Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Dubspeeka

Victor Ruiz

Boris Brejcha was born in Ludwigshafen (Germany) in 1981 and already had to experience some strokes of fate in his childhood. At the age of six, he was seriously injured in the Ramstein air disaster and spent months in hospital. Today, he still bears extensive scars from the severe burns. Because of teasing from classmates, Boris withdrew and discovered his interest in music. After a classmate of his brought a "Thunderdome" CD in middle school, he was hooked. He was dying to know how to make this new kind of electronic music. So at the age of twelve, he started producing electronic music himself as a hobby.

He made his first releases in 2006, the same year he had the first performance of his entire career. At the Universo Paralello Festival in Brazil. Since then, his mask is also indispensable. Inspired by the Brazilian Carnival, Boris chose the Joker mask as his trademark. In the international foreign countries his music found fast approval. Numerous gigs, for example South America and Russia, followed. 

Since then, Boris has made a full-time living from music and has continued to develop as an artist. With the specially created genre "High-Tech-Minimal" Boris gave his extraordinary music a name. He went on to release on Autist Records and later on Harthouse. Through the music magazine "Raveline" he was named "exceptional talent 2007".

Boris Brejcha

Spartaque

David Granha

A duo of prolific writing madmen, who devoted their lives to help bring moments of euphoria to those who are subjected to their DJ sets and productions. It’s all about sharing spaces together where we hold no boundaries. No language, religion, racism, just pure unity.
Music is the purest form of communication, we thrive on projecting positivity.

Our mission is to encourage smiles upon faces.

Pig&Dan

Traumer

Radio Slave

Stephan Bodzin has been a hugely influential figure within the global techno scene for years. The reason the German has endured where many had fallen by the wayside is because of his devotion to authenticity. “Without it, everything would appear to be..
After starting out by composing music for several prestigious European theaters, Stephan Bodzin soon fell in love with nocturnal club sounds and began producing his own brand of techno. He impressed right from the off and has gone on to work with Marc Romboy many times, including on albums like “Luna” and more recently “Kerberos & Styx” in 2014, and with Oliver Huntemann under myriad aliases including Rekorder. The fruits of these labors have defined the modern techno scene until today.

“Throughout my releases and all my collaborations I managed to let my ideas flow freely and to develop my own style,” Stephan Bodzin explains, and he proved that with 2007’s debut album, “Liebe Ist…” and the many other original productions that have followed, such as 2014’s single ‘Sungam’, which sat at number four on the RA charts, and his massive remix of Super Flu’s “Jo Gurt” in the same year.

Stephan Bodzin productions are driving, hypnotic things with a very real and memorable sense of melody that sticks long in the mind. Of course, running his own Herzblut label has also defined his career since 2006, and as well as being a place for his own work, has also housed refreshing contemporary music from Dominik Eulberg, Max Cooper and Pig&Dan amongst many more.

In the club, meanwhile, Stephan Bodzin is both a story telling DJ who really takes dance floors on a ride through his many musical influences, but is also an impressive live specialist who creates mesmerizing, high impact soundtracks on the fly. Across all continents, there is barely a club or festival in the world worth its salt that he hasn’t headlined at some point or other.

2015 will see this Bremen mastermind release his second full length, “Powers of Ten”, as well as a new single on DJ Tennis’ and Tale of Us’ taste making label Life & Death. The album is another magical piece of work that focuses on melody and rhythm, on fat bass and vivid sound design and is a truly captivating journey through the mind, music, body and soul of one of dance music’s truly modern greats. It is just the latest chapter in what has been an exhilarating musical journey in the capable and creative hands of Stephan Bodzin.

Stephan Bodzin

Wehbba is an emblematic electronic music DJ/Producer from Brazil, having his name featured across the world on respected labels such as Drumcode, Kompakt and Hotflush.

Wehbba

Thomas Schumacher was eleven years old when Depeche Mode released Construction Time Again. "I'll never forget sitting at home, listening to the album in my headphones, trying to figure out how they made those sounds."
Thirty-five years later, Thomas Schumacher still burns with curiosity. The Berlin-based DJ and producer makes light of his status as one of the most successful, versatile artists in electronic music. "What I love about Techno is that it demands that you constantly challenge and reinvent yourself."
Thomas Schumacher is always pushing his own boundaries. "The art of being relevant," he says, "is to repeatedly forget what you know.” In his early days producing music, he had to learn how to physically create the sounds he heard in his head. Now, as a virtuoso, the challenge is to use his breadth and depth of musical knowledge to convey profound emotion. "Techno is not just a tool to make people dance" he says, "it is a very personal, intimate way of connecting."
This intimacy fuels the unique vibe of a Thomas Schumacher DJ set. He likens what he does to being the captain of a ship. “I purposely steer my sets into rough waters. I want to help people get out of their heads and into their bodies. I create a safe space for people to lose their minds, in the best possible way. They know they don't need to worry or be afraid, because I’ve got them. I know what I'm doing. They can let go and just be."
When not guiding clubbers through seas of sound, Schumacher reaches them via his productions on labels like Drumcode; Arts, Noir Music and his own label Electric Ballroom. The more he creates, the more there is to explore, the more opportunities to invent, connect, and imagine. "I am always the one to change it up," says Thomas. "My ongoing ambition is to connect with the people, every single time. Thats why I do what I do and love it so much. I have never seen a reason to compartmentalise my music and my life. Everything is energy and everything is connected."
On Beatport Thomas’ remix of the classic “The House Of House” became his third number one hit within the past 24 months after “Stella”- a propulsive anthem dedicated to his daughter and “Wonder”, his collaboration with Victor Ruiz - once again reinforcing his place as one of the Techno greats.

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