Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

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LACK OF FATE

For our third release, Invection Series is proud to present Lack of Fate, a producer duo from Ceuta, Spain. With their distinctive creative vision, Lack of Fate brings a fresh energy that perfectly aligns with the spirit of the series. INVCTNS 003 There are moments when the world keeps moving—sharpening, blooming, erupting—yet one’s own signal is not received. Where everything hums at a frequency just beyond touch. This EP is the embodiment of that misalignment: the spectral sensation of being present and yet unreceived, of having the will to join but no passage granted. Ausente is not absence in the passive sense, but exile by resonance—an unspoken barrier between the self and the shared moment. Each piece unfolds like a forgotten message caught in static: almost decipherable, but never fully arriving. There’s tension without conflict, yearning without object, motion without participation. The feeling is not isolation, but a haunted stillness—where perception remains sharp, yet integration fails. Not rejected, not ignored… just unheard. In this sonic procession, Lack of Fate crystallizes the ungraspable: not pain, not numbness, but the echo bouncing right between them. 00. Apotheosis The EP opens in paradox. Apotheosis evokes elevation, transcendence, but here it is not granted as reward—it’s a side effect of detachment. The ascent is cold, unshared. Glitches and mechanical shifts pulse beneath a veil of synthetic pressure, like a body levitating through disuse. There’s grandeur, yes, but hollow—a shrine to the self when the world has stopped reflecting it back, fabricated off frustration. This track feels like being crowned by silence, by absence. 01. Now I Understand Realization, when it finally arrives, rarely brings relief. This track is not a eureka, but a slow, shattering nod. Like hearing a message too late to act upon, too late to fix. Its rhythmic phrasing stumbles over itself in minor stutters, repeating shapes that almost align but never seal. Synths swell then fracture, leaving behind a message that perhaps was never meant for this realm. Understanding doesn’t always reconnect—it sometimes explains why the bridge will never be rebuilt. 02. Rend to Heal Here the duality sharpens. The beat carries a raw urgency, an instinctual motion as if trying to claw its way back into immediacy. But the very act of healing is framed as a violent necessity: one must tear something open to let the new in. Tension coils around each strike, building towards catharsis that never quite permits climax. Rend to Heal feels like an attempt to recover one’s own reflection by fracturing what remains of it. You must wound the illusion to reach what’s underneath. 03. Ausente The final piece is the essence distilled. No longer chasing return, Ausente accepts the condition of orbiting reality without entering it. Its rhythm is subdued but persistent, like a message endlessly pinging across unreachable satellites. Pads blur, time bends, and space folds inward as if reality were reconsidering its own texture. This track is not about coming back—it’s about learning to live in the hollow. In being not here, there is a twisted peace. And in that void, the listener finally becomes part of something—even if it’s only the silence that surrounds, and the lies we tell ourselves over and over, the mirrors reflecting back to us.

Apotheosis

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