Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Ludwig Berger

2025 was declared the International Year of Glaciers’ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, “this is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earth’s cryosphere.” To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of the ice with field recording works by Marc Namblard, Ludwig Berger, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens

Following Marc Namblard’s "arctic summer", the series continues with its second album, "crying glacier", an intimate collaboration between the Vadret da Morteratsch (Morteratsch Glacier) and landscape sound artist and educator Ludwig Berger.  

The album was mainly recorded during the filming of the eponymous film "Crying Glacier", directed by Lutz Stautner (featured above), which documents Ludwig Berger’s recording and listening practice with the Morteratsch Glacier in the Swiss Alps. Much like the documentary, the LP version unveils the profound relationship between the glacier and the listener. Berger spent a decade visiting Morteratsch, so frequently that each time he returned, it felt like he was coming back to someone, not just something. “Like seeing an old friend” he shares in the film’s voice over. This intimacy is made palpable throughout the album. With each track the subtle, yet complex, soundscape of the glacier unfolds in myriads of sonic articulations. The melting ice grunts, growls, bubbles, cracks, breaks, snaps, gushes, trickles, and leaks — all in a splendid and intricate vocabulary. “A form of language” states Berger. Indeed, the abundance of lexicon birthed by the Morteratsch cannot be overstated. The strings of bubbles that the glacier releases as it melts bear not only the Earth’s ancient atmosphere but also a stunning range of expressivity. Bizarre voices materialize in water-filled crevasses, each with their own rhythm and phrasing. Some echo avian songs, some mammal grunts, some human speech, and some even venture into synthesizer mimicry. Throughout the album, these voices accumulate into a thick, multi-layered, glacial noise, as if Berger invited us into the microcosm of the ice. This extreme proximity is only occasionally interrupted by sudden zoom-outs that reveal the arid soundscape of the surrounding valley. “The zone where the glacier has recently melted is like a desert”, alerts Berger, a warning embodied by the album’s last track which imagines the future soundscape of the Morteratsch Valley stripped of its glacier. The elaborate language that once inhabited this land is now gone. In its place the air is filled by bird songs, insect stridulations, and airplane motors, all foreshadowing the possible heat that awaits the Alps.   

“Without climate protection, it is likely that Ludwig Berger’s recordings will outlive alpine glaciers”, warns the film in its last shot, showing the valley overtaken by greenery. It is not exaggerated. The ice carried the planet’s history for millennia yet it is disappearing at an alarming rate. As a response, the album invites listeners to relate to the glacier as a body, filled with life, here gently auscultated by Berger’s hydrophones. With "crying glacier" and its intrinsic more-than-human collaborative nature, Ludwig Berger amplifies the Morteratsch Glacier’s voice to emphasize its personhood, and other glaciers' urgent need for recognition and preservation.

forms of minutiae

crying glacier

on a different scale

someone, not something

a form of language

the more alive he seems, the more he is dying

hundreds, thousands of years old

a kind of person

becoming a desert

nothing returns

what the valley will sound like

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someone, not something

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