Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Digitale Analogik

SATOSHI FUMI Satoshi comes from Tokyo. Influenced by the 80’s Electronic Music and 90's House/Techno scene. He managed to create his own unique style over the years by providing the world with various dance music styles such as Deep House, Techno, and Acid. He has released quality tracks on labels such as Bedrock, UNKNOWN season, Get Physical Music, Moodmusic, Sudbeat, We Play House Recordings, King Street Sounds, Detone, Plastic City, etc, and as a result, has managed to gain recognition and respect of many vital DJs such as Laurent Garnier, Ken Ishii, John Digweed, Hernan Cattaneo, Ashley Beedle, Terry Farley, to name a few. He succeeded in gigs in Tokyo and played in suitable venues worldwide (UK, France, Italy, Greece, and Asia.) He runs a label, Sequent: Recordings, and has a monthly radio program, Outerspace, on Proton Radio. 

Satoshi Fumi

Rico Puestel

Joachim Pastor

Cusp

Gorge

Nick Curly

Arndt Roerig and Marko Vidovic – known as Tube & Berger – started their musical journey over a decade ago. Since then, the house producers and in-demand remixers have put out two acclaimed studio albums, released on an array of prestigious labels and played constant gigs around the world.

After early experiments in the world of punk music, the German duo’s first breakthrough came with their 2004 hit ‘Straight Ahead’, which featured the vocals of Chrissie Hynde and shot straight to the top of the dance charts. Since this early success, their output has evolved significantly by incorporating real-life recordings and samples into their music. Their intricate, emotion-laden production style creates records that are organic and evocative, without losing that dance floor punch essential for the modern-day DJ.

Tube & Berger have undoubtedly helped to shape the house genre, crafting several scene defining records in the last couple of years. Most notable is ‘Imprint of Pleasure’, a heart-wrenchingly poignant dance floor anthem released on Suara Records that has provided the soundtrack for festivals and dance floors for many years.

Last year, Tube & Berger and Junior Jack's collaboration track 'E Samba 2018' was a massive No.1 hit. In 2019, Tube & Berger's remix for Samim - ‘Heater' became a global dance floor hit and instantly rushed to the No.1 spot on the main charts before staying there for weeks.

In terms of live performances, Tube & Berger never tire. They are proven Ibiza heavyweights with frequent shows at ANTS in Ushuaia and Hï Ibiza. Festival-wise, they’ve headlined at Tomorrowland, Loveweek Festival, Eastport Festival, Claptone's Masquerade and played dates at ADE including 'All Gone Pete Tong' and multiple Toolroom Showcases.

Tube & Berger

Be Svendsen

Martin Landsky has now been living and breathing underground house and techno for almost three decades. Sure, when he first started out in the early eighties he was mainly playing to school friends, but dance music and DJing had already got him under their spell, and it’s been that way ever since. After experimenting with homemade mixtapes and breakdancing in local crews, house and techno arrived in his Hamburg hometown and he fell immediately in love. Soon graduating to playing ‘proper’ DJ sets in clubs around Germany, Martin was amongst the first to be playing these new electronic sounds and even had his own night at the legendary Front Club, where he became known for his fresh selections. Now, years later, there is barely a club or festival anywhere in the world that he hasn’t headlined.

Largely inspired by black music, it wasn’t long before Martin began crafting his own productions and a debut release came in 1997 on MC Projects London. It was the start of what has turned out to be an illustrious production career that now takes in underground hits like ‘Bloodhound’ (which was remixed by Steve Bug and got re-released as a certified classic in 2009 on an esteemed Decks Records sub label) as well as the huge underground anthem that joined together DJs from all backgrounds, namely the ubiquitous ‘1000 Miles’ on Poker Flat.  A key member of Steve Bug’s Poker Flat family, Martin also released his debut LP, In Between, on the same label in 2001. Other successes that define the slick, sleek and seductive house and tech fusions Martin serves up are ‘The Composer’, also on Poker Flat , ‘Morning Caffeine’ on Mobilee and many more besides. What’s more, as a remixer, Martin’s unique touches have been put on music by everyone from Booka Shade to John Tejada, Miss Kittin to Pan-Pot.

“I like to experiment,” says the Berlin based Martin. “I don’t follow one style. I have no templates at all, but my music has to be deep and has to have balls.” Anyone who has danced to one of the man’s considered and coherent sets around the world will attest to that: they are compelling things that call up a diverse array of genres, not just the latest big hits, and importantly never lose sight of an essential groove.

In the background to all this, Martin has also worked for Container Distribution and later for Word And Sound – one of the world’s largest distributers – since 1995, but has also been boss of his own label. Effortil Records (later renamed Intim Recordings) ran from 1998 until 2002 and was responsible for Phonique’s very first two releases as well as Marco Resmann’s debut and won plenty of acclaim with DJs and dancers alike.

Martin continues to work on new EPs and exciting collaborations and after so long in the game has a truly 360 degree understanding of dance music. It is for that reason that he is such a vital part of house and techno’s underground world.

Martin Landsky

Miyagi has created and developed his very own unique sound during the past years. A mixture between deep house, tech house and techno draws through his tracks, as well as his DJ-sets, producing a deep, hypnotic and melodic atmosphere. His productions are released on labels like Einmusika, Katermukke or his own Lost Diaries. Worldwide bookings are scheduled to take Miyagi across the globe to play gigs everywhere from Chicago, Berlin, London, Copenhagen and Cape Town, to Seoul, San Francisco, New York and Paris.

Digitale Analogik

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