Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Matt Dawson

Nick Curly

Every artist leaves a mark, and Mihai Popoviciu’s is unmistakable. For almost two decades, the Romanian producer and DJ has crafted a signature style—deep, hypnotic grooves, pinpoint precision, and an energy that commands the dancefloor.
Growing up in Sibiu (Romania), a city far removed from Europe’s electronic epicenters, Mihai’s passion for house and techno was born in isolation. The ‘90s saw London, Berlin, and Ibiza booming with dance music, while he was left scavenging for whatever sounds he could find. “We’d record German TV shows onto cassette and play them on repeat,” he recalls.

With no club scene in sight, Mihai’s DJ dreams seemed like a long shot. “I couldn’t DJ because there were no clubs,” he laughs. But software was within reach, so he made music. Refining his sound track after track, in 2005, his music found a home on International Deejay Gigolo. From there, he became a fixture on labels like Highgrade, Poker Flat, Bondage Music, Berg Audio, and his own imprint, Cyclic, founded in 2012.

Patience and persistence paid off. Once purely a producer, Mihai soon stepped behind the decks, learning the art of DJing on borrowed turntables. His transition from the studio to the club was seamless. Soon, the world took notice. Over the past decade, Mihai Popoviciu has solidified his status as a leading figure in the electronic music scene. Now, his name graces the lineups of the most revered clubs and festivals worldwide.

Mihai’s mission is simple: to share the joy and energy that fuel his passion. “Seeing people dance, smile, and lose themselves in the music—that’s what it’s all about.”

Whether commanding an underground club or a festival stage, Mihai’s sound remains unmistakable. “He had it from the start,” says friend and agent Benny Grauer. “You always know when it’s Mihai. And it’s always on point.”


Instagram: https://www.instagram.com/mihai_popoviciu
Facebook: https://www.facebook.com/mihai.popoviciu
SoundCloud: https://soundcloud.com/mihai-popoviciu-1
Booking: Benny Grauer - Still Hot Berlin,  booking@stillhotberlin.com

Mihai Popoviciu

Domy Berardino and Mirco Sonatore are two Italian DJ/Producers who form the artistic project "The Deepshakerz" a perfect blend of various musical styles from vocal House, afro- beats , 90s Tech and Chicago style.Their music has led to them gaining international support from the DJ likes: Groove Armada, David Morales, Loco Dice, Dubfire, Riva Starr, Mark Knight, Roger Sanchez, 2000 and One, Pirupa, Luciano, Shinedoe, Tube & Berger, Quentin Harris, Stefano Noferini, Chocolate Puma, Sandy Rivera and many more....With tracks on many importants labels (of techno and deep worldwide scene),they had also remixed legendary artist such: Marshall Jefferson, Todd Terry, Kerry Chandler, Ultra Natè, Blaze and Marlon D...The passion of these two guys leads them to evolve more and more and try new things in both productions and in DJ sets....They Run own imprint called “Safe Music” that is one of most respected italian labels and is steadily supported from many worldwide mainstream Dj's and radioshows........Welcome in their "World"!!!

The Deepshakerz

Re.You

More than any other producer, Todd Terry defined New York house during the ’80s, a varied sampladelic smorgasbord blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, plus plenty of hip-hop attitude and sampling piracy. And with two of the most respected crossover remixes of the house era («I’ll House You» by the Jungle Brothers and «Missing» by Everything but the Girl), Terry more than earned his title «Todd the God» (or occasionally, simply «God»). Though he’s often been accused of recycling his own beats and effects (in his production work as well as the DJ booth) a bit too often for his own good, Terry’s immortality as a dance icon is assured.

Born in Brooklyn, Terry began DJing in the early ’80s while still a teenager, spinning hip-hop at school events and on the street with a team called the Scooby Doo Crew. He increasingly listened to Italian disco as well, and when the house sound of Chicago dropped in the mid-’80s, Terry the DJ made an official switch to house music. In league with fellow New York DJ/producer/remixers Little Louie Vega and Kenny «Dope» Gonzalez, Terry borrowed the Masters at Work guise — which Vega and Gonzalez would later popularize — for one of his first big productions, the 1987 single «Alright Alright»; the single became a milestone on New York’s early house scene. The Jungle Brothers, another crew of hip-hop heads who were beginning to stray into house, hooked up with Terry and the collaboration resulted in «I’ll House You,» one of the earliest and most high-profile fusions of hip-hop and house (popularized several years later by C+C Music Factory and Snap!).

The added prestige transferred back to his own name for two wildly popular 1988 singles, «Weekend» and «Bango (To the Batmobile),» both released as the Todd Terry Project. Perhaps preferring the adoration of the faithful, Terry later resorted to dozens of aliases for dozens of club hits — Black Riot’s «A Day in the Life,» Gypsymen’s «Hear the Music,» Royal House’s «Can You Party,» Todd Terry & the Countdown’s «Flipside,» Torcha’s «Feel It,» D.O.S.’s «House of Gypsies,» Sound Design’s «You Can Feel It,» Tech Nine’s «Slam Jam,» and Static’s «Dream It.» Despite his wealth of released material, Terry remixed dozens of artists as well, including Sting, Björk, Janet Jackson, Tina Turner, Malcolm McLaren, Annie Lennox, Robert Plant, and Technotronic, among others. The British house boom of the early ’90s provided Terry with many an overseas gig, including a high-profile residency at the London superclub Ministry of Sound. His proficiency on the decks became a minor sensation, causing several British journalists to describe him as «God.»

Terry moved into label entrepreneurship in 1992 when he formed Freeze Records with William Socolov. (Several of Terry’s early singles had appeared on Socolov’s Fresh/Sleeping Bag label, also the home of rap acts like EPMD, Mantronix, and Nice & Smooth). Freeze became the obvious home for many of Terry’s productions, including several volumes of his EP series Unreleased Projects beginning in 1992 and running through 1995.

That same year, Terry’s remix of the erstwhile pop act Everything but the Girl became a worldwide smash, selling over three million copies and almost single-handedly reviving the duo’s flagging career for a sleek new dancefloor incarnation. The British label Hard Times released the DJ gig A Night in the Life of Todd Terry: Live at Hard Times in 1995, while the flip side of the coin, A Day in the Life of Todd Terry (including his best single and remix productions) appeared the following year. His next project, Ready for a New Day, provided more song-oriented fare, though still implicitly dance, with guest vocalists including Martha Wash, Jocelyn Brown, and Bernard Fowler. Terry made another artistic change-up, to LP-oriented drum’n’bass, with his 1999 album Resolutions, recorded for indie/electronica stalwart Astralwerks.

Todd Terry

DJ PP

André Butano, Productor y DJ chileno, nacido en Santiago de Chile.

Sus inicios de vida profesional fueron en el mundo de la gastronomía. Sus estudios de cocina internacional lo llevaron a trabajar en los restaurants más famosos de Santiago. Es durante esta etapa que ante la ausencia de un DJ para amenizar la jornada, que se atreve a entrar en el mundo de los discos y de las mezclas. Butano rápidamente se estableció como un talento en la escena house underground de Chile.

 

Actualmente es residente y colaborador en La Feria, el único club de nivel internacional del país y además es dueño de su propio sello, 'Posay Music'. Su inspiración proviene de artistas tales como Depeche Mode, New Order y Kraftwerk. Su gusto evolucionó de manera rápida así también su admiración a los héroes locales, los productores nacionales Luciano, Ricardo Villalobos y Dandy Jack.

 

Su estilo es del gusto de muchos, ya que sus sets siempre han sido liderados por sonidos tech house y house grooveros, apoyados por fuertes líneas de bajos, percusiones animadas, ritmos y melodías orgánicas. La marca que lo ha hecho famoso ha sido el uso de sus propias vocales en tracks de su autoría. Los tracks de Butano han sido publicados en los sellos más prestigiosos de la escena, tales como

8bit, Cadenza, Kling Klong, Circus Recording, Highgrade, Robsoul,

Trapez, Resopal, Bla Bla, Mindshake, además de sellos contemporáneos tales como Deeperfect, Relief, NonStop, Roush, Moan, Noexcuse, y Desolat, por nombrar algunos.

 

Sus tracks son tocados por algunos de los mejores DJs del circuito como Luciano, Marco Carola, DJ Sneak, MANDY, Paco Osuna, Mathias Kaden, Dubfire, Nick Curly, Reboot , Richie Hatwin, Karotte, Laurent Garnier, Audiofly, entre otros.

 

Esto lo ha llevado a compartir escenarios con artistas tales como Carl Cox, Luciano, Ricardo Villalobos, Danny Tenaglia, John Digweed, Pete Tong, Sven Vath , Marco Carola, Paco Osuna, Hernan Cattaneo, Richie Hawtin, Dubfire, Steve Lawler, DJ Sneak, Michael Mayer, Felix Da HouseCat, Tiga, Stefano Noferini y muchos más.

 

Su carrera también lo ha llevado a tocar en toda Sudamérica siendo parte de algunos de los principales festivales como Creamfields, Mysteryland y Ultra Festival. En cuanto a clubes, su residencia en La Feria marca la pauta, además de D-Edge (Sao Paulo), Crobar, Pacha, Bahrein y Palacio Alsina, Radio Berlín & Vlak (Bogotá), Terraza (Camboriu), Bizarro (Lima), Terraza (Uruguay). Butano también protagonista en "Vagabundos”, evento creado por Luciano, donde ha participado junto a él por casi 5 años.

 

En sus tour europeos ha tocado en múltiples destinos, comenzando por el mundo de Ibiza en Amnesia, Space, Hï Ibiza, Pacha, Ushuaia Destino, Sankeys, Zoo Project,

 

Privilege y en fiestas como Music On, Vagabundos, Luciano & Friends e Ibiza Global Radio. Además, en Barcelona ha estado presente en Off Sonar, CityHall y en el ya mítico Club4, invitado por el mismo Paco Osuna. Otros clubes que han visto su talento son Macarena, Red58, La Terraza y en Madrid, Fabrik Vagabundos 2017/2018 y Studio 76.

 

De sus visitas a Berlín, podemos hablar de Club Der Visionare, Chalet, Hoppetosse, Wilde Renate. También ha estado en Studio 80, Rootzoo Fest en Amsterdam, Egg London (Londres), Pratersauna (Viena), Folklor, La Ruche (Laussane), Friedas Buxe (Zürich), Mood (Canarias) y Greenworld (Tenerife).

 

Butano sigue creciendo como DJ & productor ya que su gran

pasión por la musica lo ha potenciado cada vez más en la escena electrónica mundial.

Matt Dawson

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