Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Der Musikstore der neuen Generation für Profi-DJs. Lade die neuesten Veröffentlichungen in Elektronik, Dance & House in MP3, WAV, AIFF & FLAC herunter.

Über uns — Volumo

{artists:, :2} - {albumTitle} von {recordlabelTitle} · Preis: {price} · Katalog-Nr. {catalogNumber} · MP3, WAV, AIFF & FLAC · Unbegrenzte Downloads

{albumTitle} von {recordlabelTitle} bei Volumo

{artists:, :2} - {albumTitle} von {recordlabelTitle} bei Volumo

Top {contributorTitle} Tracks, Veröffentlichungen & Alben. Volumo - Elektronische Musik Store der neuen Generation für professionelle DJs. Download MP3, WAV, AIFF & FLAC.

{contributorTitle} Musik-Download bei Volumo

Beste {currentYear} {genres: :1}-Künstler Tracks & Veröffentlichungen {paginationText}. Volumo - Elektronischer Musikstore der neuen Generation für Profi-DJs. Download: MP3, WAV, AIFF & FLAC.

Beste {currentYear} {genres: :1} Künstler Tracks, Veröffentlichungen & Alben bei Volumo - {paginationText}

{chartName} von {author} - Volumo · MP3, WAV, AIFF & FLAC · Unbegrenztes erneutes Herunterladen

{chartName} von {author}

{chartName} von {author} - Volumo

{genreTitle} Musik {genreDescription} {currentYear} Songs, Veröffentlichungen & Alben. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

{genreTitle} {currentYear} Musik-Download bei Volumo

Top {genreTitle} {currentYear}. Beste vorgestellte Veröffentlichungen & Alben {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Top {genreTitle} {currentYear}: Beste Veröffentlichungen & Alben bei Volumo {paginationText}

Exklusive {genreTitle} Musik Songs, Veröffentlichungen & Alben {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Exklusiver {genreTitle} Musik-Download bei Volumo {paginationText}

Musik von {contributorTitle} · MP3, WAV, AIFF & FLAC herunterladen · Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs

Beste {currentYear} {genres: :1} Labels Songs, Veröffentlichungen & Alben {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Bester {currentYear} {genres: :1} Labels Musik-Download bei Volumo {paginationText}

Neueste elektronische, Dance- und House {currentYear} Musik-Downloads {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Neueste elektronische, Dance- und House {currentYear} Musik-Downloads bei Volumo {paginationText}

{artists:, :1} - {trackTitle} von {recordlabelTitle} · Preis: {price} · Unbegrenztes erneutes Herunterladen · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Veröffentlichungsdatum {releaseDate} · MP3, WAV, AIFF & FLAC

{artists:, :1} - {trackTitle} von {recordlabelTitle} bei Volumo

NINA FAY

The gleam of cosmic light reflects on polished surfaces, sometimes tracing long smooth curves, other times ending in edges, outlining a powerful machine that pierces a path between the gravitational pull of a black hole and the attraction of a newly-born star’s brightness. If Lewis Fautzi´s sound could be captured in material form, it would look something like this.

Lewis Fautzi

Skudge

Bendik Baksaas

Mathew Jonson really is one of a kind.

He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another.

His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)

His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth.

And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black.

He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers.

Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.

It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.)

"It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them.

After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties.

His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem.

"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.

In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.

Those two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like "Marionette," "Return of the Zombie Bikers" and "Symphony for the Apocalypse," Jonson has increasingly turned his efforts towards more personal, introspective music. He hasn't left the clubs behind—his new album, Agents of Time, features a number of tracks that are as hip-windingy wily as anything he's produced yet, full-on tracks like "Girls Got Rhythm" and "Thieves in Digital Land." But he's also taken advantage of the longplayer format to stretch out and indulge darker moods and slower tempos.

"I like to have phrases that sound like they're major, but then they go minor when they turn around," explains Jonson. "You think that you're in a happy place, but suddenly you're not. I like playing with that tension. When I look at the music I've made, the best music is always music that can stimulate any kind of emotion. It's more like a key, towards opening up whatever is inside of you -a gateway"

You can expect him to be unlocking even more emotions soon—ones you may not have even known you had—when he ramps up with Midnight Operator, a collaboration with his brother Nathan Jonson, aka Hrdvsion. With Nathan also based in Berlin, the two are finding common musical ground, expanding upon the platform they established with their lone, 2007 EP for Wagon Repair as they begin work on an album.

"Obviously, you can look at what I do with my label and the bands I have, to see what's important to me," says Jonson of keeping it in the family, so to speak. "I'm lucky because I have so many friends who are strong musicians. We can all feed off of each other. You know, when you're doing music, it's such a personal thing. To have an outlet with the labels to be able to release our music, and be able to all stay together, I think there's a lot of strength in that. Everybody is stronger as a group." – Philip Sherburne

Mathew Jonson

Michael Mayer

Robert Owens

Prins Thomas

Roe Deers

Thomas Melchior

Ost & Kjex (Petter Haavik & Tore Gjedrem) are a comic strip brought to life in 4D. Fuelled by a Dadaistic approach to music, art and life, they’ve drawn an international audience to their work with records on Crosstown Rebels and Solomun’s Diynamic.

Petter and Tore bonded over a love of skating. Spurred on by the sounds of Black Metal, Hardcore and Punk, their rebellion found a voice through music. They created a band called Beyond Dawn which evolved over the course of a decade from skate punk to art rock.

Opting for the red pill they became full blow ravers by Y2K, discarding their black garb for a hi-vis color palette and a fully electronic sound. The duo stepped away from the anti-establishment sounds of the early nineties to assume the anti-establishment sounds of the new millennium. A diverse set of influences remained central to their work with everything from Delta Blues and Soul to Noise and experimental electronica informing Ost & Kjex.

On stage, Ost and Kjex continue to travel the world as a live act with stamps from Panorama Bar, Fabric, ADE, Sonar, Rex, and tons of other famous clubs and festivals smudged through their passports. Whether they’re playing with a full gospel choir or a minimal club set, Ost & Kjex bring an indelible energy to the stage as they channel the sounds of their vast discography into jubilant live shows.

Ost & Kjex’s music is now reserved for their own outlet, Snick Snack, a label they started with life-long friends Trulz & Robin.

Ost & Kjex

<Unbenannt>

Albumtitel

Album {title}

Album {title} wurde zurückgezogen

Artwork für {title}

Chart-Titel

Künstler {name} löschen? Dadurch werden alle Alben, Charts, Playlists und sonstigen Inhalte, die über dein Konto verwaltet werden, dauerhaft gelöscht. Musik-Alben, die Volumo gegebenenfalls von anderen Anbietern bereitgestellt wurden, bleiben weiterhin sichtbar und mit dem Künstler-Profil verknüpft, aber du verlierst die Kontrolle über das Profil, bis du es erneut beanspruchst. Diese Aktion ist unwiderruflich, außer du gibst alle Informationen manuell neu ein und lädst alle Dateien erneut hoch. Bist du dir absolut sicher, dass du fortfahren möchtest?

Label {name} löschen? Dadurch werden alle Alben, Charts, Playlists und sonstigen Inhalte, die über dein Konto verwaltet werden, dauerhaft gelöscht. Musik-Alben, die Volumo gegebenenfalls von anderen Anbietern bereitgestellt wurden, bleiben weiterhin sichtbar und mit dem Label-Profil verknüpft, aber du verlierst die Kontrolle über das Profil, bis du es erneut beanspruchst. Diese Aktion ist unwiderruflich, außer du gibst alle Informationen manuell neu ein und lädst alle Dateien erneut hoch. Bist du dir absolut sicher, dass du fortfahren möchtest?

Album {title} bearbeiten

Chart-Titel eingeben

Fehler beim Laden von {title}

Wenn Sie ein Content-Anbieter sind, verlieren Sie auch alle Ihre verifizierten Künstler und Labels. Alle von Nutzern erstellten Inhalte (Alben usw.) werden aus dem Store entfernt und gelöscht. Nicht ausgezahlte Einnahmen gehen ebenfalls verloren.

Wenn Sie Ihr Release exklusiv veröffentlichen möchten – gehen Sie bitte zum {album} und füllen Sie das Feld {exclusive} aus. Die Verwendung von „Exklusiv“ im Titel kann zu irrelevanten Suchergebnissen führen.

Hier sind Volumos teilbare Visuals. Wir wissen, du investierst viel Zeit, um deinen Sound und Stil zu perfektionieren. Deshalb kannst du jetzt im Handumdrehen Promo-Bilder und Videos erstellen. Passe sie nach deinem Geschmack an, lade sie herunter und nutze sie überall – in sozialen Medien oder in deinen eigenen Inhalten.

Es scheint, dass der Titel unnötige Leerzeichen in Klammern enthält. Entfernen?

Es scheint, dass der Titel in Großbuchstaben geschrieben ist. Möchtest du diesen Fehler beheben?

Es sieht so aus, als ob der Albumtitel eine Katalognummer enthält. In das passende Feld verschieben?

Der Track-Titel scheint eine Mix-Versionsnummer zu enthalten. In das entsprechende Feld verschieben?

Name

Gehe als Nächstes zu deinem Playlist-Bereich und erstelle eine neue Playlist. Gib deiner Playlist zuerst einen Titel. Das kann entweder der endgültige Titel sein oder nur ein vorläufiger. Dann klicke auf "Playlist erstellen."

Sobald deine Playlist fertig ist, gehe zu "Meine Playlists". Dort kannst du ein Cover hochladen, deinen Chart umbenennen und eine Beschreibung über dich, deinen Stil oder das gewünschte Feeling hinzufügen. Außerdem kannst du die Reihenfolge der Tracks ändern.

Pause {title}

{title} abspielen

Playlist-Titel

Bereit zum Teilen? Klicke auf die drei Punkte neben deiner Playlist und wähle "Als Chart veröffentlichen" aus. Vergib eine einprägsame Beschreibung, wähle das Cover-Bild aus und voilà – dein Ranking ist online!

Regelmäßige Updates über Inhalte auf Volumo

Verkaufsbenachrichtigungen (für Inhalt-Anbieter)

Wähle den Künstlernamen oder den Label-Titel, der im Chart-Autorenfeld angezeigt werden soll

Tracktitel anzeigen

Geben Sie einen Chart- oder Tracktitel oder den Namen eines Künstlers oder Labels ein, um Ergebnisse zu sehen.

Beginne, einen Ländernamen einzugeben, um Ergebnisse zu sehen

Beginne einen Genre-Titel einzugeben, um Ergebnisse zu sehen

Geben Sie einen Track- oder Albumtitel oder den Namen eines Künstlers oder Labels ein, um Ergebnisse zu sehen.

Stopp {title}

Das Album {title} wurde gelöscht

Die ersten 24 Stunden nach dem Drop deines Tracks sind absolut entscheidend – dann beobachtet der Algorithmus dich. Egal ob auf Volumo, YouTube oder Instagram: Das erste Hoch an Plays, Speicherungen, Teilungen und Interaktionen signalisiert der Plattform, dass es sich lohnt, gepusht zu werden. Wenn du sofort Fans, Freunde und dein Netzwerk mobilisierst, hast du bessere Chancen, in algorithmischen Playlists zu landen oder mehr Sichtbarkeit zu bekommen. Also lade nicht einfach nur hoch und lehne dich zurück – halte Content bereit, informiere deine Mailingliste und sei in den Kommentaren aktiv. Dieser erste Tag gibt die Richtung für den gesamten Release-Zyklus vor.

Der Titel enthält den Namen des Künstlers. Du musst den Namen des Künstlers nicht zum Titel hinzufügen, er wird automatisch ergänzt.

Titel

Die Top 3 Dinge, die Profi-DJs an Musikseiten hassen? Hier sind sie im Überblick. "Text Overlay": Die drei größten Frustrationen

Tracktitel

Track {title}

Track {trackTitle} kann nur als Teil des Albums {albumTitle} gekauft werden.

Track {trackTitle} aus der Playlist {playlistName} entfernt

Album {title} zurückziehen? Danach muss das Album vor der Veröffentlichung erneut moderiert werden.

Unbenannt

Die Verwendung von „Volumo“ in Titeln kann zu irrelevanten Suchergebnissen führen.

Wir, Volumo, sind der Verantwortliche für deine persönlichen Daten, verwenden Cookies, um Inhalte und Werbung zu personalisieren, Social-Media-Funktionen bereitzustellen und unseren Traffic zu analysieren. Wir teilen außerdem Informationen über deine Nutzung unserer Website mit unseren Social-Media-, Werbe- und Analysepartnern, die diese mit weiteren Daten, die du ihnen bereitgestellt hast oder die sie aus deiner Nutzung ihrer Dienste gesammelt haben, kombinieren können.

Du musst die Tracks im Titel nicht nummerieren, sie werden automatisch nummeriert

Es ist möglich, eine Beschwerde bei der Aufsichtsbehörde einzureichen, aber bitte kontaktieren Sie uns zuerst unter {address}. Wir werden unser Bestes tun, um das Problem gemeinsam zu lösen.

NINA FAY

Übersicht

Top Tracks

Top Releases

Flex Core Remixes

Flex Core

Genres

Verwandte Künstler