Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Maske

Evren Ulusoy

It’s been many years, dozens of records, and too many dance floors to count since Ross Kiser arrived at his rich sound signature. Today, the aim is different. What excites Ross most at this point in his career is testing the limits of this instantly recognizable style. Most associate the name Ross Kiser with minimal dance tracks on labels like Bondage Music, Doppel Audio, Sublease Music, and RELIKT. The reality is not so cut and dry. Listen closely and you’ll hear such seemingly disparate influences as jazz, rock and hip-hop between his organic percussion and warm shades of reverb delay. Join him in the studio and you’ll understand why. Nothing is off limits in his repertoire. For all his acumen as a music producer, Ross also holds his own behind.

Ross Kiser

FAMÜ

Deep Spelle

Greek mastermind Echonomist represents the true definition of ‘artist’. His prolific output combined with his ability to experiment with a variety of styles and liberated approach, are essential components of his artistic nature. With years of experience already under his belt, Echonomist has gone through a leap in his development recently, with releases on Innervisions, Afterlife, TAU, and Kompakt, among others, establishing his production prowess. Working with such influential labels has not only boosted his profile but, more importantly, demonstrated that his musical ability has reached an impeccable standard, acknowledged by label heads like Dixon, Ame, Tale Of Us, Michael Mayer, and Adana Twins. Both on a solo tip and in collaborative projects Echonomist’s talent shines through and he’s primed for continued success at the very highest level...

Echonomist

John Dimas found his way into DJing through clubbing. Inspired by the Chicago, Acid House, UK Garage, and Breakbeat he was hearing in Thessaloniki, Greece where he grew up after moving from Albania in the early 90’s. He bought his first records and taught himself to mix using two belt-driven decks and a homemade mixer that formed part of a high school project. He played his first gig two years later, in 2001, in a tiny bar where he remained as a resident for over four years before moving to Decadance, a larger venue that regularly booked artists from abroad.

Dimas was quickly snapped up by a major Greek booking agency and also Red Bull, who signed him a resident DJ for their nationwide party series. Dimas’ international bookings picked up quickly. Having carved himself a reputation with some lower-profile support slots across Europe, he’s now established himself as a highly respected DJ , acknowledged for the diversity in his selections and deep knowledge of music; scattered within all Dimas sets are various obscure cuts that even the most avid music fans are yet to discover. “I like peaks and troughs, and giving lots of different dynamics to keep things interesting,” he says. “I don’t like to be predictable with the records I play and love surprising the crowd.” Recent years have seen him perform at London’s Fabric, Ibiza’s DC10 and Amnesia, New York’s Resolute, Paris’ Rex, Bucharest’s Guesthouse, and all across Berlin, including Club der Visionaere and Watergate. It was a 2011 booking at this latter venue that inspired a 2012 move to the German capital.

Important, too, is Dimas’ production work. He began experimenting with production in 2007 and incorporates lots of edits into his sets. His 2018 XLR8R podcast consists only of these. On a release front, he’s maintained a steady output since his 2010 debut, pushing a futuristic fusion of techno & house sound that is clever, energetic and infectious.

Elsewhere, Dimas also heads up Elephant Moon, a record label through which he aims to search out and support new talent. The label does not accept demos; rather, Dimas himself hunts for artists, “so there is always a high quality maintained,” he says. The label celebrated its 11th release with Dimas’ album debut, One Against Time. “I had to the opportunity to express myself completely and draw from all my influences over the years,” he says.

In 2020 Dimas launched a second imprint SYNQ as well as Intermission Records with Voigtmann to release their debut album for their new collaborative project VO1GT.M4S. 2020 also saw the revival of his other alias Secret Universe, with a release on Gottwood Festival’s Nottwaxx Compilation and 2021 shows no signs of Dimas slowing down either with a full touring schedule for the latter part of the year, a release on Francesco Del Garda’s Timeless imprint, a second release on his label SYNQ as well as three remix projects out before the year’s end. In an aesthetic that’s long been overly saturated, Dimas has found a voice all of his own.

Maske

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