Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Jameszoo

Arthur Verocai

Steve Kuhn

The word ‘naive’ comes from the Latin ‘nativus’, meaning native, or natural. Today, to be naive is often seen as pejorative, a lack of experience or judgement, but in the art world the word retained some of its original meaning: a quality acquired through birth, a childlike innocence and wonder that produces spontaneous, unaffected art. For Mitchel Van Dinther, the Dutch producer known as Jameszoo, it is this quality that lies at the heart of his debut album, Fool, which he calls “naive, computer jazz.”

Van Dinther emerged from the small town of Den Bosch in the southern Netherlands in the late 2000s. First as a DJ – with wide-ranging crates of avant-garde jazz, prog and kraut rock, electronic experiments, and beat oddities – and then as a producer capable of impressive sonic and rhythmic incongruities. This spring, Van Dinther joins Brainfeeder with an album that fits right into the label’s expanding take on the modern evolution of jazz music.

Fool began life as just a simple debut album, but soon grew into something more audacious. The primary inspiration behind the album was human limitation and our struggles to achieve, which, while depressing on the surface, provided Van Dinther with the necessary burst of inspiration to create work that is both personal and relatable. As he explains, “Fool is a product of coming to terms with myself.” During the recording process Van Dinther became obsessed with classic albums by Steve Kuhn (1971’s Steve Kuhn), Arthur Verocai (1972’s Arthur Verocai), and Robert Wyatt (1974’s Rock Bottom). The melodies, compositions, and idiosyncrasies of these works made the young Dutch producer reconsider his approach, moving him away from the colourful, electronic productions he was known for. “Whereas before electronic music was the foundation of my composing, now it is nothing more than an instrument within the range of many.”

Not only did Van Dinther take inspiration from these works, he eventually contacted the artists he’d been studying and convinced Kuhn and Verocai to lend their inimitable touch to the recordings. Tapping into jazz’s tradition of playing standards and covers, ‘The Zoo’ re-imagines Kuhn’s playful ‘Pearlie’s Swine’ with Rhodes and vocals that the man himself recorded with Van Dinther in New York City. The session with Verocai took place in The Netherlands, an hour-long jam between the Brazilian composer, Van Dinther, and singer Carlos Dafé, who had come along for the ride, taking turns on various instruments. After Van Dinther brought the musicians back to their hotel, he found himself floored by a flu virus that he had been ignoring for a week which eventually gave its name to the track.

With Fool, Van Dinther has created an album that doesn’t follow any direct rules. An album composed and arranged “on purpose” that still retains a wonderful naive quality. “It bothered me at first to not have the same background as most of the musicians I speak highly of, but I realise now it has its own value, it can be interesting.”

Across its 11 tracks, Fool plays out Van Dinther’s journey to find a musical voice he can be proud of and which can also inspire others. Alongside Verocai, Dafé, and Kuhn, the album features a stellar cast of classical and jazz musicians including pianist Niels Broos, drummers Julian Sartorius and Richard Spaven, bass guitarists Raphael Vanoli and Stephen Bruner (aka Thundercat), and saxophonist John Dikeman. All of these different contributions and approaches are weaved together into a whole by Van Dinther, armed with electronics and naivety. At times coherent, at times seemingly haphazard, the album is always joyful. “I tried to create something that is both tradition and me fooling around,” he explains. “There is something to be said for both sides of the spectrum. If we always remain in tradition there will be no evolution.”

Toots

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