Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Melchior Productions

Ian Pooley

Dive Deeper!
Hailing from the greater Frankfurt Area Sascha Dive has made quite an impression on the international house and techno circus over the last ten years. Although the deephouse traveller looks back on an amazing amount of pristine releases, with the first official vinyl pressed back in 2007, one can still call him a young gun. If you look around in the deeper fields of house music these days this gifted producer and DJ seems to be an exception. This isn't a disadvantage at all because with all the energy in his mind and hands Sascha Dive proves with every gig and production that he plays on the same level as many of his legends, if not even higher!

 

Strongly influenced by the godfathers of deephouse like Moodyman, Chez Damier or Ron Trent and following the first waves of top notch German house labels, such as Playhouse, Sascha Dive has progressed to a serious floor fighter since his first official appearance in 2007. With a musical taste reaching from his deephouse backround and soulful minimal sounds to kicking and mind blowing techno he has played almost every leading club and festival over the past ten years.

 

Sascha Dive is not only taking his sound and vision to the world's finest floors, he still manages to release more and more music. Dive has released a vast number of productions and remixes on high class labels such as Tsuba, Freebase, Deep Labs (Balance US), Raum...Musik or Stir15 and aside from all the touring and producing he still runs his own "Deep Vibes" label with great success. "Deep Vibes" has produced some outstanding music by Sascha Dive and his buddies and „house-mates“ such as Brothers Vibe, Robert Dietz, Christian Burkhardt or Markus Fix (just to name a few) and most of it on vinyl! So it's no wonder that vinyl master Sven Väth signed Sascha to Cocoon Artists and Cocoon Recordings.

 

Sascha Dive, a forward thinking producer and DJ who still waves the flag of the real vinyl sound and always will. With more young men like him house music will live on forever!

 

Check out Sascha Dive's thoughts on his career so far, his greatest gigs and what the future will hopefully bring for him...

Sascha Dive

Every artist leaves a mark, and Mihai Popoviciu’s is unmistakable. For almost two decades, the Romanian producer and DJ has crafted a signature style—deep, hypnotic grooves, pinpoint precision, and an energy that commands the dancefloor.
Growing up in Sibiu (Romania), a city far removed from Europe’s electronic epicenters, Mihai’s passion for house and techno was born in isolation. The ‘90s saw London, Berlin, and Ibiza booming with dance music, while he was left scavenging for whatever sounds he could find. “We’d record German TV shows onto cassette and play them on repeat,” he recalls.

With no club scene in sight, Mihai’s DJ dreams seemed like a long shot. “I couldn’t DJ because there were no clubs,” he laughs. But software was within reach, so he made music. Refining his sound track after track, in 2005, his music found a home on International Deejay Gigolo. From there, he became a fixture on labels like Highgrade, Poker Flat, Bondage Music, Berg Audio, and his own imprint, Cyclic, founded in 2012.

Patience and persistence paid off. Once purely a producer, Mihai soon stepped behind the decks, learning the art of DJing on borrowed turntables. His transition from the studio to the club was seamless. Soon, the world took notice. Over the past decade, Mihai Popoviciu has solidified his status as a leading figure in the electronic music scene. Now, his name graces the lineups of the most revered clubs and festivals worldwide.

Mihai’s mission is simple: to share the joy and energy that fuel his passion. “Seeing people dance, smile, and lose themselves in the music—that’s what it’s all about.”

Whether commanding an underground club or a festival stage, Mihai’s sound remains unmistakable. “He had it from the start,” says friend and agent Benny Grauer. “You always know when it’s Mihai. And it’s always on point.”


Instagram: https://www.instagram.com/mihai_popoviciu
Facebook: https://www.facebook.com/mihai.popoviciu
SoundCloud: https://soundcloud.com/mihai-popoviciu-1
Booking: Benny Grauer - Still Hot Berlin,  booking@stillhotberlin.com

Mihai Popoviciu

Nick Curly

Villalobos was born in Santiago, Chile on 6th August 1970. At the age of three, in 1973, his family moved to Germany after General Augusto Pinochet overthrew the socialist government of Salvador Allende.

Whilst active as a DJ and musician through the mid to late 1990s, Villalobos is most recognised for his contribution to the development of microhouse and minimal techno in the early 2000s.

He has performed routinely at Omen (Frankfurt), E-Werk (Berlin), Ultraschall (Munich), Aufschwung Ost (Kassel) and Ostgut / Panoramabar (Berlin), and was a resident DJ of Omen, The Box (Frankfurt) and Cafe Kesselhaus (Darmstadt), as well as Cocoon night in Ibiza, together with Sven Väth and long-time friend Richie Hawtin.

Ricardo Villalobos

"I make music for children. Google me." Dennis Ferrer has been on the forefront of electronic dance music for well over 15 years now, transitioning between styles and influences and keeping it interesting for club-goers and “heads” alike. Making techno & ambient in the 90’s, melodic house in the early 2000’s and reinventing himself again over the past few years, Ferrer has been focusing on a somewhat darker, more techno-influenced sound lately.  The year 2018 marks the return of Dennis Ferrer and his legendary Sunday parties to Blue Marlin Ibiza. The name of the night, ‘Misfits Society’, suits Ferrer perfectly as he’s not big on trying to fit in. Guests include Ferrer’s label mates and artists he’s most inspired by at the moment. Like always, with Dennis Ferrer the best is yet to come, as he shows no signs of slowing down.

Dennis Ferrer

Starting in Naples in the early nineties with productions for legendary labels like
the Italian UMM, and for more than 20 years, Tuccillo has been an integral part of
the winding paths of electronic music.
He evolved step by step with new influences but firm in his way of producing and
in his support for vinyl and its classic sound.
Over the years, both analog and digital instruments have been incorporated into
his studio.
Driven by a timeless sense of sound and flawless production, as part of his sonic
imprint, he prefers to mix manually on an analog mixer and modulate sounds
directly from the hardware or create his beats using old akais samplers.
Starting from Ibiza, Tuccillo has taken his sound and sessions to the most
outstanding clubs in the world.
He began his first venture as a record label founder in 2013 launching Unblock
Records.
Together with close friends they embarked on creating their first vinyl. Since then,
collaborations and remixes from artists such as Djebali, Dj Sneak, Robert Dietz,
Tomoki Tamura, Shaun Reeves and Satoshi Tomiie have been added.
This same year together with Tomoki Tamura, they create an alias for a
collaboration entitled "Doublet" which will be the name that will launch the vinyl
series.
Currently Tuccillo has resumed his passion for the "Chill out balearic" sound. Since
his arrival in Ibiza in 2000, thanks to this genre, his productions have undergone
collaborations with legends such as José Padilla. Together with another pioneer
from Ibiza, Dj Pippi in 2016 they launched the label "Modern Manners"
In this project Tuccillo also adds more collaborations such as Modonostro with the
vocalist Danielle Moore of Crazy P. and Mr. Few. or
also under the aliases Tuccinelli and FewLab.
At the beginning of 2020 Tuccillo created ”Electrobalearic”, the simple idea of
mixing two genres such as electro and Balearic beat is clear.
In the summer of 2021 he launched his personal project “House of Tucci, where he
took up his favorite game, the pure and deep house sound of the 90s ,
which includes releases with collaborations and remixes by Archie Hamilton and
vocalist Kindbud.
“A year later, Tuccillo starts the 2022 with a remix for Nightmare on Wax of his song
Wonder" from the LP "To Freedom" released on Warp Records for a special Vinyl
Remixes relase with other artists such Osunlade and Paul Woolford.
Afterwards he began working on his first EP "sunshine City" for the legendary NYC
label “Nu Groove records”
and at the same time a collaboration with vocalist Howard Perry and TradeCraft for
the song "I believe"
which will be released together in a special vinyl edition.
In the summer he also released his first EP on Kerry Chandler's label "Kaoz Theory”-
The Waves Ep.
Climbing the top100 House of the most important stores.
Tuccillo confirms to be an
important part for lovers of the classic House sound.
In 2024 Tuccillo is once again punctual with the releases, returning with his labels
Unblock and House of Tucci,
and also in his latest EP for Nu Groove "Frames Ep"
which features a collaboration with the Chicago legend Ron Carrol
"Don't Walk Away “.
Through the years Tuccillo has proven to be a constant and consistent creator.
His passion for searching for new sounds is tireless and it is difficult to define him
with a single musical genre.

Tuccillo

NIMA GORJI 

An Iranian-born Danish artist, Nima is an internationally recognized DJ and producer. While based in Ibiza, his influence and career span the globe, with over 30 years in the electronic music scene. He began his journey in Copenhagenâ€™s vibrant mid-â€™90s club culture, earning residencies and collaborations that paved the way for his global success.

Throughout his career, Nima has co-founded influential labels such as Welt Recordings and Need For Sound, and now leads his own imprint, NG TRAX. His diverse discography and consistent output showcase his dedication to the evolution of electronic music.

In Ibiza, as well as internationally, Nima continues to inspire through events like JOIN and MNML, bringing together artists and communities to celebrate music and connection on a global scale.

Nima Gorji

Âme

More than any other producer, Todd Terry defined New York house during the ’80s, a varied sampladelic smorgasbord blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, plus plenty of hip-hop attitude and sampling piracy. And with two of the most respected crossover remixes of the house era («I’ll House You» by the Jungle Brothers and «Missing» by Everything but the Girl), Terry more than earned his title «Todd the God» (or occasionally, simply «God»). Though he’s often been accused of recycling his own beats and effects (in his production work as well as the DJ booth) a bit too often for his own good, Terry’s immortality as a dance icon is assured.

Born in Brooklyn, Terry began DJing in the early ’80s while still a teenager, spinning hip-hop at school events and on the street with a team called the Scooby Doo Crew. He increasingly listened to Italian disco as well, and when the house sound of Chicago dropped in the mid-’80s, Terry the DJ made an official switch to house music. In league with fellow New York DJ/producer/remixers Little Louie Vega and Kenny «Dope» Gonzalez, Terry borrowed the Masters at Work guise — which Vega and Gonzalez would later popularize — for one of his first big productions, the 1987 single «Alright Alright»; the single became a milestone on New York’s early house scene. The Jungle Brothers, another crew of hip-hop heads who were beginning to stray into house, hooked up with Terry and the collaboration resulted in «I’ll House You,» one of the earliest and most high-profile fusions of hip-hop and house (popularized several years later by C+C Music Factory and Snap!).

The added prestige transferred back to his own name for two wildly popular 1988 singles, «Weekend» and «Bango (To the Batmobile),» both released as the Todd Terry Project. Perhaps preferring the adoration of the faithful, Terry later resorted to dozens of aliases for dozens of club hits — Black Riot’s «A Day in the Life,» Gypsymen’s «Hear the Music,» Royal House’s «Can You Party,» Todd Terry & the Countdown’s «Flipside,» Torcha’s «Feel It,» D.O.S.’s «House of Gypsies,» Sound Design’s «You Can Feel It,» Tech Nine’s «Slam Jam,» and Static’s «Dream It.» Despite his wealth of released material, Terry remixed dozens of artists as well, including Sting, Björk, Janet Jackson, Tina Turner, Malcolm McLaren, Annie Lennox, Robert Plant, and Technotronic, among others. The British house boom of the early ’90s provided Terry with many an overseas gig, including a high-profile residency at the London superclub Ministry of Sound. His proficiency on the decks became a minor sensation, causing several British journalists to describe him as «God.»

Terry moved into label entrepreneurship in 1992 when he formed Freeze Records with William Socolov. (Several of Terry’s early singles had appeared on Socolov’s Fresh/Sleeping Bag label, also the home of rap acts like EPMD, Mantronix, and Nice & Smooth). Freeze became the obvious home for many of Terry’s productions, including several volumes of his EP series Unreleased Projects beginning in 1992 and running through 1995.

That same year, Terry’s remix of the erstwhile pop act Everything but the Girl became a worldwide smash, selling over three million copies and almost single-handedly reviving the duo’s flagging career for a sleek new dancefloor incarnation. The British label Hard Times released the DJ gig A Night in the Life of Todd Terry: Live at Hard Times in 1995, while the flip side of the coin, A Day in the Life of Todd Terry (including his best single and remix productions) appeared the following year. His next project, Ready for a New Day, provided more song-oriented fare, though still implicitly dance, with guest vocalists including Martha Wash, Jocelyn Brown, and Bernard Fowler. Terry made another artistic change-up, to LP-oriented drum’n’bass, with his 1999 album Resolutions, recorded for indie/electronica stalwart Astralwerks.

Melchior Productions

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Momche

I Feel Everything

Who Can Find Me EP

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