Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Osunlade

Supreme

With roots planted very much in the early jazz and soul influences of his formative years, ‘A Man With No Past Originating The Future’ is the latest album from Osunlade, one of the most creative and versatile producers and artists of his generation. 

Released earlier this year on vinyl (twice sold out following an initial repress) but now finally seeing a digital release, ‘A Man With No Past Originating The Future’ has been a long time in the making. Recorded over the course of three years, the project originally started out as an “ambient experiment” but changed direction over the album’s incubation. “The initial influence of the album was my love for ambient music” says Osunlade of the project “putting textures together that were ambient based. But of course soul and jazz came into play during the making of it. The premise of it was just to make something that was a bit more ethereal and ambient in sound, but it took another turn as I started working on it.”

As a complete album, it’s difficult to sum up its ambience; as overt as some of its influences at times are, it’s also a completely unique listening experience, each track contained therein bearing Osunlade’s unmistakable mark. His voice, as ever, has a strong role to play, whether breathily harmonious (‘Quiet Departures’) or subtly, mechanically manipulated (‘Human Beings’) it is as distinctive as ever, and lends a cohesive quality to the whole.

‘A Man With No Past Originating The Future’ is the next evolutionary step in the musical career of a true original and further proof, if any was needed, of Osunlade’s seemingly endless creative talent.


Osunlade 'A Man With No Past Originating The Future'

1. Osunlade ‘The Realm Of Difference’
Written & Produced by Osunlade
Instruments by Osunlade
Percussion by Christopher Flueck

2. Osunlade ‘Eclipse’
Written & Produced by Osunlade
Instruments by Osunlade
Trumpet by Emanuele Coluccia
Guitar by Francesco Chirivi

3. Osunlade ‘Human Beings’
Written & Produced by Osunlade
Vocals & Instruments by Osunlade

4. Osunlade ‘Quiet Departures’
Written by Eberhard Weber 
Produced by Osunlade
Vocals & Instruments by Osunlade

5. Osunlade featuring Supreme ‘Sour The Plan’
Written by Osunlade & M. Davis 
Produced by Osunlade
Vocals by Supreme
Instruments by Osunlade
Percussion by Christopher Flueck

6. Osunlade ‘Luna Moth’
Written & Produced by Osunlade
Instruments by Osunlade

7. Osunlade ‘Camera Shy’
Written & Produced by Osunlade
Vocals & Instruments by Osunlade

8. Osunlade ‘Vessel’
Written & Produced by Osunlade
Vocals & Instruments by Osunlade
Guitar by Francesco Chirivi

9. Osunlade ‘Satellite Beneath The Stars’
Written & Produced by Osunlade
Vocals & Instruments by Osunlade
Percussion by Christopher Flueck
Saxophone by Emanuele Coluccia

10. Osunlade ‘Goddess’
Written & Produced by Osunlade
Instruments by Osunlade
Flute by Emanuele Coluccia
Cello by The Yoruba Soul Orchestra

11. Osunlade ‘Conversations With Myself’
Written & Produced by Osunlade
Vocals & Instruments by Osunlade
Trumpet by Miles Bonny
Guitar by Dwayne Carter
Cello by The Yoruba Soul Orchestra

12. Osunlade ‘Looking Through The Crowds’
Written & Produced by Osunlade
Vocals & Instruments by Osunlade

All Tracsk Recorded & Mixed @ Oya’s House, Imerovigli by Osunlade
Sound Mastering by Martin Iveson in The At-Lab
All Tracks Published by Yoruba Peoples Music (ASCAP) / Sony ATV Music except  ‘Quiet Departures’ Published by ECM
All Tracks P&C 2012 Yoruba Records

Luna Moth

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