Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Harry Romero

Honey Dijon

Derrick Carter

Rampa

Tim K

Cakes Da Killa

John Mendelsohn

Charles McCloud

Ahead of the release of Honey Dijon’s upcoming remix album ‘Xtra’, Rampa, Derrick Carter and Harry Romero step up to remix records from Honey’s debut full-length work ‘The Best Of Both Worlds’. First up Rampa revisits Honey & Tim K’s ‘Thunda’, the darkly rolling jewel in the crown of Honey’s debut full-length work ‘The Best Of Both Worlds’. The Keinemusik head goes deep, drawing out the hypnotic frequencies of the Honey & Tim collab. Catching a profound after-dark vibe, John Mendelsohn’s vocal takes on a dreamy, barely-there, quality accenting the lushness of Rampa’s production. Derrick Carter cranks the pressure on ‘Catch The Beat’, crunching out the bassline for an extended industrial backdrop to Cakes da Killa’s rap vocals. Finally, Harry Romero breaks Honey and Charles McCloud’s ‘Personal Slave’ into an extended synth-spliced club workout, looping the vocal for a very fresh take on the murky and seductive original. Giving a glimpse of what’s to come from the full-length Xtra, this is the ultimate fix from Honey and friends to tide you over.


Honey Dijon 'Xtra EP'

1. Honey Dijon & Tim K featuring John Mendelsohn ‘Thunda’ (Rampa Remix)
Written by Honey Redmond, Timothy J Kvasnosky & John Mendelsohn
Produced by Honey Dijon & Tim K
Vocals by John Mendelsohn
Remix & Additional Production by Rampa
Published by BMG Talpa for the world excluding North America, Reckless Wonder (ASCAP), Money Cologne Tone Publishing (ASCAP) & Copyright Control (ASCAP)

2. Honey Dijon featuring Cakes Da Killa ‘Catch The Beat’ (Derrick’s Black Catcher Vocal)
Written by Honey Redmond & Cakes Da Killa
Produced by Honey Dijon
Additional Production by Luke Solomon
Vocals by Cakes Da Killa
Mixed by Lance Desardi
Made by Derrick Carter at B.H.Q. Chicago for Charming Animals With Exotic Technology
Published by Defected Music & Copyright Control (BMI)

3. Honey Dijon featuring Charles McCloud ‘Personal Slave’ (Harry Romero Remix)
Written by Honey Redmond & Charles Duff
Produced by Honey Dijon
Vocals by Charles McCloud
Remix & Additional Production by Harry Romero
Published by Defected Music & Lord Virtual Music (ASCAP)

P&C 2018 Classic Music Company

Personal Slave feat. Charles McCloud (Harry Romero Remix)

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Personal Slave feat. Charles McCloud (Harry Romero Remix)

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