Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Samuel Miller

For over two decades, Norwegian DJ and producer Djuma Soundsystem has been a trailblazer in the underground music scene, crafting top-tier, genre-defying tracks. His work predominantly revolves around afro house, a style he championed long before its rise to mainstream recognition.

Through extensive global tours, his dedicated radio shows, and his Iziki movement and label, Djuma Soundsystem has played a pivotal role in bringing afro house and organic, tribal sounds to the forefront of the electronic music landscape.

Among his notable achievements, the modern classic "Les Djinns" remains a cornerstone for house music enthusiasts. His 2015 release "Anyimo" on Crosstown Rebels introduced a groundbreaking sound inspired by African rhythms to international audiences. He continued innovating with a reinterpretation of Analog Souls' "Trinidad Dreams" (Armada, 2020), infusing tribal beats with electronic depth. In 2019, his stature was further solidified with "Body Language", an 18-track compilation released on Get Physical, showcasing original productions and remixes.

Today, Djuma Soundsystem continues his mission of spreading meaningful, organic, afro-influenced club music to captivated audiences worldwide.

Djuma Soundsystem

Foínix

Nina Carr

Trafoier

Panuma

Courtney Storm

SØR

Be Svendsen

Fulltone

Madmotormiquel... First things frst: Try pronouncing that. Or maybe don't – it's all about the music after all. Born and raised in west Berlin Michel Neigenfnd – what his parents named him – had only music and collecting records on his mind from an early age. Influenced by British ‚77 punk- rock and US punk from the late 80ies he soon realised musical boundaries were nothing for him. His equally large passion for hip-hop paved the way to frst electronic productions. Big beat, drum ‚n‘ bass, acid techno, early spiral tribe stuff...His frst fusion festival in early 2000 as well as many illegal open airs and parties in a Berlin flled with open spaces after the fall of the wall, made clear the path he would take. Up until then a party DJ with diverse genres, his passion for techno/house music steadily grew. Through own events with Bachstelzen, a collective of organisers that has greatly influenced Berlin‘s party scene with its events in elaborately themed off-locations, the course was set for frequent techno/house DJ gigs. In 2006 his own productions started gathering appeal on different netlabels followed by the frst real release together with Sebo and Nayan Soukie on Sasse‘s label Mood Music in 2010. Following further releases, the Boys Don‘t Eat EP on Katermukke brought a frst taste of international success, as well as regular airplay on national and international radio. John Digweed even signed two tracks from the URSL 08 (Everything Will Change EP) and re-released them on his extremely successful Live In London mix. Further productions for Canadian, US and British labels followed as well as several releases on German labels. The steadily growing success of the URSLRecords label which Madmotormiquel has been running together with Sebo and Soukie & Windish since 2010, has been a continuing reason for being booked way beyond the boundaries of Berlin. Two Brazil tours, gigs all over Europe – over a hundred in 2012, productions which regularly feature in charts of notable Djs such as Martin Landsky, Tim Green, Tube & Berger, Robosonic and Dirty Dor̈ ing leave the undoubtable impression somebody knows what he‘s doing. In the studio as well as behind the decks.

Samuel Miller

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