Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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The Voices of Epoch

A vibrant kaleidoscope of sound, colour and emotion, British multi-hyphenate James Alexander Bright’s songs soundtrack fertile daydreams, esoteric dancefloors, languorous reflection, and wild excursions in nature and beyond. His voice, pitched somewhere between Eddie Chacon, Beck and Michael McDonald, is an immediately recognisable signature while impressive multi-instrumentalism sees him perform on guitar, bass, keys, programming, percussion, production and myriad quirky effects.

The past six years has seen James release a veritable treasure trove of music: ‘Mallorca’ and ‘Strange Folk’ EPs, debut album ‘Headroom’, joyous second ‘Float’, an album of collaborations and reworks with cosmic Americana-disco DJ/producer duo Flying Mojito Bros, and a new project with Groove Armada’s Tom Findlay as Bright & Findlay. 

James’ music making is commonly a family affair. Although initially written and recorded at his home studio in the rolling hills of the Hampshire countryside, his tracks involve regular collaborator Peter Lyons in East London alongside old friends and new to contribute vocals (Kerry Leatham and Katharine Alice) and drums (Gillan McLaughlin and Joris Feiertag). He has also collaborated with Letherette, Daudi Matsiko, Fink, Fred Everything, Scrimshire and contributed three songs to Groove Armada’s ‘Edge Of The Horizon’ album 

James balances music alongside the creative duality of a job in illustration and the responsibilities and constraints that come with raising a young family. Utilising any spare moment to write and record new ideas, his creative output under various projects had been relentless. Turning his back on apathetic major label offers in his early 20s, he’s released through cult DIY label Tape Club Records, German stalwart !K7 Music and now with Scottish tastemaker Athens Of The North, presenting an evolving vision of a sound that has touched on everything from outsider art-rock to machine funk, mystic folk to experimental jazz.

His music has been played across BBC Radio, Amazing Radio, Bandcamp Weekly, FIP Radio France, NTS, KCRW, Soho Radio, Triple J, and Worldwide FM, while press and musical luminaries have this to say…

“Blissful choruses, sweetly nagging refrains and a lo-fi sensibility. Hard not to love” MOJO
“Intoxicating, highly evocative, sun-dappled soul” Uncut
“Pastoral 21st century electronic psychedelia that knows all the best clubs in town” Electronic Sound
“Brilliantly laidback…an ever evolving journey that feels at once fun and adventurous but also familiar and comfortable” Future Music
“It’s a lush, rich slice of soul that will permeate every pore. It’s the sound of the summer” Louder Than War
“Bringing influence and experience together in a wild, kaleidoscopic world of precarious elevations and cathedral emotions” BPM
“Vivid intermingling of buoyant breakbeat drum loops, sunkissed psychedelic folk song, retrofuturist synthesisers and hot buttered British soul” Test Pressing
“All the musical styles I love. I’m a big fan” Tom Findlay, Groove Armada
“One exceptional album” Bill Brewster
“A timeless record” The Bees’ Aaron Fletcher
“Moves stylishly through psychedelic patterns and multicoloured textures” Jack Wyllie from Portico Quartet

James Alexander Bright

Sióbhan, Sio, The Twilight child, King is a storyteller, who uses music and poetry to tell her stories. A lover of words and melodies, the Johannesburg based songstress often gravitates towards dark imagery, weaving love, thoughtfulness and dash of rebellion in her work.   With a unique gift of storytelling and a voice to match, Sio has become a respected and much sought after vocalist both locally and abroad, with an uncanny ability to make hits that stand out, not only from the crowd but each other. She seamlessly weaves her stories through house, electronic, soul, hip hop and dance music and refuses to be confined to one style. She considers herself a lyrical snob, making pains to write songs that look at things from a different angle. Her Collaborations include: Luka, Jullian Gomes, rkls, Kid Fonque, Gina Jeanz, Jaedene Veda, Ralf Gum, Fred Everything, UPZ, Cuebur, Dawson and Charles Webster to name a few, with remixes of the Hit Single 1000 Memories by Jullian Gomes reworked by the stellar quartet of Osùnlade, Fred Everything, Karizma, Atjazz and many more worldwide.

Hi, I'm Tom.

I am the producer behind Girls of the Internet. I love what we do in the band. I love the songs, i love the melodies, I love the live instruments - but I also love weird electronic noises and syncopated drum machines.

The Gospel of Thomas is me making noises on fun musical machines. I hope you enjoy it as much as I do.

The Gospel of Thomas

i am an island

Pinty rose to prominence as part of the same South London crew as King Krule and Jamie Isaac, and has recently worked with Metronomy and Emma-Jean Thackray. His skippy verses and inventive wordplay place Pinty among the most exciting voices in alternative UK music. As a lyricist he is influenced by MCs like Skibadee, and story-tellers like Willie Nelson. A versatile rapper, Pinty has a knack for crafting agile verses over jazz-tinged house, hip-hop beats, drum & bass and more.

	Having built a reputation through residencies on radio stations like Balamii and Reprezent, Pinty released his first EP City Limits through Bradley Zero’s Rhythm Section imprint. He followed up with two further EPs - Midnight Moods and Tomorrow’s Where I’m At - on the Winged Feet label. Both EPs garnered attention from radio, music press and tastemakers alike. His single Comfort Me was chosen by BBC Radio 1’s Annie Mac as her Tune of the Week.

	In 2022 Pinty released his mixtape, Pinty's House, featuring a diverse roster of collaborators including King Krule, Totally Enormous Extinct Dinosaurs, Catching Cairo and more. The George Fitzgerald-produced ‘Stuck Like Glue’ landed on the BBC Radio 1 introducing playlist. The mixtape is best described as a house party in Pinty’s head, with something different playing in every room. Hosting guest vocalists and a different producer on each track, ‘Pinty’s House’ is a mixtape in its truest sense, a pick & mix of sounds and styles.&nbsp;

Pinty

Dani Siciliano is an American singer. She has worked with Matthew Herbert on several of his projects including the albums Around the House, Bodily Functions and Scale. She has also released three solo albums, Likes..., Slappers and Dani Siciliano.


Dani Siciliano

Girls of the Internet’s manifesto is clear; to create dance music that calls back to its roots, but with the knowledge and experience of the last 50 years of the genre.

Latest album When I Was Lost, I Found Myself saw founding member Tom bringing together acclaimed British soul vocalists and musicians, including collaborations with Sophie Faith, shiv & Oscar Jerome , demonstrating the innate musicality of the project, with the intention, “to create beautiful songs within a house music framework.”

Tom is in high demand and adept selector as a DJ, but Girls Of The Internet can also perform as a live band - adding another layer to the experience. Having performed at Glastonbury, The Warehouse Project, Drumsheds, Printworks, Latitude, Lost Village, Fabric, XOYO, Pikes & Hï, and selling out shows in iconic venues The Jazz Café & Night Tales. 2025 saw the band on their debut UK live tour.

The collective embraces inclusivity, regardless of sexuality, gender expression & body type. “We are very proud not be bound by the usual tropes, and have keep out  project about true inclusivity.”

Crafting songs with musicians, the name was inspired by Roy Ayers’ Ladies of the 80’s project; “I just loved the concept & mystery” explains Tom. “I wanted a name that was slightly decisive, something that played with gender, & people’s subconscious misogyny. Girls of the Internet is abstract - it means nothing, and it can mean anything.”

Listen to The very best of Girls of the Internet
Collaborators:
Thomas Kerridge

The Voices of Epoch

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