Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Ika Sali

SATOSHI FUMI Satoshi comes from Tokyo. Influenced by the 80’s Electronic Music and 90's House/Techno scene. He managed to create his own unique style over the years by providing the world with various dance music styles such as Deep House, Techno, and Acid. He has released quality tracks on labels such as Bedrock, UNKNOWN season, Get Physical Music, Moodmusic, Sudbeat, We Play House Recordings, King Street Sounds, Detone, Plastic City, etc, and as a result, has managed to gain recognition and respect of many vital DJs such as Laurent Garnier, Ken Ishii, John Digweed, Hernan Cattaneo, Ashley Beedle, Terry Farley, to name a few. He succeeded in gigs in Tokyo and played in suitable venues worldwide (UK, France, Italy, Greece, and Asia.) He runs a label, Sequent: Recordings, and has a monthly radio program, Outerspace, on Proton Radio. 

Satoshi Fumi

Markus Homm

Wehbba is an emblematic electronic music DJ/Producer from Brazil, having his name featured across the world on respected labels such as Drumcode, Kompakt and Hotflush.

Wehbba

Egyptian born and now Barcelona based, as an artist Raxon is testament to the adage that passion and determination will take you where you want to be.


Raxon

Long time Watergate resident Matthias Meyer embarks on a momentous summer schedule this year propelled by some career defining moments of late. On the music front, he has continued his quality approach with a small number of high impact releases in recent times including the Deep House number 1 ‘Hope’ alongside Ryan Davis on his beloved Watergate Records and the remix of Butch - ‘Shahzrad’, which was recognized as one of the top tunes of the year. These releases join a stellar discography which includes fan favourites such as ‘Reichanbach’, ‘Tout Va Bien’, ‘November Rain’ and of course, ‘Infinity’.

The past few months on the road have also provided some poignant moments for Meyer with visits to the likes of Tobacco Dock, Liverpool’s Circus, Fabrik - Madrid, Rex Paris, Cityfox in New York and of course the renowned Stereo in Montreal. Another of his highlights on the road was a memorable trip to Brazil, playing D-Edge and Warung to universal acclaim. Alongside this the German also found time for a number of pivotal festival appearances (Strawberry Fields in Australia proving to be a particular highlight) and high-profile performances in Berlin.

Following on from his well-received residency at Pacha, Ibiza alongside Hot Since 82 last year, Meyer will return to the landmark venue once more this summer as well as venturing further afield to play Ibiza bastions Hï and Heart.

With a style that ranges from uplifting and orchestral to deep tribal grooves, the Berlin based selector will continue to showcase his diverse talents globally throughout the rest of the year, kicking off the summer with a considerable European tour before his long awaited return to the white isle. Meyer looks set to finish this year just as he started it, with an action packed schedule focused around an expansive US tour.

Matthias Meyer

Greek mastermind Echonomist represents the true definition of ‘artist’. His prolific output combined with his ability to experiment with a variety of styles and liberated approach, are essential components of his artistic nature. With years of experience already under his belt, Echonomist has gone through a leap in his development recently, with releases on Innervisions, Afterlife, TAU, and Kompakt, among others, establishing his production prowess. Working with such influential labels has not only boosted his profile but, more importantly, demonstrated that his musical ability has reached an impeccable standard, acknowledged by label heads like Dixon, Ame, Tale Of Us, Michael Mayer, and Adana Twins. Both on a solo tip and in collaborative projects Echonomist’s talent shines through and he’s primed for continued success at the very highest level...

Echonomist

Born in a small town near Barcelona, George Privatti begins to experience his first feelings to electronic rhythms at age of 17. Buying a bit later his first decks, and strongly influenced by the environment of the 90s’ illegal raves in the Catalan scene, soon he began to join and to participate in the world of illegal parties of his region.

The success of the catalan artist it does not go unnoticed, soon takes the step to head a list of important “new comers” artists of the national scene, getting to rub shoulders with the best participants of the international scene. 2009 was a crucial moment of his career, deciding to start in the production world, spending days and days in the studio to translate his ideas on his own productions, following the same techy line, alternating fresh and dance elements of the house with the forcefulness and bass lines most typical bass lines of techno. It is precisely during this time when several of the most important labels on the scene were interested in its characteristic sound and begin to edit their music in the main music shops.

With an admirable sound evolution and an dynamism applied to its sets, during 2012 year he decided to create his own label, La Pera Records, a platform to accommodate and express different range of sounds, as well as the productions of established and emerging artists, and focused primarily on the dance floor submerged between sounds close to techno-house with its different and more evolved aspects. The musical adventures of Privatti continue with firm step, with his signing for the family of the emblematic ElRow of Barcelona and his residences and parties around the world, playing in clubs like Privilege Ibiza in 2013, Space Ibiza ( 2014-2016), Amnesia in 2017, Fabrik (Madrid), Florida 135 and performing at festivals such as Tomorrowland, Park Life (Manchester), Monegros Desert Festival, Dreambeach, LoveBox (London), 18Hrs Festival (Amsterdam), Empire Music Festival ( Guatemala), SoulTech (Mexico), Selenic Soul (Mexico), etc., and touring more than 20 countries that have also been faithful witnesses of its quality and versatility in the cabin.

The success of Privatti at the time of locking himself in the studio has not been overlooked within the sector; Elrow Music, 100% Pure, Formatik, 1605, Toolroom, Deeperfect, FORM, have been just some of the laudable ones that have trusted in their productions. Productions that have had a lot to do in the sets and charts of artists of the likes of Richie Hawtin, UMEK, Joris Voorn, Mark Knight, Stefano Noferini, Sebastien Leger.
In 2018 he get to reach the top of the beatport top of all genres with the theme “What a Bam” in collaboration with his great friend Guille Placencia and released on his own label La Pera Records.

George Privatti

John Dimas found his way into DJing through clubbing. Inspired by the Chicago, Acid House, UK Garage, and Breakbeat he was hearing in Thessaloniki, Greece where he grew up after moving from Albania in the early 90’s. He bought his first records and taught himself to mix using two belt-driven decks and a homemade mixer that formed part of a high school project. He played his first gig two years later, in 2001, in a tiny bar where he remained as a resident for over four years before moving to Decadance, a larger venue that regularly booked artists from abroad.

Dimas was quickly snapped up by a major Greek booking agency and also Red Bull, who signed him a resident DJ for their nationwide party series. Dimas’ international bookings picked up quickly. Having carved himself a reputation with some lower-profile support slots across Europe, he’s now established himself as a highly respected DJ , acknowledged for the diversity in his selections and deep knowledge of music; scattered within all Dimas sets are various obscure cuts that even the most avid music fans are yet to discover. “I like peaks and troughs, and giving lots of different dynamics to keep things interesting,” he says. “I don’t like to be predictable with the records I play and love surprising the crowd.” Recent years have seen him perform at London’s Fabric, Ibiza’s DC10 and Amnesia, New York’s Resolute, Paris’ Rex, Bucharest’s Guesthouse, and all across Berlin, including Club der Visionaere and Watergate. It was a 2011 booking at this latter venue that inspired a 2012 move to the German capital.

Important, too, is Dimas’ production work. He began experimenting with production in 2007 and incorporates lots of edits into his sets. His 2018 XLR8R podcast consists only of these. On a release front, he’s maintained a steady output since his 2010 debut, pushing a futuristic fusion of techno & house sound that is clever, energetic and infectious.

Elsewhere, Dimas also heads up Elephant Moon, a record label through which he aims to search out and support new talent. The label does not accept demos; rather, Dimas himself hunts for artists, “so there is always a high quality maintained,” he says. The label celebrated its 11th release with Dimas’ album debut, One Against Time. “I had to the opportunity to express myself completely and draw from all my influences over the years,” he says.

In 2020 Dimas launched a second imprint SYNQ as well as Intermission Records with Voigtmann to release their debut album for their new collaborative project VO1GT.M4S. 2020 also saw the revival of his other alias Secret Universe, with a release on Gottwood Festival’s Nottwaxx Compilation and 2021 shows no signs of Dimas slowing down either with a full touring schedule for the latter part of the year, a release on Francesco Del Garda’s Timeless imprint, a second release on his label SYNQ as well as three remix projects out before the year’s end. In an aesthetic that’s long been overly saturated, Dimas has found a voice all of his own.

John Dimas

Axel Karakasis

"A full pelt wavering between tribal moments,& more modest slabs of Detroit-inspired soul.

The crowd respond at every turn." - Steve McLay, DJ MAG

Always sitting slightly off-centre, Jay Tripwire is an artist that walks the line as industry staple and ever changing innovator,

releasing one standout release after another.

His signature fusion of deep Detroit textures and intricate rhythms has led a career spanning two decades,

with over 200 vinyl releases, 2 commercial mixed cd compilations, and four full length albums.

He remains one of the most prolific artists around, with an average of 15 releases per year.

He is an always an in demand remixer he averages 10-15 remixes per year.

In 2010 Jay Was honoured by being named by Future Music alongside Frankie Knuckles, Larry Heard, Charles Webster,

Atjazz, and Tom Middleton as being one of the most influentual Innovators in house music for “The thoughtful minimal stylings of Jay Tripwire.”

Most recently he’s completed a compilation mix for Steve Bug’s respected label Pokerflat –

‘Shaping Elements Vol.8’ which features a blend of deep house ranging from

Detroit inspired textures to modern European house and tech house fusions,

blurring genrefication. This follows releases on the label under his 8Channels name - a project that melds basic channel,

cosmic soul and dub into a new hybrid soundscape of techno, deep house and dub.

The moniker also appears on other highly regarded labels such as Ransom Note, Conya, NRK, Cinematic and Hallucination.

Whilst the term ‘legendary’ is often bandied about with little thought,

in Jay’s case we could say just that - his personal arsenal of re-edits and comfort in arranging extended DJ sets lasting eight hours or

more certainly demonstrates a talent that deviates from standard fare.

Jay also still supports,buys and plays vinyl, and actively seeks out records to play at gigs, when Tripwire is on the decks he plays a vinyl

and CD set.

Jay has made appearances in over 200 cities worldwide, and some of his most memorable gigs have been a decade of bookings at

Fabric London- a venue that has changed his approach to Djing, and production sound.

Jay’s work has been featured on numerous compilations, notably from Cocoon, Fabric, Renaissance, Journeys by DJ, Ultra & Bedrock,

and is supported by a diverse spectrum of dance culture from house luminaries

such as, Doc Martin and Kerri Chandler to techno legends Steve Bug and Laurent Garnier and John Digweed

With anticipated releases and remixes imminent, the Tripwire production wheel is still very much in motion,

and on its way to a turntable near you.

Ika Sali

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