Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Mohato

For some time now the combined forces of Mark Caramelli & Paul Hargreaves have been causing quite a stir under their guise, Death on the Balcony. The duos style fuses a range of influences from Disco through to House & Deep Techno depending on the time, space and environment. Years of dedicated musical passion and an appreciation of numerous genres have lead to their sound receiving popularity across the board...

Death on the Balcony’s release schedule is continually active with them releasing & remixing internationally with the likes of All Day I Dream, Kindisch, Anjunadeep, Do Not Sit, Akbal Music & many more...

Whether it’s disco inflected fuel or emotive house & techno rhythms, these eclectically deft producers will juxtapose anything they lay their hands upon, mixing the beat of the drum with the melodic buzz of a hazy brain!

As one of the UK’s more versatile acts Death on the Balcony will be delivering more productions, remixes and playing gigs worldwide as part of the All Day I Dream family and beyond. As their range of musicality continues to evolve they consistently deliver a unique, well-timed narrative of the best sounds around....

Death on the Balcony

Martin Landsky has now been living and breathing underground house and techno for almost three decades. Sure, when he first started out in the early eighties he was mainly playing to school friends, but dance music and DJing had already got him under their spell, and it’s been that way ever since. After experimenting with homemade mixtapes and breakdancing in local crews, house and techno arrived in his Hamburg hometown and he fell immediately in love. Soon graduating to playing ‘proper’ DJ sets in clubs around Germany, Martin was amongst the first to be playing these new electronic sounds and even had his own night at the legendary Front Club, where he became known for his fresh selections. Now, years later, there is barely a club or festival anywhere in the world that he hasn’t headlined.

Largely inspired by black music, it wasn’t long before Martin began crafting his own productions and a debut release came in 1997 on MC Projects London. It was the start of what has turned out to be an illustrious production career that now takes in underground hits like ‘Bloodhound’ (which was remixed by Steve Bug and got re-released as a certified classic in 2009 on an esteemed Decks Records sub label) as well as the huge underground anthem that joined together DJs from all backgrounds, namely the ubiquitous ‘1000 Miles’ on Poker Flat.  A key member of Steve Bug’s Poker Flat family, Martin also released his debut LP, In Between, on the same label in 2001. Other successes that define the slick, sleek and seductive house and tech fusions Martin serves up are ‘The Composer’, also on Poker Flat , ‘Morning Caffeine’ on Mobilee and many more besides. What’s more, as a remixer, Martin’s unique touches have been put on music by everyone from Booka Shade to John Tejada, Miss Kittin to Pan-Pot.

“I like to experiment,” says the Berlin based Martin. “I don’t follow one style. I have no templates at all, but my music has to be deep and has to have balls.” Anyone who has danced to one of the man’s considered and coherent sets around the world will attest to that: they are compelling things that call up a diverse array of genres, not just the latest big hits, and importantly never lose sight of an essential groove.

In the background to all this, Martin has also worked for Container Distribution and later for Word And Sound – one of the world’s largest distributers – since 1995, but has also been boss of his own label. Effortil Records (later renamed Intim Recordings) ran from 1998 until 2002 and was responsible for Phonique’s very first two releases as well as Marco Resmann’s debut and won plenty of acclaim with DJs and dancers alike.

Martin continues to work on new EPs and exciting collaborations and after so long in the game has a truly 360 degree understanding of dance music. It is for that reason that he is such a vital part of house and techno’s underground world.

Martin Landsky

Dive Deeper!
Hailing from the greater Frankfurt Area Sascha Dive has made quite an impression on the international house and techno circus over the last ten years. Although the deephouse traveller looks back on an amazing amount of pristine releases, with the first official vinyl pressed back in 2007, one can still call him a young gun. If you look around in the deeper fields of house music these days this gifted producer and DJ seems to be an exception. This isn't a disadvantage at all because with all the energy in his mind and hands Sascha Dive proves with every gig and production that he plays on the same level as many of his legends, if not even higher!

 

Strongly influenced by the godfathers of deephouse like Moodyman, Chez Damier or Ron Trent and following the first waves of top notch German house labels, such as Playhouse, Sascha Dive has progressed to a serious floor fighter since his first official appearance in 2007. With a musical taste reaching from his deephouse backround and soulful minimal sounds to kicking and mind blowing techno he has played almost every leading club and festival over the past ten years.

 

Sascha Dive is not only taking his sound and vision to the world's finest floors, he still manages to release more and more music. Dive has released a vast number of productions and remixes on high class labels such as Tsuba, Freebase, Deep Labs (Balance US), Raum...Musik or Stir15 and aside from all the touring and producing he still runs his own "Deep Vibes" label with great success. "Deep Vibes" has produced some outstanding music by Sascha Dive and his buddies and „house-mates“ such as Brothers Vibe, Robert Dietz, Christian Burkhardt or Markus Fix (just to name a few) and most of it on vinyl! So it's no wonder that vinyl master Sven Väth signed Sascha to Cocoon Artists and Cocoon Recordings.

 

Sascha Dive, a forward thinking producer and DJ who still waves the flag of the real vinyl sound and always will. With more young men like him house music will live on forever!

 

Check out Sascha Dive's thoughts on his career so far, his greatest gigs and what the future will hopefully bring for him...

Sascha Dive

Luca Bacchetti

An expert at creating harmonious illusions of sound, Germany’s Powel always finds a way to thread together natural elegance and tasteful patience in music. Having learned the piano at a young age and subsequently performed with bands and even an orchestra, his palette of music has a vast foundation influenced by the people and places he encounters. The sound artist's unique touch captures warm, celestial vibes filled with airy atmospheres together with delicate rhythms, telling melancholic stories fused with ghostly, low-slung cuts rich with nuance and subtlety.

Powel steadily explores this duality in sounds throughout his performances around the world, which include his annual sets on the Robot Heart bus at Burning Man and residencies with the All Day I Dream family alongside Lee Burridge. He is also a regular at Behrouz’s intimate Miami venue, Do Not Sit On The Furniture, and the New York institution Bespoke Musik.

It’s rare to hear an artist so intimately blur the line between uplifting pieces of music and raw, emotive records that exude the soul of deep house in its purest forms. Powel’s storytelling remains a special affair for the enthusiast.

Mohato

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