Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Matams

Paul Vervoort

Kjofol

SATOSHI FUMI Satoshi comes from Tokyo. Influenced by the 80’s Electronic Music and 90's House/Techno scene. He managed to create his own unique style over the years by providing the world with various dance music styles such as Deep House, Techno, and Acid. He has released quality tracks on labels such as Bedrock, UNKNOWN season, Get Physical Music, Moodmusic, Sudbeat, We Play House Recordings, King Street Sounds, Detone, Plastic City, etc, and as a result, has managed to gain recognition and respect of many vital DJs such as Laurent Garnier, Ken Ishii, John Digweed, Hernan Cattaneo, Ashley Beedle, Terry Farley, to name a few. He succeeded in gigs in Tokyo and played in suitable venues worldwide (UK, France, Italy, Greece, and Asia.) He runs a label, Sequent: Recordings, and has a monthly radio program, Outerspace, on Proton Radio. 

Satoshi Fumi

Klartraum (Lucidflow, Soma, Darkroom Dubs, 100% Pure, Ministry of Sound, Absurd Rec.)Klartraum is German for the stage of lucid dream, when you become aware that you are dreaming and are able to manipulate your surroundings.Driving deep into the subconscious, their music envelopes and surrounds its listeners creating a world in which just like a dream, things are never as they seem. With an aquatic fluidity and warm, wave like pulses, their music gently lulls you into this trance like state, allowing accepted structures to become contorted and morph into something entirely new.Klartraum happens when Nadja Lind (Lucidflow, Darkroom Dubs, Soma, Vitalik) and Helmut Ebritsch (Hatikvah, Soma, Morris Audio, Baalsaal)’ve come together to explore their musical urges. Both as a studio double duo and burgeoning live act they are bringing an entirely unique edge to their performances and output by taking their flowing techno to a deeper, spiritual level.Since finding each other in 2006 through a producer website the Berlin based pair have stamped their unique mark on electronic music, finding favour with some of the world’s top DJs. Klartraum’s ‘Slayin’ The Dragon’ remix for legendary H-Foundation appeared on Soma 20th Anniversary alongside Daft Punk and was immediately charted by Silicone Soul’s Best Of 2011!Out of the studio the duo have taken their sound on the road, performing as Klartraum live at London’s Fabric, the infamous Ukrainian festival Kazantip and Goa’s renowned Shanti club to rave reviews and rapturous response as well as Australia and across Europe.In mid 2011 they unleashed their debut album “Evolution” on their own Lucidflow label as an engrossing recollection of their musical and personal journey so far followed by a remix album where you find formidable artists such as G-Man, Mark Henning, Marek Hemmann, Silicone Soul, Steve Rachmad, Terry Francis and many more. In the studio they free their subconscious through harnessing the immense wealth of knowledge to found in spiritual teachings. The creative processes start with a Ho’oponopono cleansing and Eft Session then with their equipment Midi-synced their sound is crafted through lightening quick jam sessions. The fluidity of their tracks reflects this process where two minds and bodies let their musical ideas evolve and merge together, constantly refining and pushing their own boundaries during this intuitive process.Nadja’s intensely chaotic energy is bound by a natural continuity and progression in her work, resulting in tracks that tease and twist, leading the listener blindfolded through lush instrumentals and challenging soundscapes. This is regimented by Helmut’s skills developed through 20 years in the production game. These natural traits are often blurred as the pair grow as individuals with the teachings learnt through the universal language of music.The two have their own way of creating music, making much of both their spiritual leanings and their hands of approach to ‘jamming’ out tracks live. Whatever it is that drives them it certainly works, for Klartraum are rapidly becoming an act that cannot ignored, making great music and taking it to the world via their passionate live performanceNaming tracks after psychological patterns (Ignorance, Dissociation, Fantasy Bond, Pain Relief), spiritual experiences (All Dimensions, Inner Sky, Beyond Illusion, I Don’t Know) and threading the voices of spiritual teachers and Zen masters through their work, Klartraum seek to bring the compelling wisdom and courage of people like Rudiger and Anette Nehberg, Dr. Steven Wolinsky, Dr. Marc Gafni, Ken Wilber to wider audiences through their art. The duo are truly adding another level of expression to electronic music.

Klartraum

Enrique Gongora

Pablo Fierro stands firmly atop a new wave of cosmopolitan electronic music, digging for sounds across borders and packaging them into punchy, electromagnetic and deeply tropical shades of house and techno. Born and raised in the Canary Islands, this musician, DJ and producer’s artistry ranges from composing film scores to founding world club music label Vida Records to writing his own lyrics and composing on guitar, bass, percussions and piano.

His life is dedicated to channelling the vibrancy of music, and its power to stir and inspire people, through percussive productions that balance high energies and cultural stories. With charismatic releases on labels like Innvervisions, Compost and Sony Music among others, he’s established his signature sound: distinctive, fiery, ready to tackle and integrate new influences with agility and emotion.

Pablo Fierro’s fascination of music’s uniting power and relentless focus will continue driving him across genres, feeding audiences with trips that serve up a much needed fresh perspective.

Pablo Fierro

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production.
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm.
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby.
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno.
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor.
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration.

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

Reinier Zonneveld

Kirill Ki.Mi. started his career in 1999 not with mixing vinyls, unlike many of his colleagues, but with composing music. A few years later, he began to comprehend the art of djing. Since 2003 began to organize their own events.

After 6 years of productive work — in the beginning of 2005 — he has already signed contracts with foreign labels to release several releases including a full album.

2009 was one of the most important in his career. This year, his compositions are beginning to acquire international fame and consistently hit the charts of famous artists. A huge success was the track «Stereokubizm» — it gains the place in the top 10 of Depeche Mode’s favorite compositions, which they played at warm ups on his world tour. The result — signed contracts with many foreign labels.

A few years later, the high musical talent and professionalism of Ki.Mi. allowed him to cooperate with such heavyweights of the electronic music as Moon Harbour Recordings, Danse Club Recordings, Haunt and others, as well as a triple victory in the global competition of remixes.

Ki.Mi. is a multifaceted creative person — it confirms his inalienable part in a unique project Technopoetry, organization of many events with the participation of world stars of electronic music and his own digital & vinyl label called Kashatskikh.

Ki.Mi.

Lonya Koval is a artist on a mission, through an uncompromising passion for the music he creates and performs. As a DJ and world-renowned producer, he continues to drive the vibrant electronic music scene.

A hallmark of quality stamped through an ever-increasing catalogue of innovative work, a string of cross-genre hits, has been a constant theme, while Lonya’s production work continues to scale new heights with his ground-breaking sonic architecture. Lonya’s distinctive sound has seen him courted by the industry’s blue-chip imprints.
In tandem with a successful production career, a strong presence behind the decks has also been an integral component of Lonya’s musical persona and transformed him into a global phenomenon.

As music curator, Lonya has been at the epicentre of the industry with his own label Asymmetric Recordings/Dip. Through an unparalleled familiarity with the electronic scene, Lonya has been able to oversee the creation of an esteemed label that has grown into a major force. The years of experience has allowed him to take a holistic view when recruiting new musical talent, intuitively knowing when to take a step back and when to advise as the artists under his tutelage blossom into the next generation of successful producers.
An artist at the vanguard of the industry, Lonya continues to shape underground music through experienced hands and a golden touch that wields an aural magic, delighting fans and club goers in equal measure.

Matams

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