Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Tuca

Demarkus Lewis

Peter Mac

Carlos Francisco

Q Narongwate

Lalo Leyy

Delano Smith

"A full pelt wavering between tribal moments,& more modest slabs of Detroit-inspired soul.

The crowd respond at every turn." - Steve McLay, DJ MAG

Always sitting slightly off-centre, Jay Tripwire is an artist that walks the line as industry staple and ever changing innovator,

releasing one standout release after another.

His signature fusion of deep Detroit textures and intricate rhythms has led a career spanning two decades,

with over 200 vinyl releases, 2 commercial mixed cd compilations, and four full length albums.

He remains one of the most prolific artists around, with an average of 15 releases per year.

He is an always an in demand remixer he averages 10-15 remixes per year.

In 2010 Jay Was honoured by being named by Future Music alongside Frankie Knuckles, Larry Heard, Charles Webster,

Atjazz, and Tom Middleton as being one of the most influentual Innovators in house music for “The thoughtful minimal stylings of Jay Tripwire.”

Most recently he’s completed a compilation mix for Steve Bug’s respected label Pokerflat –

‘Shaping Elements Vol.8’ which features a blend of deep house ranging from

Detroit inspired textures to modern European house and tech house fusions,

blurring genrefication. This follows releases on the label under his 8Channels name - a project that melds basic channel,

cosmic soul and dub into a new hybrid soundscape of techno, deep house and dub.

The moniker also appears on other highly regarded labels such as Ransom Note, Conya, NRK, Cinematic and Hallucination.

Whilst the term ‘legendary’ is often bandied about with little thought,

in Jay’s case we could say just that - his personal arsenal of re-edits and comfort in arranging extended DJ sets lasting eight hours or

more certainly demonstrates a talent that deviates from standard fare.

Jay also still supports,buys and plays vinyl, and actively seeks out records to play at gigs, when Tripwire is on the decks he plays a vinyl

and CD set.

Jay has made appearances in over 200 cities worldwide, and some of his most memorable gigs have been a decade of bookings at

Fabric London- a venue that has changed his approach to Djing, and production sound.

Jay’s work has been featured on numerous compilations, notably from Cocoon, Fabric, Renaissance, Journeys by DJ, Ultra & Bedrock,

and is supported by a diverse spectrum of dance culture from house luminaries

such as, Doc Martin and Kerri Chandler to techno legends Steve Bug and Laurent Garnier and John Digweed

With anticipated releases and remixes imminent, the Tripwire production wheel is still very much in motion,

and on its way to a turntable near you.

Jay Tripwire

British born & now living in the USA, Marc has played globally since 1994. Owner of Plastik People Recordings, Plastik People Collection & Rhythm & Vibe. Marc's style sits firmly in the house & garage sounds from the 90's

Tuca

Overview

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The Calling

VA JAMZ

Soulful House, Vol. 3

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