Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Armando Mendes

Processing Vessel

Nightly Closures

Deep house DJ/Producer from the Bristol area. UK

His passion for Dance Music began in early 90s Devon, whilst sampling the delights of the free party scene that was kicking off in and around the West Country. Meeting in car parks, trying to find a phone box to call for directions and dancing in fields until the sun came up. Nights in clubs such as Plymouth Warehouse, Pawlett Manor, the Cavern and Tube were also enjoyed during the 90s.

He learnt the art of mixing on a set of battered, second-hand 1210s, teaching himself the craft, developing his style and filling up his record box with deep house from record labels such as Bomba, Warp, Shindig, DiY and UMM to name just a few.

A move was made to Bristol, which opened up a wealth of new musical inspiration at iconic venues like Lakota, Trinity, Academy and The Thekla. Over a period of time, he started to mix Techno, House and Breaks. He was playing occasional gigs at clubs, but more often for friends at parties. Also enjoyable was travelling to free parties in Wales & the Midlands and regular nights at the Q Club (where Atomic Jam was an old favourite) the Custard factory and Wobble.

He has regularly attended Glastonbury Festival - started by jumping the fence over 25 years ago - and has particularly enjoyed venues like The Glade, Common and Arcadia. Many nights and early mornings were spent(what was in the earlier days) the one large dance tent which was located where the dance village now stands.

Now, having settled down a bit and successfully organising a few small, outdoor parties, he decided to take forward a long-standing ambition to produce music as well as continue to DJ under the name of HUGEhands.
Because he has massive hands.

He has travelled musically full circle and is now mainly focusing on the deep house sounds which originally caught his attention years ago.

His eclectic musical influences come from far and wide from the deepest house and techno, Old skool Hardcore to breaks and funk. Some of the DJs and producers which have inspired him over the years include (in no particular order); Inland knights, DiY, Miguel Migs, Johnny Fiasco, Daft Punk, Groove Armada, Freddy Fresh, Carl Cox, Jeff Mills, Dave Clarke, Chemical Brothers, Fat Boy Slim, Sasha, Tom Middleton, Way out West, Stanton Warriors, Plump DJs, Krafty Kuts, Lee Coombes, Meat Katie, DJ Punk Roc, The Freestylers, & Adam Freeland...and more recently Huxley, Leftwing and Kody, Maya Jane Coles, Jay West & Catz n Dogz to name just a few….

Have a listen and enjoy.

HUGEhands

Martin Luciuk

As Tigerskin aka Dub Taylor aka Korsakow  the Berlin based Alex Krüger releases his music since the early 90s.

Tigerskin

Phonique, the Berlin-based award-winning producer and label owner, reigns as one of Europe’s most in-demand and renowned house DJs. He has produced over 100 releases and remixes for acclaimed labels MoBlack, Dessous, Poker Flat, Crosstown Rebels, Stil vor Talent, Systematic, Bunny Tiger, Katermukke, Bar 25 Music and Superfett. His career first exploded in 2004 with club anthems “The Red Dress” and “For the Time Being”, but it was his track ‚Feel What You Want’ with its over 50.000.000 clicks on Youtube from his 2010 album, which earned him global recognition. Phonique’s four critically-praised albums attest to his evolving, diverse influences, deep knowledge of house music, and masterful intuition to serve the dance floor. While he is currently working on an acoustic album to be released in 2023/24, he released on Bar 25 Music, MoBlack, Sprinkler, Downtempo Love, Terranova, Do Not Sit, Ritter Butzke and his own label Zatar Music.
During the pandemic times in 2020/21, when Phonique had to put his 5-6 yearly South-American tours on hold, he didn’t shy away from producing. And with releases and remixes on labels from Bar25 to Oliver Koletzki’s Stil vor Talent and Kindisch, he was continuously crushing the charts at Beatport. On a side note with 5 different releases being put out on vinyl he also hit a new high within the past 10 years.

Phonique

Having started his DJ career in Amsterdam playing illegal parties and underground raves, Lauhaus went on to become a resident of some of Amsterdam’s finest clubs including: Studio 80, Melkweg, Club 11 and Mazzo.

In 2009 together with Kabale und Liebe, Lauhaus started Soweso Records and just like his DJ sets the label’s sound became synonymous with "a fine line between house and techno and a love for the deep and underground". In great testament to Lauhaus’ A+R skills, Soweso went onto feature a number of established names as well as becoming a renowned stepping stone for both home-grown and International talent

As a producer, Lauhaus has been active on many fronts in the past decade, having released on labels such as: Sushitech, Cocoon, Viva, Rejected, Circus Company and most recently Danse Club and OFF Recordings.

In conjunction with his solo career, Lauhaus has also been releasing as Polder (together with David Labeij) and after some heavy touring in the 00’s and an album on Intacto in 2008, Polder is back with a brand new liveset and releases on Amam, Bla Bla, Upon You and Danse Club.

Over the years Lauhaus has played all over the globe, at venues like Studio 80 (Amsterdam), Welcome to the Future (Amsterdam), Watergate (Berlin), Sisyphos (Berlin), Electric Pickle (Miami), Sankeys (Ibiza & Manchester), Arma 17 (Moscow), Space (Ibiza), D-Edge (Sao Paolo), Rex (Paris) and Eleven (Tokyo).

Armando Mendes

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Oh! Baby I Like It Raw, Vol. 11

Oh! Baby I Like It Raw, Vol. 7

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