Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Juan Rojas

Every artist leaves a mark, and Mihai Popoviciu’s is unmistakable. For almost two decades, the Romanian producer and DJ has crafted a signature style—deep, hypnotic grooves, pinpoint precision, and an energy that commands the dancefloor.
Growing up in Sibiu (Romania), a city far removed from Europe’s electronic epicenters, Mihai’s passion for house and techno was born in isolation. The ‘90s saw London, Berlin, and Ibiza booming with dance music, while he was left scavenging for whatever sounds he could find. “We’d record German TV shows onto cassette and play them on repeat,” he recalls.

With no club scene in sight, Mihai’s DJ dreams seemed like a long shot. “I couldn’t DJ because there were no clubs,” he laughs. But software was within reach, so he made music. Refining his sound track after track, in 2005, his music found a home on International Deejay Gigolo. From there, he became a fixture on labels like Highgrade, Poker Flat, Bondage Music, Berg Audio, and his own imprint, Cyclic, founded in 2012.

Patience and persistence paid off. Once purely a producer, Mihai soon stepped behind the decks, learning the art of DJing on borrowed turntables. His transition from the studio to the club was seamless. Soon, the world took notice. Over the past decade, Mihai Popoviciu has solidified his status as a leading figure in the electronic music scene. Now, his name graces the lineups of the most revered clubs and festivals worldwide.

Mihai’s mission is simple: to share the joy and energy that fuel his passion. “Seeing people dance, smile, and lose themselves in the music—that’s what it’s all about.”

Whether commanding an underground club or a festival stage, Mihai’s sound remains unmistakable. “He had it from the start,” says friend and agent Benny Grauer. “You always know when it’s Mihai. And it’s always on point.”


Instagram: https://www.instagram.com/mihai_popoviciu
Facebook: https://www.facebook.com/mihai.popoviciu
SoundCloud: https://soundcloud.com/mihai-popoviciu-1
Booking: Benny Grauer - Still Hot Berlin,  booking@stillhotberlin.com

Mihai Popoviciu

Markus Homm

I make House Music and I bloody love an afterparty.

Dale Howard

Sabb

Bringing his African ethnic roots together with his good Italian taste, Tamango Records boss Yaya is one of the hottest names in the electronic music scene. Yaya grew up in Turin, where the tunes of his father - percussionist and leading voice of the “M’bamina” ensemble - helped him to discover his inner sense of rhythm, thus starting his relationship with music at an early age and performing as a drummer around the city. Since joining the mighty Desolat family back in 2009, he never stopped moving between the biggest meccas of European electronic music, playing at the best clubs and festivals from all over the world. Besides his unique DJ sets, Yaya is also a prolific producer: after releasing on some of the most respected underground labels, he went on and in 2016 founded his own imprint Tamango Records which has seen names from the likes of Loco Dice, Enzo Siragusa, Cuartero, Manda Moor, Mason Collective, Fleur Shore, Sidney Charles, Toman, Rich NxT and S.A.M. to name a few.

Yaya

Miguel Lobo

The Italian electronic scene has been bubbling ferociously lately with some incredible talent and none more so than Turin based Luigi Rocca. The self-made producer and global travelling DJ also runs 303Lovers alongside Manuel De La Mare and Federico Buratti. An international DJ in his own right Luigi has managed to forge a successful career circumnavigating the world performing at some of the planets most renowned and best-loved parties, where his unrivalled dexterity behind the CDJs has led to repeat bookings throughout Europe, Asia, Australia, North and South America.When the likes of Jamie Jones, Richie Hawtin, John Acquaviva, Dubfire, Tiësto, Bob Sinclar and the notoriously impenetrable territory of Chilean megastar Ricardo Villalobos have all supported your music, it is perhaps fair to say that your sound is something of a mystifying one to pigeonhole. In the case of Luigi Rocca that is exactly the problem many have had when attempting to label his myriad of releases from over the years. With a back catalogue that stretches well beyond 200 releases, Luigi (also known as Marshall) has managed to reach virtually every corner of the electronic musical spectrum that is humanly possible.Undeterred by his lifelong drive to fuse the elements of house and techno, Luigi has spent the past 10 years pushing his sound direct from his studio in Turin to dancefloors all around the world. It was this dedication, forged with a comparable high-spirited passion of Manuel De La Mare and Federico Buratti, which led to the formation of the trios chart topping imprint 303Lovers. An acting co-owner with Federico and Manuel, Luigi finds time not only to pursue his own musical drives but also expand those of both future and established talent through the ever growing reach of this recording imprint.

Luigi Rocca

Having mastered the art of modern production, Belgium’s Olivier Grégoire has become one of

the world’s most renowned dance music artists, with a bevy of high-profile releases under his

various pseudonyms. You may know him as Kolombo, the house player with a discography that

charts esteemed imprints like Kompakt, Turbo, Diynamic, Noir Music, Suara, Snatch!, Sweat

and most recently Dirtybird, with the summer 2018 single “It’s Gettin’ Hot.” Though he’s also

made waves as the LouLou Players with his partner Jerome. Together they’ve toured the world,

and launched the LouLou Records imprint, a house label with several releases from Kolombo

and the Players.

With shows at Belgium’s Tomorrowland, all across America, in Russia, Australia, and in the hip

party capital of Berlin, the past few years have seen Kolombo’s star continue to rise as a DJ

almost everywhere. But especially in South America, where he regularly plays major festivals

and clubs.

Last but certainly not least, Grégoire is also part of the highly touted Mugwump outfit, a leftfield

house duo launched with Belgian dance music pioneer Geoffroy Mugwump in 2008. Together,

their recordings have landed on electronic music’s most discerning labels, including DJ Hell’s

Gigolo, as well as Kompakt, R&S, Cocoon, !K7, Throne Of Blood, Misericord, International Feel, Permanent Vacation and Endless Flight.

Kolombo

Piemont

The dance scene in Romania has a growing reputation as a thriving source of talented DJs and producers who are creating their own interpretations of the electronic music blueprint. One of the most talked about names to emerge recently is Luca M who has an impressive series of productions to his name already as well as increasing demand for his DJ skills. 2013 looks set to be the year when Luca steps into the spotlight in a major way. Luca Madalin-Alexandru, to use his full name, has had a passion for electronic music from an early age. By the time he was 15, this passion had transformed itself into his first attempts at making music, a skill he quickly mastered. At this stage he had no thoughts about becoming a DJ, but as support for his productions grew, it was the logical next step. It quickly turned into something Luca loved just as much as making music. Luca acquired his production skills through patience and determination starting with the most basic of equipment. At times it was a steep learning curve, but as his confidence and technique grew, he began to forge his own distinctive style. Beginning in 2008 with releases on local Romanian labels such as Sintope Digital, and Italian labels like Italo Business and 303Lovers, it wasn’t long before more established imprints began requesting tracks. Significant releases include ‘Grumpli’ on Starlight Unlimited, ‘Pufarine’ on Area Remote, ‘Habarnam’ on Cr2, ‘Alinare’ on Steve Lawler’s VIVa MUSiC, ‘Peak Week’ in collaboration with JUST2 on Kittball, and the ‘Principle’ EP on Carlo Lio’s Rawthentic Music. ‘Melilla’ was included on ‘Defected in the House: Miami ‘11’ mixed by DJ Chus and David Penn. In fact, Luca’s output has been nothing short of prolific with tracks and remixes across a wide selection of labels. He has also found time to launch his own label, Pamflet Music, which became the home of his debut artist album, ‘Pamflet’, released in 2010. The title is a play on the word pamphlet reflecting his time as a student; by day he would be studying, and at night laying down beats and basslines. Impressive work from an artist still in his early 20s. So what exactly gives a Luca M track its special quality? It ’s a dynamic combination of energy and groove underpinned by a funk-fuelled bassline. This is tech house in the true sense, and the secret behind his popularity with other DJs and clubbers from dedicated house heads through to techno connoisseurs.A good time is guaranteed when Luca is on the decks. “As a DJ and producer,” he explains, “when you see people enjoying your music, you can say mission accomplished! The mission is to make people happy. It’s the most beautiful feeling, and makes me stronger and more committed to finding a way to make my music even better.”

Juan Rojas

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