised copying of this record is prohibited. SALIND007 ℗ & © 2024 Salin Records. Release-text: Off the back of a deeply inspiring trip immersed in the beauty of Lanzarote, Christophe Salin returns with his newest LP - a softly spoken yet emphatic record that speaks of landscape, sun, sea and the finer things in the rich tapestry of life…. Ever since his first exposure to House music in the 90s, Salin has thrown himself into producing, DJing and all facets of hardware discovery. His initial work on white labels and edits blossomed into the formation of Salin Records, which he has used as an outlet for his recent creative expressions. His sound is firmly established in house traditions, with expert groove lines and melodic sequences being utilized to full effect, but it is his love of equipment which has continued to fuel his desire to explore his sound to the fullest. His tunes are fun, fresh and emotive, bringing together the very best of the genre, with his own personal twist on things riding front and centre throughout his enriching discography. Whilst Salin draws deeply from house music, his new record ‘Ocean & Cliffs’ draws as deeply from a new source of inspiration - the island of Lanzarote. Following walks through the island’s captivating and dynamic landscapes, Salin was drawn almost to the ‘nothingness’ of space, its quiet and peaceful charm, and as a result, he began work on the bones of ‘Ocean & Cliffs’. When moving through the record there is a sense of Lanzarote’s influence being discovered everywhere - as if turning over rocks on the ground, sifting through sand on the beach, hearing the breeze in the palm trees. There is a soothing energy that can, in many ways, only really be found in nature, where someone is to fully embrace this state of mind and create music based upon these feelings. His new LP has a very natural energy to it, filled with rhythms that echo footsteps through the hills and the notion of being in a space much bigger than a human sense of scale - and that is the beauty of it all, isn’t it? ‘Intro’ provides this first glimpse into this world of music and space, and its a short but memorable melodic swell that feels like the morning sun rising, gently embracing the sky with its presence. ‘Volver’ flows into view next, and this cut retains the melodic notions of the opener, but starts to inject some energy into proceedings. The drums swing along to a variety of layers that reflect the various energies and interactions that persist within nature, and it helps to really place the listener within the environment. ‘Casa Del Agua’ serves up a more jagged feel, with smooth rhythmic segments complimented with driving bass tones and melodic lines, with some intriguing stop-start sections thrown in - as if your interest is perked by something you saw behind the next cliff. ‘El Grifo’ begins calmly, as sultry keys tinkle across the afternoon haze. The track opens up to include a razor-sharp rhythmic palette, with everything feeling like a whisper on the breeze. ‘Famara’ slides into view next, and this one has a heavier feel to it. The drums and bass do much to set the scene, with the keys that arrive just after having a deep set, rolling feeling - embracing and enveloping the landscapes in which it was inspired by. ‘Let’s get away’ brings things back to a more rolling saunter, with repeating melodic features acting as the cornerstone of the onward flow. Additional key lines float into view, giving a sense of things to come but also keeping things firmly on the table, and as a head bobber it is very enjoyable indeed. ‘On the edge’ extends things outward significantly, with plenty of time given for the opening rhythmic salvo to get going. The track has a real dubby undercurrent to it, with melodic flashes reserved for only the right moments, with the breakdown that occurs around the 4-minute mark really drawing the listener into the mix. ‘Sorry, but I’m not always happy’ emerges next, and this one has a really strong bouncy energy. Whilst the title of the track is honest in its convictions, the track remains hopeful, as if being reflective in yourself leads to brighter days - and it certainly does. ‘Wave’ comes next, and this one swells into life with feeling and groove. The keys that welcome us into the fold create a rich view, and diving in head first feels appropriate. The swells don’t exactly mimic the crashing of the waves, but they do evoke that serenity that comes with watching one of nature’s greatest rhythms. To wrap things up, ‘The View’ comes to the fore, and as an album this one has everything - a subtle, emotive core; driving, hypnotic drums; and a hopeful, uplifting message, unspoken of course but one that remains obvious to all that listen in. Christophe Salin has always explored emotional depths within his music, an application of thought and process that makes his music feel alive. On ‘Ocean & Cliffs’, he weaves a visual narrative into the mix with a profoundness and honesty that make repeat listens feel so much more rich and enticing. Each track feels like a snapshot of his journey across the island, capturing thoughts, musings and vistas, with the listener taken along each step of the way through its vibrant underbelly. One for the dreamers, and landscape lovers - this is stepping along through the wilderness at its finest….

On the Edge

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