Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Barth Zett

When word comes to electronic music, Stanny Abram is full od spectacular stories. Not only that, we talk about musical genious, who has currently more than 1100 released tracks out there, including 6 studio albums on more that 100 international labels...

Stanny Abram

DJ PP

Mykonos residency : Cavo Paradiso. Athens residency : Dybbuk, Island
Weekly podcast “Obsessions” on more than 30 radio stations all over the world.
Played alongside David Guetta, Erick Morillo, Fedde Le Grand, Bob Sinclar, Alesso, Steve Angello, Axwell, Ingrosso, Avicii and many others.
Worldwide appearances – Ibiza,Miami,Mykonos,Amsterdam,Athens,Sydney,Melbourne & more.
Producer of the tracks "What is Love" & "Body&Soul" with Abigail Bailey and "Time Won't Wait" with Terri B (reached #1 on the US DMC charts).
Released music on Toolroom,Cube Recordings, Kryteria, HotL, Strictly Rhythm, Ultra, Ministry Of Sound, Stealth Records, Vamos, Subliminal and Spinnin’, remixed tracks for Offer Nissim, Todd Terry, Sandy Rivera and David Vendetta. 
Agent Greg’s productions have received outstanding support from names like Tiesto, Solardo, Jax Jones, Bob Sinclar, Kryder, Sunnery James&Ryan Marciano, Mark Knight, Fedde Le Grand, Roger Sanchez, Idris Elba,Robbie Rivera and many others, as well as being included in over 100 compilations from around the world.

Agent Greg

Amorhouse

Matke

Ozgur Uzar

Sergio Pardo

Paul HG

Tim Parker

Angiari Roberto, also known as Roy Batty, is a producer and composer from Aosta, Italy. He entered the world of music at fourteen, teaching himself piano. His first experiments came from cutting and sampling mainstream tracks with makeshift equipment. In 2008, together with Pietro Da Canal and Umberto Luberto, he founded , which carved its identity with a raw, high-energy sound blending electro beats, distorted synths, and a dark club atmosphere. From 2009 to 2014, he performed as a resident DJ in small clubs in his hometown, also appearing as a guest DJ at countless events. In 2013, he became a close collaborator and leading artist at Kaleydo Records, founded by longtime friend . In a short time, he released more than thirty Tech House tracks, including: Red Room (#14 on Traxsource) Obscure (Top 20 Special ADE Techno Chart 2018) He also worked closely with  producing dozens of tracks together, sometimes in collaboration with third-party artists. Among these are Inner Space, Ultra, Mayday, Passion, and many others, released on labels such as 2Dutch, Smash The House, Dirty Dutch, No Face, Swutch Music, Future House Cloud, Future House Music, Will Spark’s CLUBWRK, and Sirup Music. A passionate lover of electronic music, he has also released under different aliases — including  , , and  — exploring genres from Chillout, Trip Hop, and Drum & Bass, to Hard Dance, and even solo piano compositions.

Barth Zett

Overview

Top tracks

Latest releases

Slave to the Rhythm, Vol. 4 (30 Tech House Bombs)

The Roof is on Fire (Tech House Lighters), Vol. 1

Tech House Super Models, Vol. 2

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