Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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SENSO

Daniel Steinberg

M.A.N.D.Y.

An unequivocal industry visionary, DJ Hell's career has embodied and then transcended his many guises: Anti-Superstar DJ, International DeeJay Gigolo Label Boss, GQ Man of the Year, Playboy, Jetsetter, Bon Viveur, Munich Machine, New York Muscle. Seeing, and envisioning - that is of enormous relevance to Hell. He managed to convey pure artistic prowess as well as pure style during his thirty year DJ career. The individual look, the do-it-yourself approach, the elitism. That's how it grew.

DJ Hell

In today’s electronic music world there are not many artists who can lay claim to a legacy like that of DJ T. Born in Dusseldorf, DJ T. (aka Thomas Koch,) re-located to Frankfurt with his family in the late 70s. During his formative years, he fell for the hypnotic grooves of disco, inspired by his parents’ record collec-tion. At the age of nine he was already completely enraptured by music and that love affair continues until this very day. He began an obsessive quest to collect music, feeding his soul with everything from Disco and Hi-Nrg, through to early Hip-Hop and Electro, Soul, Funk and R’n’B. The groovy, infectious rhythms of all those genres continue to permeate into the music he makes and plays today, providing an intrinsic part of his sound ethic.
He took up breakdancing, before becoming a DJ, playing at private parties ini-tially before landing his first professional gigs in the late eighties. This period proved to be a pivotal moment in his life as Acid House swept through Europe, landing in Frankfurt and taking over with the launch of Sven Väth’s legendary Omen club in 1988. The first wave of House and Techno took hold and T. was there at the forefront, absorbing all the fresh new sounds from Chicago, Detroit and the UK. He picked up a residency at the infamous Music Hall and held resi-dencies at countless clubs across the city during the next 10 years from Plastik and Dorian Gray to The Box. By the end of the nineties, he was one of Frank-furt’s best-known selectors.
In 1989 DJ T. tapped into another side of his creative energy to set up Groove Magazine. Identifying a gap in the market and fuelled by a need to satisfy his own desire for specialised music journalism, which focused on his interests – namely underground dance music. Under his leadership the magazine was launched into the public’s consciousness and he guided Groove to become one of Europe’s premier dance music publications, which it still is today.
DJ T.’s progression continued at a pace, as he launched his own club, Monza, using the experience gained through a decade of club events and tours under the Groove Magazine banner. He also invested his skills and knowledge into con-ceiving Get Physical – a label, which remains one of the world’s best- known House and Techno platforms. Though he left in 2010, T. still occasionally A&Rs for the label, lending his uncanny ability to uncover new talent to the seminal label.
Production-wise, he has been consistent ever since his debut release, the ‘Mon-sterbaze’ EP with Steve Bug, which was released on Poker Flat in 2000. Since then, T. has released several well-received EPs, a slew of remixes and three al-bums, ‘Boogie Playground’ in 2005, ‘The Inner Jukebox’ produced with Tho-mas Schumacher in 2009 and ‘Pleasure Principle’ in 2011. His special touch has also been employed by numerous labels to curate compilation mixes , including ‘United Under The Ball – 30 Years Of Disco’ in 2011 and ‘The House That Jack Built Vol 1 & 2’ in 2012. In 2013 he celebrated 25 years of DJing with a very personal mix compilation, followed also by ‘Body Language 15’ and col-laboration with Defected and Strictly Rhythm to celebrate the latter’s 25th anni-versary. DJ T.’s reputation for being a master selector has been cemented by these superlative collections of music, each of which has received widespread praise, often featuring many of T.’s own edits of classic tracks.
Despite so many accolades, his passion for music remains staunch, recently making several key changes to his professional life that have inspired him to explore new terrains. With hot new releases on AUS Music, Moon Harbour, True Soul and Jackathon representing his continued to desire to push his crea-tive boundaries.
A highly-skilled DJ and producer and an A&R with an uncanny ability to dis-cover a nurture new talent, DJ T. is a master selector and one of the industry’s most influential figures.


DJ T.

Blabla..Kraftwerk..blablabla..Music was his first love..

blabla..Father had a record collection or played in a band..blablablabla..Omen..

blababla..Sven Väth..blabalabl..Detroit..Chicago...blabla...Bar25..blablababl..Berlin..

blablabla..is the best dj in the world...

ballabla..first turntable when he was three.

bblablabalbla....Clubnight...blablabalbalbalbal...Harlo...

.Blabla..fuckinvoodooacidgoatribaljazztechousesync style..

blabla played all over the world from Braunschweig to Bottrop...blabla..Ricardo..Pressure Traxx....Blabla...ibiza..blabla...Luciano gave me heart signal when he played..

blablabla...Robert Johnson..La Peña......blablablabl...Panorama bar....blabalbllb

blabla..just downloaded Ableton Live Demo Version..Album / Label coming soon.Zzz

Einzelkind

For decades, Kittin has pioneered electroclash, that grimy collision of new wave and '90s techno. Singles "1982" and "Frank Sinatra" cemented her as an international DJ, both tracks heralded as anthems for the underground electroclash scene. Further notable collaborations includes "Rippin' Kittin" with Golden Boy and "Silver Screen (Shower Scene)" with Felix Da Housecat. Through a relentless work ethic and a crystal pure love of music, Kittin, birth name Caroline Hervé, has solidified herself as a global luminary in the electronic community.

Caroline was born in 1973 at the foot of the French Alps in Grenoble.

During her years as an art student at Beaux-Arts of Grenoble, she started DJing internationally with her first overseas gig in Chicago.

In 1995, she quit her studies and teamed up with The Hacker to write their first official EP "Champagne" which included "Frank Sinatra" and "1982".

"First Album", her debut full length with The Hacker was released in 2001. Between 2001 and 2006, she lived in Berlin and DJed incessantly. In 2004, she released her debut solo album "I Com", mixing punk with techno and Chicago House.

She released another solo album in 2008, "BatBox", followed in by the second album with The Hacker, "Two" and by her third solo album in 2013 "Calling From The Stars"

In 2018  Kittin released the album  Cosmos.

2022 is the year to celebrate the return of Kittin and The Hacker with the release of Third Album.

Miss Kittin

Within more than a decade now the collaborating production force named Luna City Express, derived and developed from the influences and musical upbringings of Norman Weber and Marco Resmann has turned into a consistent land- and trademark in the electronic music scene in terms of releases, remixes and remarkable DJ sets all over the place.

Ever since their debut single „Fresh“ skyrocketed off as one of the main club hits of 2005, Luna City Express have laid down a blueprint of modern, contemporary House Music on labels like 20/20 Vision, Lapsus Music, Exploited and Moon Harbour. A certain highlight has been their track “Mr Jack” which they released on their debut album “Hello from Planet Earth”. It received worldwide support from multiple house music heavy weights and ten years later, it still finds its way to the dance floors. Whilst their initial work was praised for showcasing a vast musical expertise in a long play format, Luna City Express continually gained momentum on dance floors worldwide due to largely successful collaborations released in the following years, with the likes of Roland Clark and Robert Owens.

Luna City Express

Born and raised in Brooklyn, NY, Michelle Weeks began captivating audiences at the tender age of 4. At 5 years old, she won the prestigious Herman Stevens Award for Gospel. A graduate of the famed LaGuardia School of Music & Art, Michelle went on to perform on Broadway – debuting in the musical, “The Tap Dance Kid.” She also played starring roles in “Madhattan” (where she received rave reviews from stars like Ben Vereen, Debbie Allen & James Ingram); and the major motion picture, “Little Shop of Horrors”(alongside Tisha Campbell & Tichina Arnold). Since the early nineties, Michelle Weeks has been a staple in the Dance Music community. Her powerhouse vocals have been showcased on numerous releases, including the classics “The Light” and “Be Thankful.” Michelle has worked alongside producers such as Tony Moran, Jamie Lewis, The Basement Boys, 1200 Warriors, Andrea Paci, Bini & Martini, and MOCA Productions, to name a few. She has also collaborated with other dance music greats, like Barbara Tucker, Byron Stingily and many others. Michelle has appeared on some of the world’s biggest Dance music record labels, including Strictly Rhythm, Ministry of Sound, Purple Music, Stealth, Kingstreet, Defected, Code Red, MN2S & Jellybean Recordings, FKJ Music Records.

Michelle Weeks

Ron Carroll. Producer, Dj, Writer & singer from Chicago, USA. Has worked with @Axwell, @BobSinclar, @Huxley, @WallyLopez, @Kolombo & @RogerSanchez.

Has released music on notable labels: Defected, Spinnin', EMI, Sirup & Tiger.

Has produced songs on main dance artist: Cece Peniston, Robin S, Barbara Tucker & Melba Moore.

Currently working on projects with Ultra Records / Sony Music

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