Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

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The original All Night Long Records. Est. 2020

Johnick & Midnight City - 'Singing For U Baby' out now! - linktr.ee/allnightlongrecords

All Night Long Records is a UK based label, founded in early 2020 by Liverpool duo @midnightcityuk. All Night Long is dedicated to releasing records faithful to the true spirit of house, particularly music with a strong influence of classic house, disco and soul.

Since it's conception, All Night Long has overseen releases from artists including Johnick, Folkness, No-e, Chapter & Verse, Omson and Mark Whites, and in turn seen regular plays from the likes of Claptone, Mark Knight, Purple Disco Machine, LF System, David Guetta, Dombresky, Roger Sanchez, Sam Divine, David Penn, Terrence Parker, Jax Jones, Benny Benassi, Duke Dumont, Friend Within, Sandy Rivera and many more. #HouseMusicAllNightLong 🌛

Demos: demos@allnightlongrecords.com
Promo enquiries: djs.allnightlongrecords.com
General enquiries: info@allnightlongrecords.com

All Night Long Records

The eclectic and funky sister label of Quantize Recordings with Managing Director DJ Thommy Davis at the helm.
You can expect to hear a little bit of everything from deep and afro to jackin'. No matter what, it will always be soulful!

"Unquantize your mind and let your conscious be free..."

unquantize

Chicago's Whitebeard Records it the brain child of Milty Evans (aka Uncle Milty).

Whitebeard Records

Broadcite Productions

From the very beginning it was planned that Peppermint Jam would remain an independently-distributed label as German distributors, at that time, were more focused on techno and trance, leaving vocal house largely untouched. The turning point, however, was the year 1996 – and Peppermint Jam’s first visit to the Winter Music Conference in Miami (an important international trade fair for electronic music). This milestone in the company’s history resulted in license enquiries from labels such as MAW as well as international collaborations. After their first self-produced releases, the label signed Ruffneck and “Everybody be Somebody” became their first real hit, soon followed by Boris Dlugosch’s “Keep Pushin” and “Hold Your Head Up High” (both featuring Inaya Day).

A key track in the label’s hugely successful 18 year history was, of course, 1998’s worldwide smash hit, ‘Horny.’

“A proper accident,” chuckles Mousse T. “The backing track grew out of the club version of a Michael Jackson remix I had done for his song “Ghost.” I had the beats and the groove and finished the production around 5 in the morning. I wanted to put it in the bin but when I played it Errol and Roger Sanchez they said “you have to put it out”. We called it “Horny” because of the horns and then wrote the lyrics around that. The result changed our lives.”

On the back of the song’s success, the label’s increased revenue and profile attracted some high profile collaborations, including the classic Boris Dlugosch rework of ‘Sing It Back’ by Moloko, and the infamous ‘Sex Bomb,’ featuring Tom Jones (a UK Top 3 smash). “Success allowed a bigger vision,” says Mousse T.

Peppermint Jam

Dreibergen

Big Speaker Music

Dirtbox Recordings

Exhale

House Thing Records

Glasgow Underground was set up in 1997 by Kevin McKay. He began the label releasing his own music and collaborations with friends and other Glasgow-based artists (Omid 16b, Studio Blue, DJ Q, Harri). Through his DJing and work for various music magazines (Muzik, Jockey Slut, Mixmag Update) he met some of his favourite producers of the time (Romanthony, Mateo & Matos, Idjut Boys...) and convinced some of them to join him releasing on GU. In the early 2000s, Kevin met Mylo and set up the Breastfed record label. The global success of "Destroy Rock & Roll" meant Glasgow Underground was put on hold. After leaving the Breastfed label in 2011, Kevin re-started Glasgow Underground and since then the label has gone on to re-invigorate Romanthony's catalogue with remixes from the likes of Dixon, MCDE, Gerd, Andres, Oliver Dollar, Ejeca, Audiojack, Claptone, Christian Nielsen, Supernova, Jimmy Edgar and Waifs & Strays. The label has also introduced producers like Daniel Trim, Brett Gould, Mia Dora and Illyus & Barrientos as well has releasing established & rising stars such as Metodi Hristov, Stefano Ritteri and Sabb.

All Night Long Records

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