Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Gogol

Musumeci is a musical project by Mauro Di Martino, sicilian dj and producer since late 80s.

In the last 10 Years with his over 200 productions between original tracks and remixes he appeared on labels like Bedrock, Connaisseur, Compost Black Label, Correspondant, Diynamic Music, Future Disco, Innervisions, MoBlack, Kompakt, Permanent Vacation, Toy Tonics, Watergate and many others. Musumeci is also owner of Engrave Ltd, Multinotes Recordings, Buttress Records and the just newborn Somethingnu.

Musumeci

Sylvain Soulier a.k.a Darlyn Vlys French born but Valencia (Spain) based, is inspired by a variety of artistic and musical influences, offering distinctive atmospherics that go far beyond sound. Managing to capture both nostalgic and futuristic sonic experiences, his experimental and stylistic approach creates electronic music that grabs your attention through sharp production and cinematic moods.

Darlyn’s visceral voice is currently in demand, with releases on labels like Get Physical, Upon You, Suara – to name a few. And plays by a range of wide reaching DJs including Maceo Plex, Loco Dice, Black Coffee, Ame, Dixon, Mind Against.. Using an emotionally invested approach to his music, his debut album “Prince In The Rain” is full of deeply moving tracks that showcase his range of styles and vibes to capture your senses and encourage you to surrender.

2019 looks to be even more promising, his latest single "Horse", released on (Feb. 2019) label Atlant, is fine testimony to his capacity to deliver the very best electronic music. First discovered by Âme & Dixon during their Innervisions hosted at the Royal Albert Hall 2018 event, frequently heard in Black Coffee or Tale Of Us sets, "Horse" is a melodic techno masterpiece built on a strummed bass-line and organic percussion which immediately draw you into Darlyn's electronic universe.

Darlyn Vlys

Alexey Union

Renato Cohen es un DJ y productor de música techno, nacido en São Paulo en 1974.
Este brasileño es sin duda alguna uno de los más conocidos Dj’s y productores de techno del enorme país sudamericano. Renato Cohen nació en San Pablo, Brasil en 1974 y es productor desde 1996. Carl Cox se fijó en él unos pocos años más tarde en una gira que hizo por Brasil y le ofreció la oportunidad de su vida: editar “Pontape” en su sello Intec. Su sonido estaría cercano al que pinchan Dj’s del perfil de Laurent Garnier, Technasia, C1, Dave Clark, Funk D’void o Carl Cox. Techno duro y muy bailable, de fácil acceso para las masas. De este modo, Brasil sigue creciendo musicalmente gracias al acierto de productores jóvenes como él mismo o de otras escenas cercanas al d&b como Dj Patife, Dj Marky o Mad Zoo. En 2002 ganó el premio al mejor productor de Brasil en los Palomino Awards de aquel año. Entre sus mejores producciones de ese año se encuentra el remix “Hydra ” para el Recreations Vol. 4, 12» del sello de Technasia. Una curiosidad: tiene editado «Sao Paulo EP» en 4X4 Recordings bajo el seudónimo Level 202. Como dijo una vez Carl Cox: «Demasiado bueno para ignorarlo

Gogol

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