Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Flashmob Records

Vibraphone Records

Regalia Records

Illegal Alien Records is a Mexican record label of Electronic music focus on Techno, Electronica, Experimental and Ambient. Born in 2007 in Florida, USA, founded by the Mexican Ricardo Garduno.

The name ‘Illegal Alien’ was a status granted by the US government to all the immigrants who entered the country illegally were denominated like that. As a result of this, the rights of all illegal immigrants were limited or nullified in many cases. So, awarding this name to the label is a way to remember those immigrants around the world, whose objectives by leaving their countries of origin is to work for a better life and to show that, regardless of the status that other social groups attribute to us, it is possible to reach objectives.

Illegal Alien Records

Record label based in Portugal by Robert Hoff.

trau-ma

Aitor Ronda, one of the essential pillars of the electronic dance scene billed in Spain. WHACK his exciting new record label. On the imprint – also a brand that organizes parties- the DJ / producer and entrepreneur cross genre boundaries and boasting production versatility. The aesthetic and the vibe of the label will mainly propose electrifying music to make us dance. Techno and clubbing electronic full of hypnotic rhythms plenty of vividness and infectious grooves. All sensations that will never be ignored.

Tunes and a concept created to take you in awe all the time ... in ascending key until reaching a place called WHACK.

WHACK is that moment of mental trance, where the complicity between the artist, his music and the audience is absolute. A magic moment, intense and full of energy. Each episode would be in a quasi-mystical journey to achieve a total outburst of sensations.

Stay tuned more music soon!

WHACK

Planet Rhythm’s is a dutch techno label, that is currently owned by Triple Vision Music Group. The label was originally founded by Glenn Wilson back in the early 90's in Sweden with the help of Adam Beyer, Umek, Gaetek, Thomas Krome, Slobodan & Patrick Skoog and many more local techno producers at the time.

The label then changed ownership around 2005 to keep growing into its current form with more than 100 releases and a huge roster of modern day techno producers, with artists like Fanon Flowers, Radial, Bas Mooy, Exium, Scalameriya, Sleeparchive, Yan Cook,TWR72, Emmanuel, Re:Axis, Giorgio Gigli, VSK, DJ Boss, D. Carbone, Christian Wünsch, Matrixxman, Oscar Mulero, Echologist, Woo York and many more both well known and upcoming artists.

With a steady stream of releases, Planet Rhythm has always played an important role, and it will continue to be a landmark, explore the boundaries , search for talent that design the future, and expand its catalog with strong, solid and often versatile techno. Techno is too big of a concept to limit its self to just 1 approach and 1 direction.

Planet Rhythm

Leveldva

We can't reply with a message to every email we receive, but we do our best to listen to every promo we receive.

If you don't get a feedback back, even if we listened to your music doesn't mean we don't like your project, but just because probably it is not the sound we are looking for the next JAM's releases.

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