Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Natasza

Sinan Kaya is from The Bosphorus, Istanbul. He begun dj-ing in South Marmara's biggest, Club Amadeus at the year 2001. Sinan hosted many national DJs during his two years residency there. Techno Travel Festival was a great experience for him in 2003.

Sinan released his first single at early 2009. He's inspired by the roots of House Music. It's possibly to hear eclectic materials of Chicago House, Garage House, Deep Tech House in his productions and DJ sets. He worked with labels like Kolour, Skylax, Whoyostro, Apparel Music, Sub_Urban, Be Adult Music and more for physical & digital releases.

He has been in many significant productions such as "Skylax House Explotion". It was a big VA project consisting four vinyls and a mixed cd by DJ Sprinkles (Terre Thaemlitz) and Hardrock Striker from France based, Skylax Records. He took a part with the names like Octo Octa, Lady Blacktronika, Mike Sharon and many more in this project.

Sinan Kaya

Javas

Every artist leaves a mark, and Mihai Popoviciu’s is unmistakable. For almost two decades, the Romanian producer and DJ has crafted a signature style—deep, hypnotic grooves, pinpoint precision, and an energy that commands the dancefloor.
Growing up in Sibiu (Romania), a city far removed from Europe’s electronic epicenters, Mihai’s passion for house and techno was born in isolation. The ‘90s saw London, Berlin, and Ibiza booming with dance music, while he was left scavenging for whatever sounds he could find. “We’d record German TV shows onto cassette and play them on repeat,” he recalls.

With no club scene in sight, Mihai’s DJ dreams seemed like a long shot. “I couldn’t DJ because there were no clubs,” he laughs. But software was within reach, so he made music. Refining his sound track after track, in 2005, his music found a home on International Deejay Gigolo. From there, he became a fixture on labels like Highgrade, Poker Flat, Bondage Music, Berg Audio, and his own imprint, Cyclic, founded in 2012.

Patience and persistence paid off. Once purely a producer, Mihai soon stepped behind the decks, learning the art of DJing on borrowed turntables. His transition from the studio to the club was seamless. Soon, the world took notice. Over the past decade, Mihai Popoviciu has solidified his status as a leading figure in the electronic music scene. Now, his name graces the lineups of the most revered clubs and festivals worldwide.

Mihai’s mission is simple: to share the joy and energy that fuel his passion. “Seeing people dance, smile, and lose themselves in the music—that’s what it’s all about.”

Whether commanding an underground club or a festival stage, Mihai’s sound remains unmistakable. “He had it from the start,” says friend and agent Benny Grauer. “You always know when it’s Mihai. And it’s always on point.”


Instagram: https://www.instagram.com/mihai_popoviciu
Facebook: https://www.facebook.com/mihai.popoviciu
SoundCloud: https://soundcloud.com/mihai-popoviciu-1
Booking: Benny Grauer - Still Hot Berlin,  booking@stillhotberlin.com

Mihai Popoviciu

I make House Music and I bloody love an afterparty.

Dale Howard

Sabb

Music speaks louder than words..

Contact/Mixing/Remix requests/Ghost productions:


Mass Digital

Labels:

The SoundGarden

Einmusika

Mango Alley

Tale & Tone

Hoomidaas

Where The Heart Is

Sounds Of Sirin

Circle Of Life

Truesounds Music

Zenebona

Everything Will Be Ok

SOSO

Ritterbutzke

Lost Diaries

and more...

In the early 90’s Peter falls in love with electronic music as escapism from his troubled and abusive childhood. Underground electronic music was new, exciting and Peter’s rebellious soul was soon captivated. His love for music has been constant ever since.

Headphones and listening excessively to loud music not only served its purpose of exclusion from the world, but this was the beginning of his musical journey. After listening to single tracks, he soon moved on to DJ sets, as the long journeys and the artistic freedom that characterized these were something he could strongly relate to.

This was when he started his vast and multi-genre vinyl collection and soon after moved on to playing and mixing these. He found extreme joy in music and started to build his own world which orbited around it. Mixing different genres was euphoric, he became a fanatic collector and a passionate disc jockey.

His sets are reflections of his current state of mind and he often improvises when in the booth to spice it up. He is always lost in the moment and instantly connects with the crowd. The music is a manifestation of Peter’s emotions.

He favors extended sets, relishing the chance to truly exhibit his talent and deliver captivating mixes across a spectrum of house music genres. He's a versatile house DJ, adept at navigating various styles within the genre. His preference leans towards emotionally charged yet dynamic house music, seamlessly blending deep house, progressive house, and organic house. Occasionally, he infuses melodic elements to sustain the dancefloor's energy.

He has dedicated over 20 years of his life to electronic music and as a result, now manages three labels plus the Truesounds Music Promotion and Management. Hard work finally paid off.

He is more of a DJ but recently started to focus on production as well. His own releases are created in collaboration with co-producers and sounds engineers.

Connecting with people and creating long-lasting memories is what really makes him tick. The DJ booth is his true home

Peter Makto

Gregory S (Gergely Sardi), was born in 1984 in Hungary. He became addicted to electronic music really early, at the age of 7-8. A few years later, when he got a closer look at the party life, the feeling of getting to know the world of record players and vinyls, just became even stronger. He started practising and buying records regularly in 2001. He spent more and more time analyzing this profession, and finally found himself behind the dj counter. In the first years of dj work, he played mostly in smaller clubs and various events, but not long after, his talent was highly appreciated in the hottest clubs of Budapest, and in many other clubs of the country. He almost tried every different style, and as most of the djs, his taste of music is moving within a wide range. Nowdays, he prefers deep-house & tech-house, but we can not categorise him. Not only he has great contacts with djs in Hungary, but is regularly playing with the best ones, as well as with international djs such as Hernan Cattaneo, Dave Seaman, Henry Saiz, Sascha Braemer, Nick Warren, Anthony Pappa, Eelke Kleijn, Jody Wisternoff, Matthew Dekay, Moshic etc... He is a member of Truesounds Team since 2005, and is a regular participant of Truesounds parties all over the country. On Saturdays he is one of the hosts of Matrix radio show on LoungeRadio. He has been producing music together with Dandy aka Peter Makto (No.1 house Dj in Hungary) since 2008. Currently they have several releases on various labels all over the world.v

Gregory S

Kirill Ki.Mi. started his career in 1999 not with mixing vinyls, unlike many of his colleagues, but with composing music. A few years later, he began to comprehend the art of djing. Since 2003 began to organize their own events.

After 6 years of productive work — in the beginning of 2005 — he has already signed contracts with foreign labels to release several releases including a full album.

2009 was one of the most important in his career. This year, his compositions are beginning to acquire international fame and consistently hit the charts of famous artists. A huge success was the track «Stereokubizm» — it gains the place in the top 10 of Depeche Mode’s favorite compositions, which they played at warm ups on his world tour. The result — signed contracts with many foreign labels.

A few years later, the high musical talent and professionalism of Ki.Mi. allowed him to cooperate with such heavyweights of the electronic music as Moon Harbour Recordings, Danse Club Recordings, Haunt and others, as well as a triple victory in the global competition of remixes.

Ki.Mi. is a multifaceted creative person — it confirms his inalienable part in a unique project Technopoetry, organization of many events with the participation of world stars of electronic music and his own digital & vinyl label called Kashatskikh.

Ki.Mi.

"A full pelt wavering between tribal moments,& more modest slabs of Detroit-inspired soul.

The crowd respond at every turn." - Steve McLay, DJ MAG

Always sitting slightly off-centre, Jay Tripwire is an artist that walks the line as industry staple and ever changing innovator,

releasing one standout release after another.

His signature fusion of deep Detroit textures and intricate rhythms has led a career spanning two decades,

with over 200 vinyl releases, 2 commercial mixed cd compilations, and four full length albums.

He remains one of the most prolific artists around, with an average of 15 releases per year.

He is an always an in demand remixer he averages 10-15 remixes per year.

In 2010 Jay Was honoured by being named by Future Music alongside Frankie Knuckles, Larry Heard, Charles Webster,

Atjazz, and Tom Middleton as being one of the most influentual Innovators in house music for “The thoughtful minimal stylings of Jay Tripwire.”

Most recently he’s completed a compilation mix for Steve Bug’s respected label Pokerflat –

‘Shaping Elements Vol.8’ which features a blend of deep house ranging from

Detroit inspired textures to modern European house and tech house fusions,

blurring genrefication. This follows releases on the label under his 8Channels name - a project that melds basic channel,

cosmic soul and dub into a new hybrid soundscape of techno, deep house and dub.

The moniker also appears on other highly regarded labels such as Ransom Note, Conya, NRK, Cinematic and Hallucination.

Whilst the term ‘legendary’ is often bandied about with little thought,

in Jay’s case we could say just that - his personal arsenal of re-edits and comfort in arranging extended DJ sets lasting eight hours or

more certainly demonstrates a talent that deviates from standard fare.

Jay also still supports,buys and plays vinyl, and actively seeks out records to play at gigs, when Tripwire is on the decks he plays a vinyl

and CD set.

Jay has made appearances in over 200 cities worldwide, and some of his most memorable gigs have been a decade of bookings at

Fabric London- a venue that has changed his approach to Djing, and production sound.

Jay’s work has been featured on numerous compilations, notably from Cocoon, Fabric, Renaissance, Journeys by DJ, Ultra & Bedrock,

and is supported by a diverse spectrum of dance culture from house luminaries

such as, Doc Martin and Kerri Chandler to techno legends Steve Bug and Laurent Garnier and John Digweed

With anticipated releases and remixes imminent, the Tripwire production wheel is still very much in motion,

and on its way to a turntable near you.

Natasza

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