Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Ben Cook

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

Darius Syrossian

Phil Weeks is a house music purist. Whether DJing or producing, the Parisian with the huge personality delivers raw beats influenced in equal measure by
classic Chicago house and nu‐school French flair, underpinned with a hip‐hop attitude. His long running Robsoul Recordings also defines him as one of the
most skilled label heads in underground house music.
In the studio Phil is dedicated to classic hardware like Akai’s MPC 3000 sampler and Roland’s TR909 drum machine. He has released more than 250 tracks and
remixes since his debut in 2000, working with labels including 2020 Vision, Music For Freaks, Brique Rouge, Detour, Adult Only and his own Robsoul, which
is responsible for the majority of his original output.

Phil Weeks

Chicago raised, New York infused, Honey Dijon has a folio reaching beyond her extensive global nightclub bookings. She’s gate-crashed into artistry, sociology, fashion and the rights of the individual. She is queer to the bone. As a recording artist, she helmed an audacious debut record, 2017’s The Best of Both Worlds. Recent remix credits include rewiring old classics for Blancmange and Neneh Cherry while sprucing up the latest work of Lady Ga Ga and  – yes, ma’am – MADONNA. LOVE MAG.

Honey Dijon

DJ Steaw

NiCe7 have been prominent figures in the worldwide Tech House scene for over a decade, known for a consistent stream of high-quality releases, remixes, and collaborations.

Deep House is another realm where they have seen immense success, notably with their popular “Back to Basics” EP and their widely acclaimed remix of Jon Cutler’s “It’s Yours,” both released on Noir Music. Since 2005, they have released on a great number of highly respected underground labels such as Crosstown Rebels, Defected, Snatch!, Get Physical, and Gruuv. They have consistently crafted dancefloor-focused tracks and collaborated with or remixed legends like Claude VonStroke, Steve Bug, Claptone, Romanthony, Riva Starr, Artbat, and Audiojack.

Beyond the studio, NiCe7 mixed the prestigious “Defected Miami” compilation in 2014 and were featured guests on Pete Tong’s BBC Radio 1 show. Their inimitable DJ style, which blends everything from techy and dark to funky grooves, has led them to perform at world-renowned venues including Cocoricò in Riccione, Output in NYC, Space Ibiza, Watergate in Berlin, and Ministry of Sound in London, alongside numerous festival appearances across the globe.

NiCe7

London-based house duo Saison have, over the last few years, carved out a niche of their own as one of the most consistent and influential acts in the deep house scene. They have released music on some of the most respected house labels in the world, including Defected, Toolroom, Large Music, Sonar Kollektiv, and Suara. Their studio expertise has also made them a go-to choice for remixes, having worked with titans of the scene such as Jack Back, Chez Damier, Dave Lee, and Kevin Yost.

With a unique sound that incorporates influences from their disparate backgrounds, Saison’s music is raw and heady. Their signature style is characterized by a timeless quality and a firm focus on the groove, deeply rooted in their formative years of musical discovery. Warm chords, intricate drums, and evocative soulful vocals are blended to masterful effect, creating records that are both accessible and sophisticated. For Saison, it’s about more than simply making people dance; it’s about evoking an emotion that stays with the listener long after the music has stopped.

Saison

For anyone who knows their shit, Mike Dunn should need no introduction, but for those that don’t, he was highly influential in birthing the modern day dance music phenomenon, most notably as a major progenitor of acid house.

“I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live."

Word soon spread about his talents and Mike was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug releasing 'Dance You Mutha' in 1987. More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”.

More recently, tracks like Phreaky MF’ and ‘God Made Me Phunky’, re-released on Defected records, have raised his profile and delivered his music to new audiences. Whilst new interest in Mike’s original old school jamz have taken him to work with the new generation of house and techno producers and labels.

Mike Dunn

Bushwacka!, aka Matthew Benjamin, has been DJing and producing for over 30 years. Starting out as a percussionist in the London School Symphony Orchestra, he was drawn into the Acid House movement in '88 and quickly became a fixture on the UK club scene. By 18, he held residencies at four major London clubs and was soon touring across Europe and the US.

As one half of the legendary duo Layo & Bushwacka!, he helped define the UK electronic sound with four albums, iconic tracks like "Love Story," and residencies at The End, Space Ibiza, and Warung Brazil. Their live shows and Shake It warehouse parties were the stuff of legend.

Bushwacka!

It can’t be missed that Dennis Quin has emerged his way up into the scene as one of the most exciting names Worldwide, after being Amsterdam’s best kept secret for a while.  
The Dutch native Quin has got a mature, though refreshing sound identity that you simply don’t hear that often.

Quin’s passion for House music started in the early nineties inspired with the Chicago / NY House sound, Dennis bought his first vinyl records (his first records by: Kerri Chandler, Todd Terry and Masters At Work) he got, Dennis is a true curator of undiscovered sounds to apply in his current work as a producer.

HIS MUSIC, HIS SOUND

His signature sound is being adapted in today’s global House scene. Being diverse sound wise, but always consistent within his own productions, Dennis Quin claims the spotlight he deserves.

Dennis Quin's music is irresistible. He has a unique and unmistakable sound, combining heavy bass-lines with infectious rhythms that make the dance-floor heave. His melodies conjure up all sorts of emotions, while his hypnotic grooves are guaranteed to leave any crowd entranced. Whether you're into thumping Tech House or sublime Deep House, Dennis Quin always delivers something special. And with his impressive discography,

His long-lasting legacy as a selector and tastemaker within the scene has earned him recognition from industry professionals, chart success and legions of loyal fans. With each release, Dennis Quin continues to defy expectations with his sublime production skills, creating timeless bangers that effortlessly bridge past and present. His tracks never fail to take listeners on an unforgettable journey through the evocative sounds of classic house music.

It's no wonder why this maestro of modern House Music continues to captivate audiences around the globe.

Highlighting his collaboration and friendship with Kerri Chandler, his successful remix of Kerri’s - You’re In My System opened doors internationally.

It was a matter of time that the music of Dennis nowadays gets heavily supported by the likes of Chris Stussy, Jamie Jones, Seth Troxler, Louie Vega, and Benny Rodrigues.  Next to all of the massive club and festival support Dennis is a regular at BBC Radio 1 and doing resident live mixes on a regular base at the Dutch National Radio SLAM! (The Boom Room)

Being asked by Kerri Chandler to play B2B multiple gigs last year, and also played b2b with Benny Rodrigues, the Dutch king of House and Techno,

No hype, rather timeless music. One of the highlights in 2025 is the forthcoming Dennis Quin remix for legends Moodymann & Louie Vega next to an official Masters At Work Remix seeing the light of day later on on the iconic US Nervous Records label

DENNIS QUIN THE ARTIST

A When it comes to performing, Dennis transforms into a true passionate crowd-focussed DJ when he enters the booth.

Besides being the most friendly giant of the scene he is playing most often exclusive unreleased tracks of his own and cheeky private reworks / edits that makes him stand out for sure.

Dennis performed at shows in Miami, Chicago, New York and even in Tokyo, a regular at Amsterdam renowned festivals like Straf_Werk, Mystery Land, and iconic club venues all over the world like Fabric London, Spybar Chicago, Amnesia Ibiza, Pacha Barcelona just to name a few.

Dennis has got a reputation for creating the most unique and exciting atmosphere. His sets draw on a range of different styles and influences, Dennis is always focussed playing new, mostly his own exclusive music in his sets.

He definitely knows how to work the room. Drawing on over a decade of experience, he has a knack for reading the energy of the crowd and crafting sets that keep people dancing all night long. Whether it's a sweaty warehouse rave, Summer Festival or an intimate club-setting with sweaty gritty vibes, Dennis knows how to set the vibe and keeps things moving.

Always being able to adjust to the right setting without making concessions to his own fingerprint sound.

RELEASES

With previous original Hit records like ‘ Move Out Of My Way’ Dennis Quin turned heads. Being streamed on Spotify more than 6.6 mln times, charted at the MTV Europe Big 20 Chart Show in 2018 he turned heads.

in 2025 he reached 1.4M monthly listeners and over 10k followers on Spotify.

His second most successful track is the highly respected remix of ‘ You’re In My System’ (Kerri Chandler, Jerome Sydenham) released on Ibadan Records, Selling out 2 represses in a few weeks time, there’s no doubt that this Dennis Quin interpretation of the original will always be a timeless record. Yet again in 2023 officially re-released but this time as an official collaboration with Kerri.

With his diversity in styles he managed to get signed to the renowned Slapfunk’s Sister label ‘Dungeon Meat’ with an original solo EP in 2024 (Vinyl only).

2025 sees a lot of new music on a wide variety of labels such as Dungeon Meat, Constant Sound and Dennis will launch his new imprint this summer.

Dennis released his music on labels such as Beeyou, Dungeon Meat, Constant Sound, Eastenderz, PIV and Kaoz Theory and will release in 2025 on Factory 93 Records, MAW records and more to come.

Dennis Quin

<Naamloos>

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