Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Chez Moon

Claptone

Bicep

Black Coffee

Multi-award winning, London based producer, songwriter and DJ; Maya Jane Coles got into making music as a teenager inspired by rap and trip-hop before later working in other genres from house and techno under her own name through to dubbier, bass driven music under her Nocturnal Sunshine alias.

Maya’s debut release was back in 2008 on Dogmatik with the “Sick Panda 12". Later releasing on underground labels such as Mobilee, 20:20 Vision, and Hypercolour. Maya’s “What The Say” proved a pivotal release, an instant house classic, which was later integrated into mega hits “Truffle Butter” by Nicki Minaj and Katy Perry’s “Swish Swish”.

In 2013, Maya released her debut album “Comfort” on her own label, I/AM/ME. The album won many accolades and featured collaborations with Tricky, Miss Kittin, Kim Ann Foxman, and Nadine Shah amongst others. This was followed in 2015, by Maya's debut eponymously named Nocturnal Sunshine album.

Maya’s sophomore release came in 2017 with the double album “Take Flight” in 2017, containing downtempo as well as house tracks; with featured coming from frequent Maya’s collaborators Chelou and GAPS.

Maya also found the time that year to support Depeche Mode on their European stadium tour. Indeed, as a DJ Maya has toured in over 40 countries releasing mix compilations for DJ-Kicks (2012) and fabric (2014).

Maya’s is also widely known for her extensive list of remixes which includes reworking the xx  Little Dragon, Ella Fitzgerald, Bonobo, and Sia.

Maya Jane Coles

Sebo K

Nora En Pure

Pezzner

Fouk is the project of Dutch producers Daniël Leseman & Hans Peeman (Junktion).
We just say Fouk

For Daniel Leseman & Junktion (Hans Peeman), successful producers on their own merits and friends since childhood, a collaboration was inevitable. The success of it of course never is, but their house sound infused with disco and a lot funk has been proven to be very infectious.

After the infamous Detroit Swindle signed them to their Heist imprint and released the booming Kill Frenzy EP their name was established firmly to quick growing broader audience. Resulting in request for Dj-sets across Europe & the rest of the world, with personals highlights on Glastonbury, LoveBox and Australia.

Their first vinyl release as Fouk, on their own created Outplay Records was met with great enthusiasm, the brilliant reactions to ‘Stuff Your Dad Liked’ and ‘Cat Lady’ propelled Fouk and Outplay firmly into the scene as the ‘one to watch’. Following swiftly on, they produced a formidable remix for Lay-Far on the Swedish Local Talk Records. Since then they’ve released EP’s on Room With A View, The House of Disco and Razor-n-Tape and made a string of strong remixes for the likes of Kraak & Smaak, Groove Armada, Joey Negro’s The Sunburst Band and Mayer Hawthorne.

Fouk

In the story of 21st century club music, isolée, the German artist born Rajko Müller, has been a kind

of scampish poet, testing the limits of the artform, his records glowing with playfulness and human

emotion. The surreal aura of his sound made 1998's “beau mot plage" a mega-hit, forever earning

him credit as an architect of microhouse—a style he'd long outgrown by his second album, the

critically acclaimed "we are monster", and its follow-up, "well spent youth". After a decade of hiding in

the rafters between scattered EPs on Pampa and Maeve, isolée returns with "resort island", his fourth

album, and the first on his new label of the same name. Arriving more than 20 years after his

seminal early records, "resort island" shows isolée's talent completely unbound, his ineffable sound

hitting yet another dizzying peak. "resort island" will be released in May, the first single "rumour" is out now.

Chez Moon

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