Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Rex Mundi

Markus Schulz

Adina Butar

Klauss Goulart

Amy Kirkpatrick

Lady V

Paul Aiden

CeCe Peniston

Liz Primo

Chris Madin

Venom One

Liz Horsman

One year ago, the living legend himself Markus Schulz released ‘Scream’, an album that smashed borders and forever solidified his irrefutable spot within the world of EDM.  Earning the respect of his peers and enormous fan-base alike, ‘Scream’ showed the commitment this man has to leading the way in the genre he helped found, and deservedly brought home critical acclaim.

Never one to rest on his laurels and let the future come to him, Schulz set about the arduous task of compiling a whopping 17 track album with ‘Scream 2’, an undeniable opus from the well-established DJ and production mastermind.

Featuring a wide array of influences and collaborations, ‘Scream 2’ is as much a throwback to the powerful sound that catapulted Schulz to stardom in the early 00’s as it is a challenge to today’s top producers.  This album is such a tremendous sonic achievement, that it will surely stand the test of time well into the future, reminding people years down the road of what commitment to quality sounds and feels like.

Schulz has teamed up with long-time collaborators and new talents alike, seeking to showcase some of the highest quality vocalists and writers in the scene.  The emphasis on songwriting is apparent throughout the album, making sure that these songs are far more than a passing trend, to be forgotten in a few months or even weeks. 

Every bit the follow up to the first in the series, ‘Scream 2’ is the culmination of a gargantuan career, and a clear line in the sand for all aspirational DJs and would-be superstars.

The structure of the album is almost classical — beginning with the one-two punch of Liz Horsman’s and Amy Kirkpatrick’s (half of the Vancouver duo Data Romance) jaw-dropping vocals.  Never one to linger on an idea for too long, Schulz quickly changes gears into an all-out anthem, in keeping with his earlier hits like ‘The New World’.  He then slides back into LA talent (by way of Nashville) Liz Primo’s feature for ‘Blown Away’, with Hollywood-inspired pop hooks that will light a fire equally on the radio and on the dancefloor.  

Indeed, over half of this album would be right at home on mainstream radio, while staying credible enough to please even the most hard-hearted of EDM fans.

For some, the middle section of this album (‘Destino’, ‘Mango’, ‘Mardi Gras’, and ‘Reloaded’) will represent the core of the club scene.  These no-nonsense bangers have all the energy of a nuclear bomb, and each one goes off in a surprising yet epic way.  Taking a deep turn away from the vocal tunes lets him kick the party into high gear, just as he would in one of his legendary festival sets.  By the time Schulz comes in for the close, you’ll be sure you just listened to a tour-de-force experience worthy of all the attention and accolades it’s sure to receive.

‘Scream 2’ finishes strong, with features from Grammy-winning songwriter Lady V, chart-topping vocalist CeCe Penniston, Coldharbour mainstay Adina Butar, and trance whiz Rex Mundi.

The last two songs bring the album full circle, closing with an absolute flourish, as the vocals of Chris Madin in ‘Revolution’ and Paul Aiden in ‘Fireworks’ are worthy of mainstage closing ceremonies and the top 40 charts alike.

With the launch planned for the end of February, 2014, the world has certainly not seen the last of Mr. Markus Schulz.

Gravity feat. Amy Kirkpatrick (Extended Mix)

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Gravity feat. Amy Kirkpatrick (Extended Mix)

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