Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Leon Oak

Scott Diaz

Richard Judge

Jan Blomqvist stands as more than a DJ; he's a virtuoso musician, singer, and producer,

delivering his unique brand of electronic compositions live on stage. From his early days with

grunge, wielding guitars and drums, to adapting to the digital age in Berlin's music scene, Jan

evolved into a maestro mastering a new mega-instrument, creating orchestral landscapes at his

fingertips.

Navigating through a landscape where live acts were overshadowed by DJs, Jan played a

pivotal role in the resurgence of singer-songwriter arrangements, real instruments, and intricate

harmonies within techno/electro tracks. His impact resonates globally, having graced stages at

Coachella three times, becoming a Burning Man mainstay, and drawing massive crowds at

festivals and club shows with up to 100 concerts per year.

Jan Blomqvist

At 6 years old, Cord Labuhn had his first real career aspiration: becoming an ‘inventor’, a space traveller, or at least working in some kind of laboratory. Instead, he became a producer of beats, tunes, records, imagery, and merch — touring the planet to play music for audiences worldwide.

With releases on labels like Defected, Armada Subjekt, Mother Recordings, Toolroom, Get Physical, Diynamic, Stil vor Talent, Yoshitoshi, Nervous, Simma Black, and Kittball, Robosonic became an authentic figurehead for a style dubbed “Golden Era House”. This reputation was built not only on convincing rap icons like Masta Ace, Jeru the Damaja, EPMD, The Beatnuts, and KRS-One to collaborate on house tracks, but also on remixing legends like Todd Terry, Arthur Baker, Kerri Chandler, and Eddie Amador. Performances in over 45 countries reflect the universal appeal of the trademark Robosonic sound.

Robosonic

John Monkman is a visionary figure in the global electronic music scene, renowned for his innovative live performances and cutting-edge productions. A master of sound design, Monkman has earned recognition as both a live music pioneer and sought-after studio artist. His work with labels like Kompakt, Ellum, Beesemyer Music, Siamese, and Anjunadeep has made him a key player in the electronic music world. His track "Siren" for Kompakt and his collaboration with Pete Tong on "Ecstasis" for Maceo Plex’s Ellum Audio have garnered widespread acclaim. His Komplex EP on Anjunadeep and Tune In Turn On EP for Ellum highlight his versatility, while his Beatport number ones, including the remix of Solomon Grey’s “Twilight” and his single “Don’t Have to Be Beautiful,” solidify his global influence.

Monkman’s remix portfolio is equally impressive, with remixes for artists like Sasha, Adam Beyer, and Moby. His remix of “Space Date” for Drumcode and his rework of “U Love” for Sasha’s LNOE 100th release demonstrate his creativity and respect in the industry.

On stage, Monkman has performed at top festivals like Noisily Festival, Ozora Festival, and Anjunadeep Festival. His groundbreaking live performances at Rainbow Serpent and Coachella have earned him recognition as an innovator.

In 2024, Monkman debuted his live show Pulse in Paris,. He also released Khord on Anjunadeep, as well as Vader, Roller Vox, MAYA and RECO on Beesemyer Music, solidifying his position as a leader in the scene.

John Monkman

Mike Millrain has been DJing & producing house & garage since the mid nineties under a host of alias’ including Soul Rebels, Large Joints, Urban Myths, D-Base & DJ South Central. He has previously had radio shows on London’s House FM, Upfront FM & monthly residencies at Twice As Nice, Cookies & Cream & Freedom @ Bagelys Warehouse.

Having set up his own label Soul Revolution Records in 2014, Mike continues to produce & release underground house & garage, whilst his “Deep ’N’ Bumpy” series of podcasts & D3ep Radio Network show continue to grow in popularity. His recent releases include remixes of Example, Golf Clap, Low Steppa & Jax Jones with tracks on Simma Black, Country Club Disco, Form & Function & Soul Revolution Records.

Leon Oak

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Hold Me

I'm So High / Caught Out There

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