Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Roland Clark

Claptone

Simion

MD X-Spress

Ultra Naté

Powers That Be

‘The Masquerade mixed by Claptone’ is the first official mix compilation from the mysterious masked figure, and showcases the heartstring-tugging, synapse-triggering DJ performances that have entranced countless clubbers worldwide. Ahead of its release, three tracks created specifically for the mix are previewed on this album sampler, each demonstrating Claptone’s remix and production alchemy. ‘The First Time Free’ is an ode to timeless house music, marrying Ultra Naté’s iconic guitar riff and Roland Clark’s heartfelt vocal with a characteristic pulsing Claptone groove. ‘Planet Rock’, on the other hand, reveals Claptone’s affinity towards classic electro and his ability to transcend eras, with Afrika Bambaataa’s unmistakable stabs echoing all around his rework of the Powers That Be cover. Finally, ‘God Made Me Feel It’ is an explosive edit combining Simion’s recent ‘Can You Feel It’ with Mike Dunn’s seminal house/garage crossover from his MD X-Spress alias, ‘God Made Me Phunky’, and closing the sampler in emphatic style.


The Masquerade mixed by Claptone Album Sampler

1. Ultra Nate vs Roland Clark ‘The First Time Free’ (Claptone Remix)
Written by U. Nate, L. Springsteen, J. Ciafone & Roland Clark
Produced by Lem Springsteen & John Ciafone for Mood II Swing & Roland Clark
Vocals by Ultra Nate & Roland Clark
Remix & Additional Production by Claptone
Published by BMG Rights Management (UK) Limited, Universal Music Publishing MGB Limited & Defected Music
‘The First Time Free’ contains a sample of ‘Free’, Written by U. Nate, L. Springsteen & J. Ciafone, Performed by Ultra Nate, Published by BMG Rights Management (UK) Limited & Universal Music Publishing MGB Limited. Used by permission.
‘The First Time Free’ contains a sample of Roland Clark ‘The First Time’, Written by Roland Clark. Performed by Roland Clark, Published by Defected Music. Used by permission.

2. Powers That Be vs Roland Clark ‘Planet Rock’ (Claptone Remix)
Written by Pierre J, Giles Goodman, Roland Clark, Stu Foster, Marc Leaf, Ralf Hutter, Emil Schult, Afrika Bambaataa, Arthur Baker & John Robie
Produced by Pierre J & Giles Goodman
Keyboards, Programming & Engineering by Pierre J
Vocals by Roland Clark
All Replayed ‘Planet Rock’ Samples by Mark Summers
Remix & Additional Production by Claptone
Published by Q-Songs/Air/Chrysalis Scandinavia, Kling Klang Musik GmbH, Defected Music, Bambaataa Music & Copyright Control 

3. Simion vs MD X-Spress ‘God Made Me Feel It’ (Claptone Edit)
Written by Michael Kronenberger & Mike Dunn
Produced by Simion & Mike Dunn
Remix & Additional Production by Claptone
Published by Copyright Control, Universal Music Publishing MGB Limited & Blackball Muzik Publishing/Westbury Music Ltd
‘God Made Me Feel It’ contains a sample of Simion ‘Can You Feel It’, Written by Michael Kronenberger, Produced by Simion, Published by Copyright Control. Used by permission.
‘God Made Me Feel It’ contains a sample of ‘God Made Me Phunky’, Written & Produced by Mike Dunn, Published by Universal Music Publishing MGB Limited & Blackball Muzik Publishing/Westbury Music Ltd. Used by permission.

All Tracks P&C 2016 Defected Records Limited

God Made Me Feel It (Claptone Edit)

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