Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Gruv Basement

Demarkus Lewis

Every musical journey begins somewhere. The fertile electronic music scene that has dominated the clubs and bars in Midlands has clearly been an important factor in the growth and sheer diversity of dazzling acts that have emerged out of that region. It was here that DJ, producer and label boss Tom Conrad earned his stripes in a residency at Lovezoo from 2002-2007 playing alongside some of the biggest DJ’s of the era, including the legendary Danny Rampling, Xpress 2 and the Stanton Warriors. Tom’s meticulously constructed and legendary 7 hour plus sets have rocked crowds in London, Birmingham and Nottingham, playing regular sets at Gatecrasher and Escucha in Nottingham.

Tom was brought up on the classics, taking in inspiration from a variation of styles. His early influences saw the electro pop sounds of New Order, Tears For Fears and others plus the Acid House/ Rave scene make a big impression on his musical stance.  In his teenage years Tom embraced the birth of one of drum’n’bass’s most celebrated talents, LTJ Bukem and Good Looking Records alongside the illustrious Moving Shadow label which started to broaden the depth of his musical knowledge and his appreciation of other musical styles. It was later on that Tom developed an ear for the trance/prog era of Sasha, John Digweed and the herculean Paul Oakenfold  and so it was his love of House music that would play a crucial part in moulding Tom’s very own record label, Adaptation Music.

Every respected, creative and inspiring DJ always delves into music production at some point in their life and Tom is no exception. Having recorded his first two Remixes of Blackliquid’s ‘Gotta Be Me’ on Open Bar records in 2007 after the label owner picked up a copy of his bootleg mix of Louie Vega’s ‘Diamond Life’, his track ‘The One’ remixed by West Coast legend Reelsoul earned Tom and Adaptation Music a very respectable #5 spot on Traxsource’s top download chart. Tom’s joint projects include the long term affiliation with keyboard wizard Andre Bonsor from Schmoov/WindingRoad/DiY with their first full EP ‘Life, Sound & Space’ being released on Seasons Recordings. This is a project that’s certain to continue to produce fantastic music for some time to come.

In 2008, Tom set up his own label with a mission, to release and make high quality original and timeless House music.  His artist roster now reads like who’s who of Deep, Soulful and Tech House with DJ Spen, Matthias Vogt, Ananda Project, Ralf GUM, DJ Rasoul and Mr A.L.I. featuring heavily on his release schedule. The labels releases regularly attain top download positions on Traxsource and other high quality dance music sites and have been reviewed in top quality publications such as DMC, DJ Magazine, Chicago’s 5 Magazine and top U.K newspaper The Guardian. With plans to launch another label called Cosmic Elements later this year which focuses on downtempo, chillout and other non-house related genres, and international club dates booked in Spain, Italy and Holland later this year, Tom’s future as a label boss looks very bright indeed!

Tom Conrad

Aquadeep

French DJ Producer from Spain. Head of the label La Vie D’Artiste Music.

Sebb junior

Darles Flow

Ammo Moses

Veesoul

MAQman

Pablo Fierro stands firmly atop a new wave of cosmopolitan electronic music, digging for sounds across borders and packaging them into punchy, electromagnetic and deeply tropical shades of house and techno. Born and raised in the Canary Islands, this musician, DJ and producer’s artistry ranges from composing film scores to founding world club music label Vida Records to writing his own lyrics and composing on guitar, bass, percussions and piano.

His life is dedicated to channelling the vibrancy of music, and its power to stir and inspire people, through percussive productions that balance high energies and cultural stories. With charismatic releases on labels like Innvervisions, Compost and Sony Music among others, he’s established his signature sound: distinctive, fiery, ready to tackle and integrate new influences with agility and emotion.

Pablo Fierro’s fascination of music’s uniting power and relentless focus will continue driving him across genres, feeding audiences with trips that serve up a much needed fresh perspective.

Pablo Fierro

Martin Iveson aka "Atjazz", Music Writer, Producer, Mix Engineer, Mastering Engineer, Label Owner & DJ
From his misspent youth skateboarding the frontier towns of North Eastern England, Martin Iveson arrived into the UK’s Midland scene in the early nineties, here he was to take a job at a new computer games development studio by the name of Core Design Ltd., this company is now synonymous with Lara Croft and the series of Tomb Raider games.

Not content with scoring this, one of the world’s most famous video games, Martin left the company 13 years later to concentrate more on his own studio environment in which to channel his musical aspirations further, and invite other musicians and producers to do the same.

The success of his early works including his first EP ‘Story’ in 1996 led to the well-received album ‘That Something’, which was later licensed in Japan by Sony/Kioon in 1998. This debut album also featured cover artwork by Fujio Akatsuka, very well known in Japan for his Illustrations and animated cartoons. With two further albums, ‘Labfunk’ & ‘Labresults’ following soon after, Atjazz had at this time established himself as a distinct and inspirational voice in the underground music scene.

Martin has also been a prolific remixer throughout his career remixing and reworking songs & works for artists such as Nitin Sawhney, Bob Sinclar, Jazzanova, Zed Bias & Omar to name but a few and was even requested to rework Henri Mancini’s ‘The Pink Panther Returns” for EMI Records. Martin is still remixing heavily as he states that remixing has helped to launch his production techniques forward and it’s the perfect practice pitch for trying out new ideas and breaking moulds within a diluted industry. “Remixing helps to hone your sound and allows the producer to print their trademark into another space”

Martin’s trademark sound has been requested on many occasions by top class vocalists including Clara Hill, Robert Owens, Ernesto and many more for their own artist album projects and also rubbing shoulders with some amazing musicians & producers along the way. 

2009 saw Martin close his label Mantis Recordings due to harsh industry changes and from these ashes came the Imprint appropriately named ‘Atjazz Record Company’, which has flown to great heights within the digital realm and has seen many fantastic and sought after releases including his 3rd long player ‘Full Circle’. This label concentrates heavily on Martin’s productions and collaborations. Atjazz Record Company is a new chapter for Atjazz but with a continuation of his trademark sound.

Martin ‘Atjazz’ Iveson is in demand across the world: Whether it be renowned producer, sought after remixer, or floor filling DJ, Martin gives his heart to hold the soul…

Gruv Basement

Overview

Top tracks

Latest releases

Beach Vibes, Vol. 2

Beach Vibes, Vol. 1

Adaptation #100

Genres

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