Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Luke Solomon

Terry Grant

Eli Escobar

Tim Deluxe

“This is a mass culture we live in. It makes you act like something you really aren’t. It made me so narrow that I couldn’t really do myself justice so I broke away from that whole modern dance thing. I want to be me, I want to be human.”

Doctor Barbara Ann Teer’s words on The Radicle’s opening jam ‘JAS’ may have been lifted from an old Folkways record, but that doesn’t make the sentiment any less prescient. In fact, these words could have been said by Tim himself in reference to the spirit and ideology of ‘The Radicle’, only his third artist album to date. 

Born out of a pure love of real instruments and instrumentation, and with a decidedly soulful, blues-y feel, ‘The Radicle’ is vastly different from the majority of electronic albums out there. Tim took his time and immersed himself completely into the record, surrounding himself with some of the best contemporary jazz musicians around, making for a sonic adventure with ideas bursting from every kick and lick. There’s a cover of the Miles Davis classic ‘So What!’ which bends the trumpet classic into new forms while ‘Shanti’ explores a more mystical Indian vibe with a sax solo John Coltrane of which would be proud.

Presented as an Expanded Edition, the album is supplemented by nine club-focused remixes, including a brand new, exclusive Live Disco Revision by Terry Grant & Luke Solomon, that manages to be both dynamic and sensitive, and some syncopated Bonus Beats courtesy of Classic Music Company label-mate Eli Escobar.



Tim Deluxe 'The Radicle'

All Songs Written by Tim Deluxe, except ‘LOVE is’ Written by Tim Deluxe & Fenton Robinson, and ‘So What!’ Written by Miles Davis

Produced, Arranged & Mixed by Tim Deluxe

The Players: -
Ben Hazleton: Bass on ‘JAS’, ‘Feelings’, ‘Captain, Captain’, ‘Unsung Hero’, ‘Dah Dance’, ‘So What!’, ‘Shanti’ & ‘Spirals Pt. 1 + 2’
Enzo Zirilli: Drums on ‘JAS’, ‘Unsung Hero’, ‘Dah Dance’, ‘So What!’ & ‘Shanti’
Rod Youngs: Drums on ‘Feelings’, ‘Captain, Captain’, ‘Tryin’ Find A Way’& ‘Spirals Pt. 1 + 2’
John Donaldson: Fender Rhodes on ‘JAS’, Piano on ‘Captain, Captain’, ‘Tryin’ Find A Way’, ‘Shanti’ & ‘Spirals Pt. 1 + 2’ and Organ on ‘Unsung Hero’
Jay Phelps: Trumpet on ‘JAS’, ‘Feelings’, ‘LOVE is’ & ‘Tryin’ Find A Way’
Pete Wareham: Sax on ‘Feelings’, ‘LOVE is’ & ‘Dah Dance’
Fraser T. Smith: Guitar on ‘Captain, Captain’
Jim Mullen: Guitar on ‘Unsung Hero’ & ‘So What!’
Tim Deluxe: Keys & Strings on ‘JAS’, Piano on ‘Feelings’ & ‘Dah Dance’, Keys & Moog Voyager on ‘Captain, Captain’, Organ on ‘LOVE is’, Keys on ‘Unsung Hero’, Organ & Moog Voyager on ‘Tryin’ Find A Way’, Vibraphone on ‘Shanti’ and Organ, Piano & Moog Voyager on ‘Spirals Pt. 1 + 2’

Recording Engineer: Beatriz Artola

Mastered by Simon Davey at The Exchange Mastering

Track 11 Remix & Additional Production by Luke Solomon & Terry Grant
Track 18 Remix & Additional Production by Eli Escobar 

All Songs Published by Defected Music, except ‘LOVE is’ Published by Defected Music & Eyeball Music Chicago and ‘So What!’ Published by Jazz Horn Music Corporation

‘JAS’ contains samples of ‘Black Theater’ by Barbara Ann Teer taken from the recording entitled ‘Black Drama with Barbara Ann Teer and Charlie L. Russell’, FW09712, courtesy of Smithsonian Folkways Recordings, P&C 1973. Used by permission. 

‘Captain, Captain’ contains a sample of the recording ‘I Don't Mind The Weather If The Wind Don't Blow’ by Jim Henry, used with permission and under license from Document Records Ltd.

‘LOVE is’ contains samples from Fenton Robinson “You Don’t Know What Love Is”. Samples therein licensed from Alligator Records and Eyeball Music Chicago, IL, USA. Used by permission.

‘Unsung Hero’ contains a sample of the recording of Maya Angelou reading ‘Willy’, from the audio book ‘And I Still Rise’.  All reasonable endeavours have been made to obtain a license for the use of this sample. If you are the owner of the master recording or the publisher of the underlying composition, please contact justin.robson@defected.com to discuss a retrospective clearance of this sample.

‘Tryin’ Find A Way’ contains samples of ‘Black Theater’ by Charles Russell taken from the recording entitled ‘Black Drama with Barbara Ann Teer and Charlie L. Russell’, FW09712, courtesy of Smithsonian Folkways Recordings, P&C 1973. Used by permission. 

‘Shanti’ contains a sample of the recording ‘Shanthi Nilava Vendum’ performed by Sudha Ragunathan from the album ‘Dhyanalingam’.  All reasonable endeavours have been made to obtain a license for the use of this sample. If you are the owner of the master recording or the publisher of the underlying composition, please contact justin.robson@defected.com to discuss a retrospective clearance of this sample.

All Tracks P&C 2014 Classic Music Company under exclusive license from Deluxe Records Ltd except
Track 11 2017 Classic Music Company under exclusive license from Deluxe Records Ltd
Track 12-15 2015 Classic Music Company under exclusive license from Deluxe Records Ltd
Track 16-19 2016 Classic Music Company under exclusive license from Deluxe Records Ltd

JAS

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