Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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SENSO

Tiger Stripes

Michelle Weeks

There are producers whose work is immediately associated with success, and whose talent for seeking out new national and international voices is celebrated. In Germany there are only a few such figures in the music industry. Of these, there are even less whose Discography reads like a “Who’s Who” of the music scene. Mousse T. is one of those very few, whose songs “Horny” and “Sex Bomb” have provided a good example of the power harnessed when intuition and precision come together. But who is the person behind these productions which consistently find their way into the charts? Mustafa Gündogdu, alias Mousse T., born in 1966 in Hagen, Germany, describes his success succinctly: “I am a music lover with humour, who gives more than 100% for his love”. This love of music brought him to Hanover in 1990 where he set up his own studio while he was still keyboarder for the band “Fun Key B”. Two years later he gets to know the owner of Peppermint Park Studios and extends the label into dance floor music. At the same time, Mousse T. pursues his ongoing passion for DJing with great enthusiasm. In 1993 he founds, along with the owners of Peppermint Park and his partner Errol Rennalls, the label “Peppermint Jam Records” at a time when Mousse T. is starting to make a name for himself as a DJ on a wider stage. Several productions with international greats such as Ziggy Marley, Mezzoforte and Randy Crawford are the consequence. In 1998 the single “Horny” catapults the name “MOUSSE T.” into the international charts and establishes him as a solo artist. In the same year, further productions for musicians including Michael Jackson cause a sensation and bring him a Grammy nomination as “best re-mixer”. One might be forgiven for thinking that Mousse T. would rest on his laurels after such outstanding success. Quite the contrary: His curiosity for experimenting with new musical variations combined with his outstanding creative ability has driven him on. “Of course I feel very proud when I look at my Discography. But success for me is important mainly as a basis on which my further work as an artist can flourish. Apart from that, success is, of course, a great motivation and source of energy so that I can continue to give “more than 100%”.” This creativity and variation can also be seen in his new album “All Nite Madness”. “As far as my music is concerned I try to implement new ideas, and my love of music doesn’t draw a line at any particular musical style. So I try to mix lots of styles and develop interesting new songs and sounds that way.” These thoughts are also the basis for the choice of artists on the new album, which includes Emma Lanford, Kathleen Chaplin, Roachford and Calvin Lynch. Mousse T’s preference for a mixture of styles is clearly evident: “It is obviously important for me that the singers with whom I work have a fantastic voice, but they also have to have their own unmistakeable style. If, over and above that, they are great people, then we can do business.” The fact that MOUSSE T. values people so highly is shown in his effectiveness when working in a team. Regardless of a person’s stature, whether one of the music greats or an unknown musician, if the chemistry is right the cooperation flourishes through humour and enthusiasm and with the degree of discipline necessary for the implementation of creative ideas. During the frenetic phase of a track’s production, MOUSSE T.’s producer side emerges, as he controls from the background. However, the first hearing of new creations takes place in his closest circle, mostly with partner Errol Rennalls, with whom he also writes songs. “Errol and I normally function as the “idea’s man” and the “hook line man”. I often give a certain key word or topic and Errol fills this initial musical framework with meaning.” This perfect synergy can also be found on “All Nite Madness”. Whether you take the first single of the album “Is It ’Cos I’m Cool?“, the soulful “Monotony“, “Turn Me On“ with Kathleen Chaplin’s crystal clear vocals or “Underground“ on which ex-Stranglers frontman Hugh Cornwell lends his voice – the integrity of the creator’s style is evident on every track. The single „Is It’ Cos I’m Cool?“ has already developed into a huge hit in Germany and emphasises once again the enormous potential of MOUSSE T. songs. The LP, released on 5 April 2004 will captivate music lovers of a wide-range of styles. Mousse T. continues to deliver the goods in 2005. Right on time for the release of the ipod Mousse T. Special Edition in early november he will release his new single “Horny As A Dandy” with a new album following in 2006. After a few selected promo-gigs for his ipod Mousse T. will promote the new releases with a long clubtour throughout Europe.

Mousse T.

An unequivocal industry visionary, DJ Hell's career has embodied and then transcended his many guises: Anti-Superstar DJ, International DeeJay Gigolo Label Boss, GQ Man of the Year, Playboy, Jetsetter, Bon Viveur, Munich Machine, New York Muscle. Seeing, and envisioning - that is of enormous relevance to Hell. He managed to convey pure artistic prowess as well as pure style during his thirty year DJ career. The individual look, the do-it-yourself approach, the elitism. That's how it grew.

DJ Hell

In today’s electronic music world there are not many artists who can lay claim to a legacy like that of DJ T. Born in Dusseldorf, DJ T. (aka Thomas Koch,) re-located to Frankfurt with his family in the late 70s. During his formative years, he fell for the hypnotic grooves of disco, inspired by his parents’ record collec-tion. At the age of nine he was already completely enraptured by music and that love affair continues until this very day. He began an obsessive quest to collect music, feeding his soul with everything from Disco and Hi-Nrg, through to early Hip-Hop and Electro, Soul, Funk and R’n’B. The groovy, infectious rhythms of all those genres continue to permeate into the music he makes and plays today, providing an intrinsic part of his sound ethic.
He took up breakdancing, before becoming a DJ, playing at private parties ini-tially before landing his first professional gigs in the late eighties. This period proved to be a pivotal moment in his life as Acid House swept through Europe, landing in Frankfurt and taking over with the launch of Sven Väth’s legendary Omen club in 1988. The first wave of House and Techno took hold and T. was there at the forefront, absorbing all the fresh new sounds from Chicago, Detroit and the UK. He picked up a residency at the infamous Music Hall and held resi-dencies at countless clubs across the city during the next 10 years from Plastik and Dorian Gray to The Box. By the end of the nineties, he was one of Frank-furt’s best-known selectors.
In 1989 DJ T. tapped into another side of his creative energy to set up Groove Magazine. Identifying a gap in the market and fuelled by a need to satisfy his own desire for specialised music journalism, which focused on his interests – namely underground dance music. Under his leadership the magazine was launched into the public’s consciousness and he guided Groove to become one of Europe’s premier dance music publications, which it still is today.
DJ T.’s progression continued at a pace, as he launched his own club, Monza, using the experience gained through a decade of club events and tours under the Groove Magazine banner. He also invested his skills and knowledge into con-ceiving Get Physical – a label, which remains one of the world’s best- known House and Techno platforms. Though he left in 2010, T. still occasionally A&Rs for the label, lending his uncanny ability to uncover new talent to the seminal label.
Production-wise, he has been consistent ever since his debut release, the ‘Mon-sterbaze’ EP with Steve Bug, which was released on Poker Flat in 2000. Since then, T. has released several well-received EPs, a slew of remixes and three al-bums, ‘Boogie Playground’ in 2005, ‘The Inner Jukebox’ produced with Tho-mas Schumacher in 2009 and ‘Pleasure Principle’ in 2011. His special touch has also been employed by numerous labels to curate compilation mixes , including ‘United Under The Ball – 30 Years Of Disco’ in 2011 and ‘The House That Jack Built Vol 1 & 2’ in 2012. In 2013 he celebrated 25 years of DJing with a very personal mix compilation, followed also by ‘Body Language 15’ and col-laboration with Defected and Strictly Rhythm to celebrate the latter’s 25th anni-versary. DJ T.’s reputation for being a master selector has been cemented by these superlative collections of music, each of which has received widespread praise, often featuring many of T.’s own edits of classic tracks.
Despite so many accolades, his passion for music remains staunch, recently making several key changes to his professional life that have inspired him to explore new terrains. With hot new releases on AUS Music, Moon Harbour, True Soul and Jackathon representing his continued to desire to push his crea-tive boundaries.
A highly-skilled DJ and producer and an A&R with an uncanny ability to dis-cover a nurture new talent, DJ T. is a master selector and one of the industry’s most influential figures.


DJ T.

Einzelkind

Within more than a decade now the collaborating production force named Luna City Express, derived and developed from the influences and musical upbringings of Norman Weber and Marco Resmann has turned into a consistent land- and trademark in the electronic music scene in terms of releases, remixes and remarkable DJ sets all over the place.

Ever since their debut single „Fresh“ skyrocketed off as one of the main club hits of 2005, Luna City Express have laid down a blueprint of modern, contemporary House Music on labels like 20/20 Vision, Lapsus Music, Exploited and Moon Harbour. A certain highlight has been their track “Mr Jack” which they released on their debut album “Hello from Planet Earth”. It received worldwide support from multiple house music heavy weights and ten years later, it still finds its way to the dance floors. Whilst their initial work was praised for showcasing a vast musical expertise in a long play format, Luna City Express continually gained momentum on dance floors worldwide due to largely successful collaborations released in the following years, with the likes of Roland Clark and Robert Owens.

Luna City Express

Ron Carroll. Producer, Dj, Writer & singer from Chicago, USA. Has worked with @Axwell, @BobSinclar, @Huxley, @WallyLopez, @Kolombo & @RogerSanchez.

Has released music on notable labels: Defected, Spinnin', EMI, Sirup & Tiger.

Has produced songs on main dance artist: Cece Peniston, Robin S, Barbara Tucker & Melba Moore.

Currently working on projects with Ultra Records / Sony Music

Ron Carroll

Chelonis R. Jones

Nick Olivetti

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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