Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Thato

Marc Evans

Donald Sheffey

Mafia Natives

Morris Revy

Rona Ray

Arndt Roerig and Marko Vidovic – known as Tube & Berger – started their musical journey over a decade ago. Since then, the house producers and in-demand remixers have put out two acclaimed studio albums, released on an array of prestigious labels and played constant gigs around the world.

After early experiments in the world of punk music, the German duo’s first breakthrough came with their 2004 hit ‘Straight Ahead’, which featured the vocals of Chrissie Hynde and shot straight to the top of the dance charts. Since this early success, their output has evolved significantly by incorporating real-life recordings and samples into their music. Their intricate, emotion-laden production style creates records that are organic and evocative, without losing that dance floor punch essential for the modern-day DJ.

Tube & Berger have undoubtedly helped to shape the house genre, crafting several scene defining records in the last couple of years. Most notable is ‘Imprint of Pleasure’, a heart-wrenchingly poignant dance floor anthem released on Suara Records that has provided the soundtrack for festivals and dance floors for many years.

Last year, Tube & Berger and Junior Jack's collaboration track 'E Samba 2018' was a massive No.1 hit. In 2019, Tube & Berger's remix for Samim - ‘Heater' became a global dance floor hit and instantly rushed to the No.1 spot on the main charts before staying there for weeks.

In terms of live performances, Tube & Berger never tire. They are proven Ibiza heavyweights with frequent shows at ANTS in Ushuaia and Hï Ibiza. Festival-wise, they’ve headlined at Tomorrowland, Loveweek Festival, Eastport Festival, Claptone's Masquerade and played dates at ADE including 'All Gone Pete Tong' and multiple Toolroom Showcases.

Tube & Berger

Multi-award winning, London based producer, songwriter and DJ; Maya Jane Coles got into making music as a teenager inspired by rap and trip-hop before later working in other genres from house and techno under her own name through to dubbier, bass driven music under her Nocturnal Sunshine alias.

Maya’s debut release was back in 2008 on Dogmatik with the “Sick Panda 12". Later releasing on underground labels such as Mobilee, 20:20 Vision, and Hypercolour. Maya’s “What The Say” proved a pivotal release, an instant house classic, which was later integrated into mega hits “Truffle Butter” by Nicki Minaj and Katy Perry’s “Swish Swish”.

In 2013, Maya released her debut album “Comfort” on her own label, I/AM/ME. The album won many accolades and featured collaborations with Tricky, Miss Kittin, Kim Ann Foxman, and Nadine Shah amongst others. This was followed in 2015, by Maya's debut eponymously named Nocturnal Sunshine album.

Maya’s sophomore release came in 2017 with the double album “Take Flight” in 2017, containing downtempo as well as house tracks; with featured coming from frequent Maya’s collaborators Chelou and GAPS.

Maya also found the time that year to support Depeche Mode on their European stadium tour. Indeed, as a DJ Maya has toured in over 40 countries releasing mix compilations for DJ-Kicks (2012) and fabric (2014).

Maya’s is also widely known for her extensive list of remixes which includes reworking the xx  Little Dragon, Ella Fitzgerald, Bonobo, and Sia.

Maya Jane Coles

Rhadow

If you love underground deep music sure you know the Mallorca based artist Frink. And if you don’t then we will let you know a little bit about him.

As balear artist, the balear house sound is in his blood and that you can feel it in his tracks with that peculiar groove and way to understand underground house music. With his very first releases he was in the charts of Beatport, and since more than 15 years over 70 tops in the known portal show that he is in the likes of many DJs and fans around the world. Past 2020 he was in the top 14 most charted artists in Deep House genre of Beatport.


Frink

NiCe7 have been prominent figures in the worldwide Tech House scene for over a decade, known for a consistent stream of high-quality releases, remixes, and collaborations.

Deep House is another realm where they have seen immense success, notably with their popular “Back to Basics” EP and their widely acclaimed remix of Jon Cutler’s “It’s Yours,” both released on Noir Music. Since 2005, they have released on a great number of highly respected underground labels such as Crosstown Rebels, Defected, Snatch!, Get Physical, and Gruuv. They have consistently crafted dancefloor-focused tracks and collaborated with or remixed legends like Claude VonStroke, Steve Bug, Claptone, Romanthony, Riva Starr, Artbat, and Audiojack.

Beyond the studio, NiCe7 mixed the prestigious “Defected Miami” compilation in 2014 and were featured guests on Pete Tong’s BBC Radio 1 show. Their inimitable DJ style, which blends everything from techy and dark to funky grooves, has led them to perform at world-renowned venues including Cocoricò in Riccione, Output in NYC, Space Ibiza, Watergate in Berlin, and Ministry of Sound in London, alongside numerous festival appearances across the globe.

Thato

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