Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Gribzy

Dee Panch

Mike Millrain has been DJing & producing house & garage since the mid nineties under a host of alias’ including Soul Rebels, Large Joints, Urban Myths, D-Base & DJ South Central. He has previously had radio shows on London’s House FM, Upfront FM & monthly residencies at Twice As Nice, Cookies & Cream & Freedom @ Bagelys Warehouse.

Having set up his own label Soul Revolution Records in 2014, Mike continues to produce & release underground house & garage, whilst his “Deep ’N’ Bumpy” series of podcasts & D3ep Radio Network show continue to grow in popularity. His recent releases include remixes of Example, Golf Clap, Low Steppa & Jax Jones with tracks on Simma Black, Country Club Disco, Form & Function & Soul Revolution Records.

Mike Millrain

Brock Edwards

Jeremy Sylvester’s musical journey began at birth, influenced by his father, a member of the 1980s disco group J.A.L.N. Band. Inspired by artists like Chic, Chaka Khan, and Kool and the Gang, he started producing music at his father’s Eye to Eye Studio in Birmingham. Beginning with rave and drum and bass, he co-founded Dubtronix in 1994, producing hits like “Screwface” and “Fantasy.”

Jeremy Sylvester

This industry has a habit of telling artists to stay in their lane. But the real ones know there’s power in a defiant spirit. Few reflect this truth louder than Chris Lorenzo, the UK-born producer who’s forged a singular path in music, fueled by a fearless attitude that rejects the expected and pushes the culture forward.

Lorenzo is a conduit for connection. As his sonic story unfolds further, the British artist draws recollections from formative years spent within the UK’s gritty underground with the modern magic that cements his position among dance music’s lasting luminaries. Driven by a refusal to stick to one lane, the unwavering Lorenzo invites listeners to join him on his next left-field detour — an intimate adventure that traverses the sentimental avenues of his artistry with era-blurring finesse.

Chris Lorenzo

Since the initial boom of underground electronic music in the UK, Roska has been one of the UK’s leading niche authorities, both as a producer and DJ, constantly unveiling new talent for all of us to enjoy. Roska’s production style has varied over the years, between stripped back, percussion-driven rollers to more club-influenced vocal creations, all of which will always pack a tremendously recognizable rhythmic punch, gaining support around the UK and also abroad, with international music hubs such as the USA & Japan showing love to the UK legend.

Alongside this, Roska has managed to stay very much with the times within his production arsenal, slowly stripping his style through the reprisal of the Bakongo alias to cover more techno and tribal house influenced creations, whilst also slowly moving into the realms of dancehall production with some extremely original ideas and production techniques, in case that wasn’t enough!

Sonic innovators will always be hailed for their musical contributions in the UK, especially those who are seen as being within the founding father range of a genre’s history. Roska is without a doubt one of the UK artists falling into that legendary bracket, with no intention of slowing down any time soon.

Gribzy

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