Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Marco Valery

John Morales

Spencer Morales

Richard Burton

S.E.L

Randy Roberts

Sharlene Hector

Carmen Brown

Teddy Douglas

Tasha LaRae

Thommy Davis

Teddy Douglas ‘Baltimore Philadelphia International (A Tribute To Kenny Gamble & Leon Huff)’

All Songs Produced, Arranged, Mixed, and Mastered by Teddy Douglas and DJ Greg Lewis @ Blacklist Media, Baltimore, MD.

Kelly Spencer, Sean Spencer & Thommy Davis Executive Producers

Celebrating the 50th anniversary of one of the greatest classic Soul labels, Philadelphia International Records, Teddy Douglas (Basement Boys) pays tribute to the legendary songwriting duo, Kenny Gamble and Leon Huff, by way of a special album of reworks and remixes of some of their most celebrated songs. Across the album you find a feast of Philly Soul favorites such as 'Was That All It Was’, 'Don’t Leave Me This Way’, 'Stairway to Heaven' and 'You Can’t Hide from Yourself ‘, among others, all tastefully re-imagined for today’s dance floors. The album features soulful stars including John Morales, Thommy Davis, Tasha LaRae, DJ Spen, Marco Valery, S.E.L., Richard Burton, and many more, as Teddy puts his infamous Baltimore stamp on this stunning collection of classics. Happy Anniversary Philadelphia International, with love from Baltimore!

Teddy Douglas has produced everyone from Michael Jackson, Lenny Kravitz, Crystal Waters, Erykah Badu, Martha Wash and Ultra Nate’ and was an important figure in the development of the Baltimore “House” Sound. In 1985 he met Jay Steinhour and Thommy Davis who later went on to form The Basement Boys production company. The Basement Boys have produced countless dance classics like the 1991 Gold single, 'Gypsy Woman' … Fast forward, and 30 years later Teddy is still rocking dance floors with his uplifting DJ sets and producing some of the finest soulful house music around.


1. John Morales & Thommy Davis
“Was That All It Was” feat. Carmen Brown
(Teddy Douglas Reproduction)
Written by J. Butler, J. Usry, Jr., L. Conlon
Published by Mighty Three Music
Produced by John Morales, Thommy Davis & DJ Spen
Vocals Performed by Carmen Brown
Vocals Recorded at Blacklist Media, Baltimore, MD.
Keyboards Gary Hudgins & John Morales
Guitars by Lloyd ‘Skip’ Dorsey
Additional Drums and Percussion Teddy Douglas

2. Marco Valery ft. Sharlene Hector
“Free Love” 
(Teddy Douglas Remix)
Produced, Arranged by Marco Valery & DJ Fopp
Remix Instrumentation by Michele Chiavarini
Vocals by Sharlene Hector
Additional Drums and Percussion by Teddy Douglas

3.Teddy Douglas “Don't Leave Me This Way” feat Richard Burton
Keyboards by Arthur "Scrib" Scribner
Overdub Rhodes by Arthur "Scrib" Scribner
Guitar by Skip Dorsey
Background Vocals by Vonita White, Randy Roberts
Drums and Percussion Teddy Douglas

4. S.E.L
“The Sweetest Pain”
(Teddy Douglas Remix)
D. Wansel & C. Biggs
Published by Mighty Three Music
Produced by DJ Spen & Gary Hudgins
Vocals Performed by S.E.L
Vocals Produced by Mike Patto and Toni Economides
Music Composed & Performed by Gary Hudgins
Additional Drums and Percussion Teddy Douglas

5. Richard Burton
“You Can’t Hide from Yourself”
(Teddy Douglas Reproduction)
Vocals by Richard Burton
Produced by DJ Spen and The MuthaFunkaz for Code Red Recordings 
Keyboards by Gary Hudgins 
Bass by Irvin Madden 
Guitars by Robert “Wa Wa” LeGrand 
Drums by Robert Wright 
Horn Sections by Eric Marner, Issac Parham, Rufus Roundtree, & David Miller 
Background Vocals by Sheila Ford, Erin Madden, & Marc Evans
Additional Drums and Percussion Teddy Douglas

6. Spencer Morales ft. Randy Roberts
“Without Your Love” 
(Teddy Douglas Philly Groove Mix)
Lead Vocal by Randy Roberts
Backing Vocals by Randy Roberts & Sheila Ford
Keyboards & Music Arrangements by Gary Hudgins
Drum Programming by John Morales & DJ Spen
Bass by Barry Woodley
Horns by Mo’ Horns
Sax Solo by Ron Pender
Studio Recording Engineering by Greg Lewis
Mixing Engineered by John Morales & DJ Spen
Mixing Arrangements by John Morales, Thommy Davis & DJ Spen
Additional Drums and Percussion Teddy Douglas
Originally Produced by John Morales, DJ Spen, & Thommy Davis

7. Richard Burton
“Bad Luck” 
(Teddy Douglas Reproduction)
Produced by Teddy Douglas for Basement Boys Productions
Overdub Keyboard, Rhodes & Piano by Arthur “Scrib” Scribner
Lead and Background Vocals by Richard Burton
Drums and Percussion by Teddy Douglas and DJ Greg Lewis

8.Tasha LaRae 
“Wish I Didn't Miss You”
(Teddy Douglas Remix)
Remix Produced by Teddy Douglas
Produced by DJ Spen, Thommy Davis & Tasha Larae
Additional Production by John Morales for M+M Productions
Vocals Performed, Arranged & Recorded by Tasha LaRae
Vocals Recorded by Toney Grant at Platinum Base Studios in Tucker, GA.
Keyboards and Orchestrations by Gary Hudgins, John Morales, and DJ Spen
Additional Drums and Percussion by Teddy Douglas

9.Teddy Douglas ft Carmen Brown 
“Time Waits for No One” 
Produced by Teddy Douglas
Vocals by Carmen Brown
Fender Rhodes Overdub & Electric Piano by Arthur "Scrib" Scribner
Hammond B3 Organ solo by Hozay Clowney
Drums and Percussion by Teddy Douglas

10. Randy Roberts and Richard Burton
“Stairway to Heaven”
(Teddy Douglas Remix)
Keyboards by Hozay Clowney and Gary Hudgins
Guitars by Lloyd ‘Skip’ Dorsey
Horns by Mo’ Horns
Lead Vocals by Randy Roberts & Richard Burton
Backing Vocals by Vonita White, Randy Roberts, & Martin Wilson
Recording Engineered by Greg Lewis
Drums and Mixdown by DJ Spen
Mixing and Mastering by DJ Spen & Thommy Davis
Additional Drums and Percussion Teddy Douglas
Originally Produced by DJ Spen & Thommy Davis

Was That All It Was feat. Carmen Brown (Teddy Douglas Reproduction)

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