Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Ron Carroll

Jamie Lewis

Shawn Christopher

Brian Tappert

Soulfuric is one of the most well-renowned labels in house music worldwide. As production duo Jazz-N-Groove and Urban Blues Project (UBP), Brian Tappert and Marc Pomeroy released records on classic labels including Sub-Urban, Strictly Rhythm and AM:PM, even cueing up the first ever release on Defected Records (and a UK chart no.8) with Soulsearcher’s 'Can’t Get Enough'. In 1996, the two founded their own label Soulfuric Recordings which eventually included sub-labels Soulfuric Deep and Soulfuric Trax. Soulfuric was and is one of the most important labels in the history of this genre we love, garnering a cult following and releasing classics from Axwell, John ‘Julius’ Knight, Shawn Christopher, Hardsoul, Melba Moore, & Copyright.

Shawn Christopher has been making house hits since the late 80s, and her experience as a vocalist shines through on ‘You Can Make It’. The ever-reliable Ron Carroll is behind the desk and turns in two finger-snapping mixes, as does soulful house don Jamie Lewis, who goes heavier on the percussion. Brian Tappert’s Preacher Man mix sees Ron Carroll jump behind the mic as the eponymous evangelist, whilst Audiowhores aim for the big room with a hands-in-the-air piano breakdown. A pair of Accapellas complete the package. 


Shawn Christopher ‘You Can Make It’

1. You Can Make It (Ron Carroll's Original Mix)
2. You Can Make It (B's Preacher-Man Mix)
3. You Can Make It (Jamie Lewis Darkroom Mix)
4. You Can Make It (Ron Carroll's Southside Dub)
5. You Can Make It (Jamie Lewis Classic Mix)
6. You Can Make It (Audiowhores Miami Edit)
7. You Can Make It (Accapella)
8. You Can Make It (Preacher-Pella)

Written by Ron Carroll, Shawn Christopher & Tina Jenkins Crawley
Produced by Ron Carroll for Minister Of Sound Productions, Chicago
Lead Vocals by Shawn Christopher
Backing Vocals by Shawn Christopher & Tina Jenkins Crawley
All Keyboard & Drum Programming by Ron Carroll
Tracks 1, 4, 6 & 7 Mix Engineered by Kris Anderson a.k.a [KE]2
Tracks 2 & 8 Remix & Additional production by Brian Tappert
Preacher Vocals by Ron Carroll
Tracks 3 & 5 Remix & Additional Production by Jamie Lewis for Purple Music
Fender Rhodes by Jodok
Guitar by Chris Muzik
Additional Keys & Engineering by Flavio Cuva at AC+F Studio CH
Track 6 Edited, Re-Arranged & New Beats by Graham Lord & Adam Unsworth
Published by Ron Carroll Music (ASCAP) & Boopsidoodles Music, Inc. (ASCAP)
P&C 2005 Defected Records Limited dba Soulfuric Recordings

You Can Make It (Audiowhores Miami Edit)

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