Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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dB Drops

Filta Freqz

Manolo

Joey Coco

A DJ, producer and label boss firmly in the ascendency, Chris Stussy emerged onto the scene double quick time with a string of head turning house tracks, but what is important is that he has continued to back up that early promise years later. Now very much a key part of today’s house scene with a sound that is all his own, Stussy’s rise has taken him firmly into the spotlight as one of the scene’s most exciting names, and the Dutch wonderkid is only just getting started…

A long-standing love of early house music, but also raw production aesthetics and an understanding of jazz, disco and Chicago styles feed into his own unique take on the genre. As such, his sublime late-night cuts via the likes of Djebali, Moscow, Eastenderz, LOCUS, and PIV, where he is also charged with spotting new talent as the in-house A&R, often come with bumping drums and a bassline that is superbly slick and supple, whilst remixes for artists including the one and only Kerri Chandler welcome smart vocal samples and lush synth colours which add to the allure of his most seductive and warm house grooves.

As a DJ, Stussy is just as widely informed and draws on styles to suit the many different settings in which he plays. Main stages at Awakenings through to cult underground clubs such as Watergate (Berlin), fabric (London), Fuse (Brussels) and Elrow (Barcelona) all come under his spell in equally memorable ways, with tours of Australia, New Zealand, Asia and South America already in the books, plus regular appearances across Amsterdam’s finest venues. From long, slow, deep and tension building mixes to more high impact, quick chops and high energy cuts, he is a versatile selector who is always on the move.

And yet, after countless #1’s Stussy still continues to serve up heat at an alarming rate. Add to the mix the highly-anticipated launch of his own label ‘Up The Stuss’ - a vinyl-driven outlet for both Stussy and close friends and colleagues to release forward thinking, timeless club-driven productions from across the electronic sphere - and you begin to gain an understanding of just how well-rounded he is not only as an artist, but also as an A&R and a label owner. Yet despite being so prolific, the quality levels remain high, and while each new production shows a subtle evolution, they continue to feed into the singular Stussy sound that DJs and dancers have come to know and love.

Chris Stussy

Phil Weeks is a house music purist. Whether DJing or producing, the Parisian with the huge personality delivers raw beats influenced in equal measure by
classic Chicago house and nu‐school French flair, underpinned with a hip‐hop attitude. His long running Robsoul Recordings also defines him as one of the
most skilled label heads in underground house music.
In the studio Phil is dedicated to classic hardware like Akai’s MPC 3000 sampler and Roland’s TR909 drum machine. He has released more than 250 tracks and
remixes since his debut in 2000, working with labels including 2020 Vision, Music For Freaks, Brique Rouge, Detour, Adult Only and his own Robsoul, which
is responsible for the majority of his original output.

Phil Weeks

Tripmastaz

Demuir

Danish DJ and producer Christian Nielsen, is a rare commodity in the world of House and Techno. While other producers might pander to the masses, Nielsen, never opts for a novelty approach, instead carving his own successful niche in a constant jostle for dance floor play.

Danish producer, Christian Nielsen is an artist who has seemed to come out of nowhere. Working in an office by day and developing his musical craft by night.

That said, his sound is a classic one, and one which has already made him popular – most notably on Kompakt, Noir, Play It Down, Kling Klong and Of Unsound Mind

Nielsen, however, is no flash in the pan, and is a producer who knows his way around the studio and has evolved musically buying tracks and studying legends like Kerri Chandler, Jimpster, Mr. V, Master At Work, Larry Heard, Moodymann and the late Frankie Knuckles.

A firm advocate of dance-floor ready house, Nielsen is one of the most interesting producers to arrive on our radar for some time, and if you’re a fan of electronic music, then you’ll no doubt be aware that we’re dealing with a man who’s stock is firmly on the rise.

Christian Nielsen

Mike Dunn

Junior Sanchez has been a dynamic force in the world of house music, consistently pushing boundaries with his diverse sounds. His extensive catalog boasts releases on renowned labels like Defected, Relief, Mad Tech Records, Strictly Rhythm, and Nervous Recordings. Noteworthy remix credits include Madonna, Gorillaz, Jamiroquai, Daft Punk, Chrvches, Azealia Banks, and Ariana Grande.

As 2023 concludes, Junior's recent releases on Planet E, Wh0plays, Circus Recordings, Club Bad, and Defected, along with the attention-grabbing collaboration with Dance System as Freqazoids, showcase his continued impact. With plans for a sophomore album in 2024, Junior Sanchez remains a headline act on global stages, from Ultra in Miami, Korea, and Singapore to Pacha and Ushuaia in Ibiza, demonstrating no signs of slowing down.

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