Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Purple Disco Machine

Luke Solomon

Lenny Dee

Masters At Work

Fallout

Black Riot

Ilija Rudman

Arnold Jarvis

Bamboo

M.O.D.E.

Royal Orchestra LTD

Bluejean

The Break Boys

Tomorrows Forecast

Paradise Inc.

Love Root

Rhythm Faktor

Out Takes

Dino B

Fourth Floor was a major US player in supporting the London garage scene in the late Nineties. Responsible for very early releases from Todd Terry using the aliases Black Riot and Masters at Work (a name he later passed on to Louie and Kenny) the imprint also released seminal classics like Fallout ‘The Morning After’ and Arnold Jarvis ‘Take Some Time Out’, both of which made the cut for this 4 To The Floor compilation. Also included are some contemporary edits from Luke Solomon of Rhythm Faktor ‘Dream On’ (Organ Grinder Mix) and Love Root ‘Funky Emotions’ (Another Mix), plus outstanding records from Royal Orchestra, M.O.D.E., Bamboo and The Break Boys.   

4 To The Floor presents Fourth Floor Records is part of the 4 To The Floor series, lovingly selected and compiled by Luke Solomon. 4 To The Floor also delves into the Movin’ Records, Sub-Urban, Faya Combo, Soulfuric and Slip ‘n’ Slide catalogues, digging for those lightbulb moments of musical discovery. Fulfilling his role as your friendly record shop assistant, Luke’s 4 To The Floor series comes correct with brand new vinyl LP collections and digital albums from these now legendary house labels, plus official label merch to accompany all of the releases, for that full rack-raiding experience.


4 To The Floor presents Fourth Floor Records

1. Arnold Jarvis ‘Take Some Time Out’ (Club) 
Written, Produced, Programmed & Mixed by Tommy Musto & Yvonne Turner
Vocals by Arnold Jarvis
Mix Engineer: Mike Rogers
Executive Producer: Silvio Tancredi
Published by Campbell Connelly & Co
P&C 1987 Fourth Floor Records 

2. Black Riot ‘A Day In The Life’ (Club Mix)
Written, Produced & Programmed by Todd Terry for Kaze Productions
Recorded & Mixed at Loudhouse Studios, NY
Executive Producer: Silvio Tancredi
Published by Campbell Connelly & Co.
P&C 1988 Fourth Floor Records 

3. Masters At Work ‘Alright Alright’ (Club Mix)
Written, Produced & Mixed by Todd Terry for Kaze Productions
Edited by Mike Delgado
Recorded at Kaze Rock Studios
Executive Producer: Silvio Tancredi
Published by Tee's Publishing Inc
P&C 1987 Fourth Floor Records 

4. Royal Orchestra LTD ‘How Do You Say Nastee’ (Itsa Jazzee Rhythm)
Written, Composed, Produced, Arranged, Performed, Engineered & Mixed by Paul ‘Mykoo’ Hernandez for Royal Tee’s House Of Music Productions
Recorded at The Royal Palace
Executive Producer: Silvio Tancredi
Published by Campbell Connelly & Co Ltd
P&C 1991 Fourth Floor Records

5. Bamboo ‘It’s All In Your Mind’ (This Mix)
Written, Produced, Mixed & Edited by Tommy Musto & Lenny Dee
Recorded at N.C.P. Studios, NY
Executive Producer-Silvio Tancredi 
Published by Campbell Connelly & Co Ltd
P&C 1987 Fourth Floor Records

6. Bluejean ‎’This Is The Sound Of (House Music)’ (Bassic Mix)
Written, Produced & Recorded by Bluejean  
Arranged & Mixed by Antione Judkins
Project Coordinator: Leonard Wright
Published by Campbell Connelly & Co Ltd
P&C 1989 Fourth Floor Records

7. The Break Boys ‘Give Us A Break (Boyee)’ (Melting Acid Microdub)
Written, Produced & Mixed by Tommy Musto & Frankie ‘Bones’ Mitchell
Heavy Edits by Tommy Sozzi
Executive Producer: Silvio Tancredi
Published by Campbell Connelly & Co Ltd
P&C 1988 Fourth Floor Records

8. Tomorrows Forecast ‘Gonna Make You Mine’ (Thunder Storm Mix)
Written, Produced, Arranged, Programmed, Mixed & Engineered by Dino ‘Blade’ Bellafiore
Keyboards by Eric Safarian 
Published by Campbell Connelly & Co Ltd
P&C 1992 Fourth Floor Records

9. Fallout ‘The Morning After’ (The Aftermath)
Written & Produced by Lenny Dee & Tommy Musto
Edited by Lenny Dee & Dino B
Executive Producer: Silvio Tancredi
Published by Campbell Connelly & Co Ltd
P&C 1987 Fourth Floor Records

10. Paradise Inc. ‘Get Together Now’ (Club)
Written by R. Dagostino & A. Mannino
Produced, Arranged & Mixed by Ralphie Dee, Anthony Mannino & Tommy Musto
Keyboards, Programming & Engineering by Tommy Musto at NCP Studios
Executive Producer: Silvio Tancredi
Published by Copyright Control & Campbell Connelly & Co Ltd
P&C 1991 Fourth Floor Records

11. The Break Boys ‘And The Break Goes On’ (Westside Kick Ass Dub)
Written, Produced, Mixed & Edited by Tommy Musto & Frankie ‘Bones’ Mitchell at NCP Studios
A Tommy Musto / Frankie Mitchell Production
Executive Producer: Silvio Tancredi
Published by Campbell Connelly & Co. Limited
P&C 1988 Fourth Floor Records 

12. Love Root ‘Hold Me Right’ (Dub Me Right Mix)
Written, Produced, Played & Engineered by Peter Daou
Published by Campbell Connelly & Co Ltd
P&C 1991 Fourth Floor Records

13. Rhythm Faktor ‘Dream On’ (Organ Grinder Mix – Luke Solomon’s Slight Edit)
Written by A. Mannino & D. Bellafiore
Produced by Anthony Mannino & Dino Bellafiore
Mixed by Anthony Mannino & Tommy Musto
Keyboards by Peter Daou
Engineered by Tommy Musto
Edited by Luke Solomon
Published by Campbell Connelly & Co Ltd
P&C 2017 Fourth Floor Records

14. M.O.D.E. ‘Get Into The Mode’ (House Mode)
Written by Ian Skeete, Michael Baker & Samuel Medina
Produced & Arranged by Total Science
Keyboard Arrangement Symphonisized by Ian Skeete
Mixed by Total Science & Tommy Musto
Engineered by Tommy Musto
Production Consultation by Nelson ‘Paradisc’ Roman
Recorded at N.C.P Studios
Published by Campbell Connelly & Co Ltd
P&C 1989 Fourth Floor Records

15. The Break Boys ‘My House Is Your House (And Your House Is Mine)’ (Miami Beach Break Mix)
Written, Produced, Mixed & Edited by Frankie Bones
A Frankie Bones Production
Published by Campbell Connelly & Co Ltd
P&C 1990 Fourth Floor Records

16. Arnold Jarvis ‘Take Some Time Out’ (Ilija Rudman Reconstruction Mix)  
Written, Produced, Programmed & Mixed by Tommy Musto & Yvonne Turner
Vocals by Arnold Jarvis
Mix Engineer: Mike Rogers
Executive Producer: Silvio Tancredi
Remix & Additional Production by Ilija Rudman
Published by Campbell Connelly & Co
P&C 2016 Fourth Floor Records 

17. Fallout ‘The Morning After’ (Purple Disco Machine Re-Work)
Written & Produced by Lenny Dee & Tommy Musto
Edited by Lenny Dee & Dino B
Executive Producer: Silvio Tancredi
Remix & Additional Production by Purple Disco Machine
Published by Campbell Connelly & Co.
P&C 2016 Fourth Floor Records

18. Out Takes ‘Overcast - Black Grass’ (Trip 2)
Written & Produced by Lenny Dee & Ralphie Dee 
Recording & Mix Engineer: Tommy Musto
Published by Copyright Control
P&C 1989 Fourth Floor Records

19. Tomorrows Forecast ‘Gonna Make You Mine’ (Hazy Hot Inst.)
Written, Produced, Arranged, Programmed, Mixed & Engineered by Dino ‘Blade’ Bellafiore
Keyboards by Eric Safarian 
Published by Campbell Connelly & Co Ltd
P&C 1992 Fourth Floor Records

20. Love Root ‘Funky Emotions’ (Another Mix – Luke Solomon’s Slight Edit)
Written, Produced & Mixed by Danny Tenaglia & Peter Daou
Edits by Rio
Edited by Luke Solomon
Published by Campbell Connelly & Co Ltd
P&C 2017 Fourth Floor Records

21. Out Takes ‘Overcast - Black Grass’ (Trip 1)
Written & Produced by Lenny Dee & Ralphie Dee 
Recording & Mix Engineer: Tommy Musto
Published by Copyright Control
P&C 1989 Fourth Floor Records

22. Love Root ‘Hold Me Right’ (Hold Me Right Mix)
Written, Produced, Played & Engineered by Peter Daou
Published by Campbell Connelly & Co Ltd
P&C 1991 Fourth Floor Records

23. Bamboo ‘Bamboo (I Can't Quit)’ (Dub Version)
Written & Produced by Lenny Dee & Tommy Musto
Edited by Dino B & Lenny Dee 
Engineer: Mike Rogers 
Assistant Engineer: Kieran Walsh
Recorded at D & D Recording
Executive Producer: Silvio Tancredi 
Published by Campbell Connelly & Co Ltd
P&C 1987 Fourth Floor Records

24. Masters at Work ‘Dum Dum Cry’ (Dum Club Version)
Written, Produced & Mixed by Todd Terry for Kaze Productions
Edited by Franklyn Martinez & Mike Delgado
Recorded at Kaze Rock Studios
Executive Producer: Silvio Tancredi
Published by Tee's Publishing Inc
P&C 1987 Fourth Floor Records

The Morning After (The Aftermath)

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