Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Machinedrum

Jesse Boykins III

Rochelle Jordan

Kevin Hussein

MeLo-X

D∆WN

Ruckazoid

Tosin Abasi

With Human Energy, Travis Stewart (aka Machinedrum) has made a career-defining album, one which will take him from best-kept-secret of the electronic music cognoscenti to breakout star of the US music scene. Why and how? The simple answer is that he’s fallen in love and moved to California, let in light and warmth to his always technically stunning productions. The complex answer is, well, more complicated. But then, you can spend forever trying to explain or you can just revel in this remarkable album.
Let’s begin with the simple. Written between January and April 2016, the record “reflects a period of great change in my life. I moved across the country to a new city, I proposed to the girl of my dreams, I moved into a new house, bought a brand new computer and set off to write a new album.” But as well as these personal elements, moving to California allowed Stewart to explore a long-held interest in “esoteric and new age concepts… When I was younger I started researching energy healing, meditation and other pseudosciences after learning that my great grandfather was a healer.” 

Somehow, these ideas began to provide a vitality and intensity for his music-making: “I played the songs for friends and their immediate reaction was that the songs made them feel something in their bodies, like the music was pouring energy into them. I realized that I was creating an album that will make people feel something instantly, connecting my intention with the listener.” Stewart is well aware that some of these ideas will come over as “straight up cheesy.” His best rebuttal is his album, which astounds over and over again with the sheer brilliance of its execution, the warmth and beauty it resonates with, and yes, the unremitting energy of the music. Who can say if Human Energy can heal you? It will certainly leave you with a huge, goofy smile slathered all over your face.

From opener “Lapis,” Machinedrum sets out his stall — an arpeggio ascending to heaven which, apparently building towards the mother of all drops, instead fades up and off into the ether. The music throughout is scintillating, from the mind-candy riffs of “White Crown” (featuring some crazy guitar work from Tosin Abasi of progresive metal band Animals As Leaders), the ecstatic d&b finale of “Do It 4 U” (an absolute stand-out with showstopper vox from singer-of-the-moment D∆WN), the smile-inducing, melodic brilliance of “Color Communicator,” or the precision and build of first single “Dos Puertas,” featuring Rihanna collaborator Kevin Hussein.

Hussein, D∆WN and Abasi aren’t the only collaborators to have bought into this new take on the Machinedrum universe. Fresh off the back of two prominent collabs on Beyonce’s Lemonade, MeLo-X offers understated, classy assistance on the wonderful “Angel Speak,” sitting his voice in amongst heavenly vocal chops. Jesse Boykins III offers a moment of astral r&b goodness on “Celestial Levels.” Rochelle Jordan provides the lift off as Machinedrum works the rhythm flips on “Tell U.” There are telling contributions, too, from Ruckazoid, Roses Gabore and SK Simeon.

 You could in fact, pick almost any track from this record and argue that it is a standout, all of which adds to the sense that Travis Stewart, having discovered that rare thing—spirituality and purity in electronic music—is about to have a very big year. “It’s an exchange of energy through sound,” he finishes by telling us. “It’s a healing experience. We’re living in dark times and with so much negativity existing in the world I want to be a rare voice of positivity.” You don’t really need to read any more of this — you just need to hear it.

Opalescent

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