Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – A new generation of electronic music store for professional DJs. Download the latest electronic, dance, and house releases in MP3, WAV, AIFF, and FLAC.

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Brothers from the Bronx just trying to make you dance.

The Martinez Brothers

Chris Carrier is one of those rare kinds of artists that have an omnipresent quality and yet do not seek to make their name bigger than the music itself. You may not know it but there is a 99% chance you have experienced some dancefloor-based elation at the hands of the Parisian maestro. Releasing his first EP in 1994, he has over 20 years under his belt as a producer and DJ, with a huge back catalogue of releases. With all of that in his locker, Carrier remains ardent in his quest to create more and more classic material and is revered as one of the most prolific and gifted producers around today.

Chris Carrier

Luciano

Javi Bora

The link between Nacho and music begins at an early age.

As a resident of zebra club in Córdoba at early age.

Thanks to this, great experience and long-term confidence.

Nacho performed in several cities around the globe. Europe, Central America, South America.

Berlin (Club der visionaere, Sisyphos, Golden Gate, Fiese Remise)

Ibiza (Zoo Project, Sankeys, Pikes)

Paris (Garage, Beat Boat, Crazyjack, monsieur mouche, les écuries)

London (The egg London, Highpath party)

Barcelona (Red58, N1.)

Zurich, Amsterdam, Lille, Montpellier.

Punta Cana, Santo Domingo, city of panama.

Santiago Of Chile, Valparaiso, Curitiba, Londrina and Argentina from North to South.

His productions are characterized by an underground sound. Fused between house and minimal with groove, designed for the club.

Labels / Island Beats, Fun Records, Sanity, Savor Music, Drumma, Purism and more.

Nacho Bolognani

Manchester-born DJ and producer AJ Christou has carved a distinct path in the electronic music scene with his dynamic blend of house, minimal, and techno. Starting his career at 17 with a residency at the iconic Sankeys nightclub in Manchester, he quickly gained attention for his skillful DJ sets, blending crisp tech house with percussive flair and New York-inspired swing. His Greek heritage and passion for music collection inform his eclectic, groove-driven sound.

In 2013, AJ relocated to New York to hone his production skills, signing to Cuttin’ Headz with the club hit What You Think EP. In 2015, he founded Celesta Recordings, later launching V-House Sound, while his music on labels like Hot Creations, Crosstown Rebels, and Paradise reflects his mature sound. Known for his meticulous studio work and unpredictable sets, AJ continues to push creative boundaries, performing at top Ibiza venues like UNVRS, Hï, and Ushuaïa.

AJ Christou

"A full pelt wavering between tribal moments,& more modest slabs of Detroit-inspired soul.

The crowd respond at every turn." - Steve McLay, DJ MAG

Always sitting slightly off-centre, Jay Tripwire is an artist that walks the line as industry staple and ever changing innovator,

releasing one standout release after another.

His signature fusion of deep Detroit textures and intricate rhythms has led a career spanning two decades,

with over 200 vinyl releases, 2 commercial mixed cd compilations, and four full length albums.

He remains one of the most prolific artists around, with an average of 15 releases per year.

He is an always an in demand remixer he averages 10-15 remixes per year.

In 2010 Jay Was honoured by being named by Future Music alongside Frankie Knuckles, Larry Heard, Charles Webster,

Atjazz, and Tom Middleton as being one of the most influentual Innovators in house music for “The thoughtful minimal stylings of Jay Tripwire.”

Most recently he’s completed a compilation mix for Steve Bug’s respected label Pokerflat –

‘Shaping Elements Vol.8’ which features a blend of deep house ranging from

Detroit inspired textures to modern European house and tech house fusions,

blurring genrefication. This follows releases on the label under his 8Channels name - a project that melds basic channel,

cosmic soul and dub into a new hybrid soundscape of techno, deep house and dub.

The moniker also appears on other highly regarded labels such as Ransom Note, Conya, NRK, Cinematic and Hallucination.

Whilst the term ‘legendary’ is often bandied about with little thought,

in Jay’s case we could say just that - his personal arsenal of re-edits and comfort in arranging extended DJ sets lasting eight hours or

more certainly demonstrates a talent that deviates from standard fare.

Jay also still supports,buys and plays vinyl, and actively seeks out records to play at gigs, when Tripwire is on the decks he plays a vinyl

and CD set.

Jay has made appearances in over 200 cities worldwide, and some of his most memorable gigs have been a decade of bookings at

Fabric London- a venue that has changed his approach to Djing, and production sound.

Jay’s work has been featured on numerous compilations, notably from Cocoon, Fabric, Renaissance, Journeys by DJ, Ultra & Bedrock,

and is supported by a diverse spectrum of dance culture from house luminaries

such as, Doc Martin and Kerri Chandler to techno legends Steve Bug and Laurent Garnier and John Digweed

With anticipated releases and remixes imminent, the Tripwire production wheel is still very much in motion,

and on its way to a turntable near you.

Jay Tripwire

In a current musical climate where originality can often be overtaken by the mundane and regular, Matt Tolfrey’s tireless devotion and relentless energy have taken him to a point where he is beginning to shape the musical world around him.

Labels of the calibre of the legendary Classic Records and 1Trax now approach him to launch their compilation series, and through his own family of labels – Leftroom and its sister imprints Leftroom Ltd and Left’d, plus the edits label Foot and Mouth – he launches his own productions and musical tastes upon the scene. Matt’s inherent instinct for future classics have seen seasoned names such as Jamie Jones, Glimpse and Lee Curtiss all grace the label’s back catalogue. As the Leftroom stable hits maturity after 5 years, it is also now responsible for developing the likes of Laura Jones and Waifs & Strays and, in doing so, helping to launch the careers of tomorrow’s hot new house generation. Having firmly consolidated his place at the top of the electronic pile as a producer/DJ of global renown, Matt now approaches the final moments of 2011 with many exciting new projects appearing on next year’s morning horizon. Spring 2012 will see the release of Matt’s highly-anticipated debut artist album on Leftroom entitled, ‘Word of Mouth,’ which has an interesting story behind its concept.

‘I cannot play the piano and I am not professionally trained in any way musically, but through years of DJing I know exactly what I like, and I have great tracks in my head that need to get out. While searching the Internet for alternate ideas of making music, I came across some amazing new software that enables you to simply sing or hum into a mic, which then translates into midi notes, which you then use as the basis of your tracks. In essence, it means that while I am walking the streets, or away travelling, and I come up with an idea for a bassline, or a melody, I can simply record it into my phone, then when I return home, sing it into the computer. In other words, in theory the album is going to be written with my mouth, not my fingers, and realised with the help of guest vocalists - hence the name ‘Word Of Mouth’, Matt explains.

The fact that the resurgent Classic imprint, which also happens to be one of Matt’s all-time favourite labels, have enlisted him for the first instalment of their brand new mix concept ‘Classic Through The Eyes Of…’, speaks volumes for Matt’s standing in the house and techno fraternity. Each artist gets full use of the whole back catalogue and any edits and remixes exclusively done for the mix will also come out on a sampler. Exactly which two tracks Matt has chosen to remix is still being tightly kept under wraps.

2012 opens with a clutch of 12”s and remixes – ‘LAX’ on Culprit with Lazaro Casanova and a track on Leftroom’s Collaborations EP. Matt’s highly sought-after remix dexterity sees him re-work the Silicone Soul classic ‘Right On, Right On’ on Soma, and there is a further remix of Martin Dawson and Glimpse’s ‘Wildlife’ on Leftroom with Sam Russo.

Celebrating a Leftroom half-decade, ringleader Matt has rolled out the 5 Years of Leftroom birthday celebration tour, accompanied by the label’s leading lights and friends, with gigs all over Europe and the US. Aggregating stellar and breakthrough names such as Craig Richards, Seth Troxler, Inxec, Maya-Jane Coles, Waifs and Strays, Glimpse, Ryan Elliott, Kate Simko, Jozif and Laura Jones under the Leftroom Sessions party banner, it is safe to say that 2011 marked the coming of age of his imprint.

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