Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

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Rhythm People

Nostrum Records

Atmo Records

Glasgow Underground was set up in 1997 by Kevin McKay. He began the label releasing his own music and collaborations with friends and other Glasgow-based artists (Omid 16b, Studio Blue, DJ Q, Harri). Through his DJing and work for various music magazines (Muzik, Jockey Slut, Mixmag Update) he met some of his favourite producers of the time (Romanthony, Mateo & Matos, Idjut Boys...) and convinced some of them to join him releasing on GU. In the early 2000s, Kevin met Mylo and set up the Breastfed record label. The global success of "Destroy Rock & Roll" meant Glasgow Underground was put on hold. After leaving the Breastfed label in 2011, Kevin re-started Glasgow Underground and since then the label has gone on to re-invigorate Romanthony's catalogue with remixes from the likes of Dixon, MCDE, Gerd, Andres, Oliver Dollar, Ejeca, Audiojack, Claptone, Christian Nielsen, Supernova, Jimmy Edgar and Waifs & Strays. The label has also introduced producers like Daniel Trim, Brett Gould, Mia Dora and Illyus & Barrientos as well has releasing established & rising stars such as Metodi Hristov, Stefano Ritteri and Sabb.

Glasgow Underground

8bit Records

In December 2018, Darius Syrossian Launches MOXY MUZIK

a new Vinyl & Digital record label

“reaching any top 10 chart doesn’t interest me nor is it the purpose of this label,
I feel there is a big shift at the moment with too much generic tech house being put out on the market,Too much music is sounding the same & there seems to be a distinct lack of Depth in music aimed at the Dance floor, i want to show with this label that underground music can still be for the dance floor, it doesnt have to be Generic.

This is the answer Darius gave in recent interview when asked why is he starting Moxy Muzik

* THE MOXY MUZIK LABEL

Moxy Muzik will have Bespoke hand drawn art for each Vinyl release & Darius has been working with renounced artist Charlotte Archer making sure each release has individual art.

Moxy Muzik

NastyFunk is a global underground record label based in the UK.

www.nastyfunkrecords.com

Consistently supported by the biggest names in the house and techno scene such as BBC Radio 1, DJ Mag, Ibiza Global Radio, Jamie Jones, Groove Armada, Pete Tong, Solomun, Seth Troxler, Richie Hawtin, Joseph Capriati, MK, Marco Carola, Hot Since 82, Danny Tenaglia, Claude Von Stroke, Dubfire, Low Steppa, Camelphat, Roger Sanchez, Amine Edge & DANCE, DJ. T, Tensnake  +++


NastyFunk Records

Deeperfect

Started in October 2006 by Steve Lawler, VIVa Music began life as a conduit for the internationally renowned DJ and Producer to release the wealth of underground music he encountered on his travels. Now, just a few years later VIVa is a self-contained hotbed for new talent which draws attention from DJs, punters and producers alike. Having previously handled the now-classic and traditional vinyl label Harlem Records, Lawler decided VIVa was to be a forward thinking outlet for quality music and boldly announced that VIVa was to be digital only. As well as a clear mission to look towards the future of the music industry, this was a step to ensure that music could be released quickly and retain the freshness that the labels A&R was struck by. Far from the template set out by many of Lawler's contemporaries, VIVa quickly established itself as a label where artists could be themselves and write music that isn't defined by just A&R, but by one simple guideline: Quality. This has meant the label has gone on to release music from a wide range artists, from major players like Lawler and Audiofly through to burgeoning talent like Livio & Roby and Nicole Moudaber. In keeping with an ever evolving outlook, 2009 will see VIVa further transformed. Worldwide tour nights, Festival Arena, International Residency's and a new UK based residency at the legendary Ministry of Sound in London are just the tip of the iceberg. Always ones to buck trends, the VIVa family are pressing vinyl again alongside it's digital output as well as expanding its roster of relatively unknown talent rather than rely on the tried and tested. At the forefront of this exclusive roster of talent are the likes of Vrajitoroo, David Pher, Dragosh, Adroid Cartel, Jimmy Hill, Alex Tepper, TRNNSTR, Darius Syrossian & NYRA, Erphun and Sean Miller but VIVa will continue to work with what it considers extended family for both releases as well as remixes; which means the likes of Jamie Jones, Audiofly, Simon Baker, Tiefschwarz, Bearweasel, David Durango and many, many more. VIVa is an important part of my life now, building a family of artists, that I take great pleasure in building and pushing. The amount of amazing music coming from new talent is phenomenal and its birth and direction are very exciting. - Steve Lawler Viva VIVa, 2010

VIVa MUSiC

PPMUSIC

Manchester-based imprint Libero Records is quickly becoming a staple in the diet of many underground tech-house appreciators. With a stripped-back approach and rhythmic grooves teeming throughout their already blossoming catalogue of releases, it’s easy to see why the label’s exposure is growing at an exponential rate.

Label frontmen Mike Morrisey, Luke Welsh and Dan Costello lead the march in pushing the Libero Sound to the masses.

Building around a focus on percussive, minimalist tech-house inspired by concepts like the infamous Music On and artists like Marco Carola, Joseph Capriati, Paco Asuna and many more; Libero’s ethos is centred around the rolling soul of underground dance music. Through the label, as well as regular events and a frequent podcast series, they consistently broadcast their simple yet effective Libero Sound ideology to the farthest corners of the scene.

Rhythm People

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Akasha

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