Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Dean Decosta

Subb-an is an electronic music artist from Birmingham, UK, known for his dynamic DJ sets that fluidly traverse the spectrum between house and techno, seamlessly blending deep, groove-driven basslines with hypnotic rhythms. His sound is immersive and refined, creating captivating experiences on dancefloors worldwide.

A seasoned performer, Subb-an has left a lasting mark at iconic venues and festivals including Block9 at Glastonbury, Houghton, Sunwaves, and DC10. Recent standout sets at Panorama Bar and Fabric underscore his enduring influence and versatility as an artist.

With releases on respected labels such as One Records, Spectral Sound, and Phonica Records, Subb-an has firmly established himself as a producer of exceptional talent and creative vision. He has collaborated with celebrated artists including Mathew Jonson, Max Cooper, Seth Troxler, Enzo Siragusa, and Tom Trago. His productions have earned widespread support from a diverse roster of tastemakers across the global electronic scene, including Ricardo Villalobos, Sonja Moonear, Midland, Peach, tINI, Saoirse, Job Jobse, Sedef Adasi, Chris Stussy, Priku, Laurent Garnier, Shanti Celeste, Peggy Gou, and Anotr.

Looking ahead, Subb-an is set to release new music on forward-thinking labels including Peach Discs, X-Kalay, Yoyaku, and his own imprint, Sub Series, continuing his evolution as a boundary-pushing force in contemporary electronic music.

Subb-an

After more than 30 years delivering timeless music for many of the world best electronic music labels, versatile Glasgow producer Vince Watson's music will be split across fresh and exiting new artist profiles, whilst reserving the VW title for the club music he is renowned the world over for, playing parties such as Richie Hawtin’s ENTER as well as being resident at both Berlin’s Tresor and 909 Festival in Amsterdam.

Vince currently releases on Cocoon, Poker Flat, Soulfooled, Suara, Mobilee, Ovum, Planet E, Transmat, Yoruba and his very own Everysoul label.

2016 saw his 20 year compilation of edits and re-creations ‘VW20 : Introspection’ arrive, as well as a big follow up single on Cocoon entitled ‘Speaker Freaker’. In demand, it wasnt long until he also made his debut on Anja Schneider’s Mobilee with ‘Machines Need Love’ as well as a host of remixes with Carl Craig and Josh Wink amongst the peers involved.

2017 saw vince being asked to remix 2 of Derrick May's iconic singles for Transmat. He refused...instead, he re-created them.

Vince will release a special single on Joe Claussell’s Spiritual Life label in the coming months, however his 9th studio album 'Via' is to hit the stores on June 22nd.

Now based in Amsterdam, Vince’s live shows are now in demand around the world and as a former Tresor resident, his DJ sets are also now highly requested, positioned somewhere between Derrick May & Laurent Garnier in style and substance.

Vince Watson

Lance DeSardi

Anobis22

Santos Resiak

Dee Jay Cocoe

Mukwenda

World renowned DJ and producer, Hot Creations label boss, founder and curator of the Paradise global event series and a member of cross-genre band Hot Natured, over the last decade Jamie Jones had pioneered his own distinct sound that has paved the way for a warmer, more melodic, side of techno to emerge.

Jamie Jones

John Tejada

Burnski is by no means the fresh faced new comer he looks. Despite still being relatively young, he has actually been toiling away, building up an enviable discography and laying down fierce DJ sets for a whole decade and a half. Right from the off he began making a big impact with early releases and has continued to quietly but competently build up momentum ever since. The upshot of this is that he is now at the point where he is a mainstay on the underground scene around Europe and beyond.

The reason he has always stayed in favour is because the music he makes is of an effortlessly timeless nature. He doesn’t follow trends or tropes of the day, but rather he focusses on distilling the Detroit and Chicago heritage he so admires into his own house and techno sounds. Sometimes they are deep, sometimes they are rough, sometimes they are more direct, but always are they characterful things that stand proud of the crowd. As such, whether solo or in collaboration with likeminded producers, he only releases on the most assured labels of the day and has continued to evolve his sound, just like an true musician should. 

As a DJ, Burnski aims to mix the old with the new, is still a passionate vinyl hoarder and spends plenty of time digging deep for sounds and styles a mile away from the ordinary: if he didn’t, he wouldn’t be able to boast regular gigs at places like DC10 in Ibiza, fabric in London, Rex Club in Paris and Watergate in Berlin, all of which find him weaving together tracks that make you want to dance as well as making you feel something deep down inside. 

In the wake of early, standout career hits (all of which sat pretty atop various charts including RA’s Most Charted for several consecutive months) Burnski is now crafting more stripped back and rawer output. Most of these will be on his own new label project alongside old friend and fellow former Back to Basics resident, Jon Woodall. Entitled Constant Sound, the label has gotten off to an enviable start with the first releases coming backed with powerful remixes from Trus’me of Prime Numbers, Steve O’Sullivan of the Mosaic label, Deadbeat, Nail, Kris Wadsworth and S.A.M.


Dean Decosta

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Webale Mukama Wange

Border Crossing Compilation, Vol. 1

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