Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Slikk Tim

Franck Roger

DJ and producer based in Paris, Gunnter, inveterate digger, is a lover of House and Deep House from the 90s. He spends his youth between Europe and Japan scouring record shops in search of the most cutting edge records.

He made his debut in 2005, in Brittany, where he met his partner in crime DJ Steaw. In 2013, they founded together the label Rutilance Recordings which counts today in its ranks artists like Janeret, Kolter, M-High, Lauren Lo Sung, Chris Stussy...

In 2016, he decided to release his own productions on Rutilance Recordings and created in parallel a second label, Normandy Records, which mixes Tech House and Deep House. His wide and eclectic musical spectrum as well as his unique technique made him one of the pioneers of French House Music and allowed him to play in famous French and European clubs.

Gunnter

Janeret is known for his exceptional ability to deeply resonate with the human soul through his music, a blend of profound sensibility and vibrant energy, a unique concoction that leaves listeners in awe.

What sets Janeret apart is his remarkable talent for maintaining a delicate balance between the rhythmic energy that sets the dance floor in motion and the atmospheric ambience that stirs the heart. His soundscapes are an exploration of various musical universes, from the realms of house, dub and breakbeat to the liquid depths of jungle and dnb, all unified by a distinctive sonic signature that has earned him a place of recognition on the global electronic music scene.

As a widely celebrated producer, Janeret's steady stream of exceptional EPs in respected labels as Yoyaku, Aku, Joule, Berg Audio or FUSE, has earned him a reputation as a "purchase-on-sight artist”, a rare distinction in the industry, as one Discogs user aptly puts it. Consistently delivering high-quality music, each new release subtly evolves while maintaining a distinctive sound that has won the hearts of selectors and dancers alike.

Janeret

A DJ, producer and label boss firmly in the ascendency, Chris Stussy emerged onto the scene double quick time with a string of head turning house tracks, but what is important is that he has continued to back up that early promise years later. Now very much a key part of today’s house scene with a sound that is all his own, Stussy’s rise has taken him firmly into the spotlight as one of the scene’s most exciting names, and the Dutch wonderkid is only just getting started…

A long-standing love of early house music, but also raw production aesthetics and an understanding of jazz, disco and Chicago styles feed into his own unique take on the genre. As such, his sublime late-night cuts via the likes of Djebali, Moscow, Eastenderz, LOCUS, and PIV, where he is also charged with spotting new talent as the in-house A&R, often come with bumping drums and a bassline that is superbly slick and supple, whilst remixes for artists including the one and only Kerri Chandler welcome smart vocal samples and lush synth colours which add to the allure of his most seductive and warm house grooves.

As a DJ, Stussy is just as widely informed and draws on styles to suit the many different settings in which he plays. Main stages at Awakenings through to cult underground clubs such as Watergate (Berlin), fabric (London), Fuse (Brussels) and Elrow (Barcelona) all come under his spell in equally memorable ways, with tours of Australia, New Zealand, Asia and South America already in the books, plus regular appearances across Amsterdam’s finest venues. From long, slow, deep and tension building mixes to more high impact, quick chops and high energy cuts, he is a versatile selector who is always on the move.

And yet, after countless #1’s Stussy still continues to serve up heat at an alarming rate. Add to the mix the highly-anticipated launch of his own label ‘Up The Stuss’ - a vinyl-driven outlet for both Stussy and close friends and colleagues to release forward thinking, timeless club-driven productions from across the electronic sphere - and you begin to gain an understanding of just how well-rounded he is not only as an artist, but also as an A&R and a label owner. Yet despite being so prolific, the quality levels remain high, and while each new production shows a subtle evolution, they continue to feed into the singular Stussy sound that DJs and dancers have come to know and love.

Chris Stussy

Dario D'Attis

DJ and Electronic Music Producer and remixer, born and raised in Madrid, Spain. Creator of the pioneering Iberican Sound, founder of Stereo Productions and Redolent Music. His Music style is a delicious blend of Organic House, warm and intense with a vital and deep Tribal essence that fuses naturally with melodic and evolving sounds, percussion rhythms, and drums. A long-haul career based on his self-taught character and his constant defence of musical quality has turned him into one of the industry's most respected DJs. He is hailed worldwide for his excellent production works, including official remixes for world-renowned artists. 
His evolution throughout the past years has led him to the pinnacle of the global music scene. All these years of hard work, absolute dedication, undisputed professionalism, and a constant evolution in sounds have led him to the summit of success. Chus's strength resides in his charisma and the unique and pure way he chooses to engage with people. 
Chus represents an invaluable legacy of sound, where his blend of styles is his dogma and the quality of his message. 
Redolent Music is his most recent project, a new independent record label, event producer, management agency, and lifestyle concept whose purpose is to cater to the evolving music industry and develop emerging talent.

DJ Chus

Born Canadian of Italian decent, Paolo Rocco first made his mark as a DJ in the Montreal House/Electronic music scene as a young talent who was technically gifted and always determined to deliver quality story telling sets. Playing an average of 150 gigs a year since 2006 Paolo’s primary goal on the decks has always been to give people the same feeling he gets when the sound of a hot record hits his ears. Expanding on his roots as a disk jockey, Paolo Rocco entered the international House scene as a producer with his remix of the Round Table Knights “Say What?!” released on Jesse Rose’s “Made To Play Records”. Since then, his remixes and original works have been supported by industry heavy weights like, Damian Lazarus, Jesse Rose, Franck Roger, DJ Sneak, Reboot, Noir, Dubfire, Pirupa, Catz n Dogz, M.A.N.D.Y., Maya Jane Coles, Michael Mayer, Dennis Ferrer and many more… His first ever digital single "Move Body, Move Forward" (Klasse Recordings) cracked Beatport's top 25 main chart while holding number 6 in the top 100 Deep House category. This was only the beginning...Since his debut as a producer he has remixed anthems like Reboot's "Enjoy Music", released on well-respected House Music imprints like Real Tone, Noir, Defected... And has been consistently receiving international support from heavyweights in the scene. Presently being a part of the Real Tone Records family not just as a producer but also as an artist; be on the look out for Paolo's future ever innovating projects.

Paolo Rocco

David Morales

Oden & Fatzo, the dynamic French electronic music duo, have been making significant strides in the global music scene. Their journey began with the acclaimed house edit of Men I Trust’s “Lauren,” amassing over 80 million streams on Spotify. This success was followed by a standout live performance at Boiler Room during the 2022 FLY Open Air festival. Their unique blend of UK garage, uptempo minimal, and house beats—infused with funk, jazz, and hip-hop influences—has captivated audiences worldwide.

In 2023, they released “Lady Love” featuring Camden Cox under Defected Records, garnering 31 million streams on Spotify. This collaboration strengthened their relationship with the iconic label and expanded their global audience.

Their momentum continued in 2024 with a remix of David Guetta & Kungs’ “All Night Long” and iconic gigs at Cercle Festival, EDC Las Vegas, Electric Forrest Festival, Wembley Arena…

Then, their new track «&nbsp;Tell Me What You Want&nbsp;» with Poppy Baskcomb (who worked with Anima, Tiësto…) gathered 17 millions on Spotify in less than six month, and bringing them to a peak of 3.5 millions monthly listeners during the summer while continuing their partnership with Defected, with whom they played all over the world.

They spent two months in the studio working on their debut album which should be released on Defected during 2025. It contains numerous collaborations and the use of real instruments and musicians to take the Oden & Fatzo sound to the next level.

Oden & Fatzo

For anyone who knows their shit, Mike Dunn should need no introduction, but for those that don’t, he was highly influential in birthing the modern day dance music phenomenon, most notably as a major progenitor of acid house.

“I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live."

Word soon spread about his talents and Mike was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug releasing 'Dance You Mutha' in 1987. More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”.

More recently, tracks like Phreaky MF’ and ‘God Made Me Phunky’, re-released on Defected records, have raised his profile and delivered his music to new audiences. Whilst new interest in Mike’s original old school jamz have taken him to work with the new generation of house and techno producers and labels.

Slikk Tim

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