Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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High Status

Beatamines

Demarkus Lewis

For some time now the combined forces of Mark Caramelli & Paul Hargreaves have been causing quite a stir under their guise, Death on the Balcony. The duos style fuses a range of influences from Disco through to House & Deep Techno depending on the time, space and environment. Years of dedicated musical passion and an appreciation of numerous genres have lead to their sound receiving popularity across the board...

Death on the Balcony’s release schedule is continually active with them releasing & remixing internationally with the likes of All Day I Dream, Kindisch, Anjunadeep, Do Not Sit, Akbal Music & many more...

Whether it’s disco inflected fuel or emotive house & techno rhythms, these eclectically deft producers will juxtapose anything they lay their hands upon, mixing the beat of the drum with the melodic buzz of a hazy brain!

As one of the UK’s more versatile acts Death on the Balcony will be delivering more productions, remixes and playing gigs worldwide as part of the All Day I Dream family and beyond. As their range of musicality continues to evolve they consistently deliver a unique, well-timed narrative of the best sounds around....

Death on the Balcony

Rhadow

Collective Machine

Dilby

Dachshund began his music love affair twenty years ago, experimenting with the sounds of dub, jungle and drum & bass. It naturally bring him later into the House and Techno scene.

It was this particular period in his career that has given his current production such an organic flair. With a style that focuses on the human presence behind the machine, his approach calls for a sense of creative freedom, something that is expressed simultaneously on his co-owned label, Clapper, his numerous released on such labels as Rebellion, Gruuv, Bar 25 music, 8Bit, Upon You, Rejected, and throughout his performances in some of the world’s renowned clubs.

Dachshund

An expert at creating harmonious illusions of sound, Germany’s Powel always finds a way to thread together natural elegance and tasteful patience in music. Having learned the piano at a young age and subsequently performed with bands and even an orchestra, his palette of music has a vast foundation influenced by the people and places he encounters. The sound artist's unique touch captures warm, celestial vibes filled with airy atmospheres together with delicate rhythms, telling melancholic stories fused with ghostly, low-slung cuts rich with nuance and subtlety.

Powel steadily explores this duality in sounds throughout his performances around the world, which include his annual sets on the Robot Heart bus at Burning Man and residencies with the All Day I Dream family alongside Lee Burridge. He is also a regular at Behrouz’s intimate Miami venue, Do Not Sit On The Furniture, and the New York institution Bespoke Musik.

It’s rare to hear an artist so intimately blur the line between uplifting pieces of music and raw, emotive records that exude the soul of deep house in its purest forms. Powel’s storytelling remains a special affair for the enthusiast.

Powel

Jinadu

Kirill Ki.Mi. started his career in 1999 not with mixing vinyls, unlike many of his colleagues, but with composing music. A few years later, he began to comprehend the art of djing. Since 2003 began to organize their own events.

After 6 years of productive work — in the beginning of 2005 — he has already signed contracts with foreign labels to release several releases including a full album.

2009 was one of the most important in his career. This year, his compositions are beginning to acquire international fame and consistently hit the charts of famous artists. A huge success was the track «Stereokubizm» — it gains the place in the top 10 of Depeche Mode’s favorite compositions, which they played at warm ups on his world tour. The result — signed contracts with many foreign labels.

A few years later, the high musical talent and professionalism of Ki.Mi. allowed him to cooperate with such heavyweights of the electronic music as Moon Harbour Recordings, Danse Club Recordings, Haunt and others, as well as a triple victory in the global competition of remixes.

Ki.Mi. is a multifaceted creative person — it confirms his inalienable part in a unique project Technopoetry, organization of many events with the participation of world stars of electronic music and his own digital & vinyl label called Kashatskikh.

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